Norman Lear’s work was an integral part of American life in the second half of the 20th Century. Television programs like Maude, Sanford and Son, and The Jeffersons dragged television out of the 1950s and into the real world. As Variety states: “Lear’s shows were the first to address the serious political, cultural and social flashpoints of the day – racism, abortion, feminism, homosexuality, the Vietnam war – by working pointed new wrinkles into the standard domestic comedy formula. No subject was taboo: Two 1977 episodes of All in the Family revolved around the attempted rape of lead character Archie Bunker’s wife Edith.”
All in the Family, which ran on CBS from 1971 to 1979, typified the clash of generations. Middle-aged bigot Archie Bunker – played by Carrol O’Connor – was a right-wing King Lear in Queens, raging at the radical changes in society. Archie didn’t let ignorance get in the way of his opinions; once he argued that people who lived in communes were communists. The thing is, the old dog was actually capable of learning new tricks. Archie never evolved into any kind of saint. But over the nine seasons "Family" aired, experience taught Archie the benefits of listening to (and respecting) viewpoints far different from his own.
All in the Family was the jewel in Lear’s crown, but don’t forget the highly popular shows One Day at a Time (which featured Bonnie Franklin as a divorcee raising two daughters in the Midwest) and Mary Hartman, Mary Hartman (with Louise Lasser as the titular figure in a parody of soap opera conventions). Good or bad, Lear’s work was never indifferent.
More recently, you may have heard about Lear’s lively activism. His TV shows were themselves arguments for free and unfettered speech, and Lear supported a slate of liberal causes. In 1981 he founded People for the American Way. The organization’s website describes the ways that PFAW has “engaged cultural and community leaders and individual activists in campaigns promoting freedom of expression, civic engagement, fair courts, and legal and lived equality for LGBTQ people.”
Lear’s life was a long and fulfilling one. In 1978 he was given the first of two Peabody Awards, the most prestigious award in television. “To Norman Lear,” it reads, “...for giving us comedy with a social conscience. He uses humor to give us a better understanding of social issues. He lets us laugh at our own shortcomings and prejudices, and while doing this, maintains the highest entertainment standards.”
A pioneer, a gadfly of the state, a mensch. To paraphrase a lyric from All in the Family’s theme song, “Mister, we could use a guy like Norman Lear again.”
Trump Releases Racist, Anti-Immigration Ad
The President vilifies immigrants as the midterms approach.
On Thursday Nov. 1st, President Trump released a political ad that accused Democrats of plotting to help murderers and criminals invade the country.
The ad is a flagrantly manipulative and fear mongering move, a new low in Trump's inflammatory closing argument of the GOP's midterm campaign.
It is outrageous what the Democrats are doing to our Country. Vote Republican now! https://t.co/0pWiwCHGbh https://t.co/2crea9HF7G— Donald J. Trump (@Donald J. Trump) 1541017087.0
The video — produced by Trump's campaign — features Luis Bracamontes, a Mexican immigrant who returned to the United States after being deported, and was then convicted of killing two California deputies. Bracamontes is shown with a chilling smile, saying, "I'm going to kill more cops soon," meanwhile, a caption flashes across the screen that reads "Democrats let him into our country. Democrats let him stay." The video then goes on to show footage of people crossing the border as menacing music plays. The screen then reads, "Who else would Democrats let in?" The spot is not only a clear attempt at sowing fear, but also rife with misinformation, as Bracamontes was actually originally deported by a democrat, Bill Clinton, and let back in by a Republican, George W. Bush.
After posting the video, Trump told reporters he would deploy 15,000 troops to the southern border to repel a caravan of central American immigrants, which is still hundreds of miles away. He also suggested that these troops could fire on the migrant caravan if rocks or stones were thrown, a claim that contradicts Official Department of Defense regulations, which state, "deadly force is justified only when there is a reasonable belief that the subject of such force poses an imminent threat of death or serious bodily harm to a person." Additionally, Trump repeatedly implied to reporters that there are Middle Eastern individuals hiding amongst the caravan, but later said, "There's no proof of anything. There's no proof of anything. But there could very well be."
In the wake of all of this troubling rhetoric surrounding immigration, Trump claimed Thursday that he would sign an executive order "next week" aimed at limiting immigrants ability to seek asylum in the United States. These developments come on the heels of Trump's recent assertion that he aims to repeal the 14th amendment, which automatically grants citizenship to children born in the United States.
This recent rise in anti-immigration rhetoric is yet another example of the President's willingness to exploit racial divides to falsely inflate his power and the cause of the Republican midterm campaign. It's clear that the Trump administration has chosen to scapegoat and villify central American immigrants in an attempt to counteract rising enthusiasm about democratic candidates in the midterm elections. The question is, will voters succumb to Trump's scare tactics, or see it as the manipulative and divisive rhetoric that it is?
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