“A tree is best measured when it is down,” the poet Carl Sandburg once observed, “and so it is with people.” The recent death of Harry Belafonte at the age of 96 has prompted many assessments of what this pioneering singer-actor-activist accomplished in a long and fruitful life.
Belafonte’s career as a ground-breaking entertainer brought him substantial wealth and fame; according to Playbill magazine, “By 1959, he was the highest paid Black entertainer in the industry, appearing in raucously successful engagements in Las Vegas, New York, and Los Angeles.” He scored on Broadway, winning a 1954 Tony for Best Featured Actor in a Musical – John Murray Anderson's Almanac. Belafonte was the first Black person to win the prestigious award. A 1960 television special, “Tonight with Belafonte,” brought him an Emmy for Outstanding Performance in a Variety or Musical Program or Series, making him the first Black person to win that award. He found equal success in the recording studio, bringing Calypso music to the masses via such hits as “Day-O (The Banana Boat Song)” and “Jamaica Farewell.”
Harry Belafonte - Day-O (The Banana Boat Song) (Live)www.youtube.com
Belafonte’s blockbuster stardom is all the more remarkable for happening in a world plagued by virulent systemic racism. Though he never stopped performing, by the early 1960s he’d shifted his energies to the nascent Civil Right movement. He was a friend and adviser to the Reverend Doctor Martin Luther King, Jr. and, as the New York Times stated, Belafonte “put up much of the seed money to help start the Student Nonviolent Coordinating Committee and was one of the principal fund-raisers for that organization and Dr. King’s Southern Christian Leadership Conference.”
The Southern Poverty Law Center notes that “he helped launch one of Mississippi’s first voter registration drives and provided funding for the Freedom Riders. His activism extended beyond the U.S. as he fought against apartheid alongside Nelson Mandela and Miriam Makeba, campaigned for Mandela’s release from prison, and advocated for famine relief in Africa.” And in 1987, he received an appointment to UNICEF as a goodwill ambassador.
Over a career spanning more than seventy years, Belafonte brought joy to millions of people. He also did something that is, perhaps, even greater: he fostered the hope that a better world for all could be created. And, by his example, demonstrated how we might go about bringing that world into existence.
Dying While Dying: COVID-19 & Police Brutality in Black America
We looked for 2020 to be the year of Exodus from all of the strife of the previous decade(s). But, it seems that we might have to endure a few more plagues before we see the Promised Land.
2020 was supposed to usher in a decade of change and elevation. On December 31, 2019, personal and social resolutions were at the forefront of our minds as we collectively waited for midnight. For Black Americans exclusively, this was the hope that the atrocities from the 2010s in regards to race relations wouldn't accompany us. Still, it seems we've become more engrossed in the fight for our right to exist on several fronts.
The COVID-19 pandemic has caused an unprecedented paralysis in the world both economically and emotionally. Millions are without jobs, adequate health care, and engaged leadership. African Americans are the most impacted by the disease. As of June, there have been over 21,000 COVID-19 related deaths in the Black Community nationwide. Pre-existing health conditions and challenging living situations act as barriers preventing proper social distancing and protection/recovery. Though coronavirus is an unexpected nemesis for Blackness to combat, an old foe is still ever-present.
Currently, foreign and domestic protests and riots have erupted in response to the multiple deaths of unarmed Black men and women at the hands of law enforcement. The murder of George Floyd in Minneapolis, Minnesota, on Memorial Day has captured the world's attention. In an 8 minute and 46-second clip, America has yet another lifelong lasting image of an unarmed African American male screaming, "I Can't Breathe" - an unholy sequel to the video of Eric Garner uttering those exact words in 2014 as his life was brutally driven from his body.
If Floyd's death was the explosion on a global scale, then Breonna Taylor's death was undoubtedly the fuse. Back in March, the 26-year-old Louisville EMT worker was fatally shot eight times when the Louisville Metro Police Department entered her home serving a no-knock warrant.
Overwhelming feelings of helplessness, anger and fear due to coronavirus, coupled with the recent murders at the hands of the authorities, have exacerbated our current temperaments. We are expected to adhere to the pleas of law officials and politicians to shelter in place and social distance when the particular cases of Floyd and Taylor indicate the antithesis of these requests when put into practice by the police.
While dealing with a faceless adversary in COVID-19, African Americans remain engaged in an ongoing battle with a known opposition. Black people have become savants at juggling multiple issues of our survival. But balancing civil unrest and possible contagion simultaneously, and at this magnitude, is an ask that is too great - despite our resiliency.
At the risk of further spreading coronavirus, the streets are running wild with rebellion. However, the sickness of racism, of injustice, is a pandemic that has been ever-present since this country's inception. We looked for 2020 to be the year of Exodus from all of the strife of the previous decade(s). But, it seems that we might have to endure a few more plagues before we see the Promised Land.
Dwayne "Deascent" Gittens is a Hip Hop artist, On-Air Personality, & Content Creator from The Bronx. Follow him on Instagram & Twitter @Deascent.
- Race ›
- Chicago Police Officer Guilty of Killing Laquan McDonald - Liberty ... ›
- 64+ Anti-Racism Resources - Liberty Project ›
- Black Lives Matter: Defunding and Abolishing the Police - Liberty Project ›