Swifties, this one’s for you. It seems like Taylor Swift's Eras Tour has lasted eons. Yet somehow, there’s always something to talk about. Just thinking about how much she’s accomplished while on tour makes me want to buckle down, lock in, and channel my inner girlboss. But while I can’t even be bothered to cook dinner at home after a long day of work, Taylor is accomplishing milestones most musicians can only dream of. Let’s recap.
The Era’s Tour began in March 2023 with its North American leg. It’s set to go until December 2024, with dates in Europe, Australia, Asia, and South America— spanning 152 shows across five continents.
As the queen of multitasking, Swift hasn’t stopped at just selling out stadiums. Since the Eras tour began, she’s released multiple albums — both new and old — and shaken up the tour setlist with each new release. Her list of new releases started on the first day of tour with “All Of The Girls You Loved Before,” which was quickly followed up by “The Alcott,” a feature on The National’s album — reciprocity for their work on her pandemic era albums, Folklore and Evermore.
She also released Midnights: Late Night Edition (including the iconic collab with Ice Spice), as well as not one but two album re-releases — Speak Now Taylor's Version and 1989 Taylor's Version. As if that wasn’t enough, she announced her latest album, The Tortured Poet’s Department, in a GRAMMY’s acceptance speech. Talk about legendary. Since its release, she’s also been churning out deluxe versions and remixes to keep us on our toes. The Eras Tour was even made into a Blockbuster film that brought Beyonce to its premiere. Star power: confirmed.
But that’s just her work life. Her personal life is just as eventful. She ended her 7-year relationship with Joe Alwyn in April 2023. Then entered into a brief but controversial fling with 1975 frontman Matty Healy. Though it didn’t last long, the relationship was enough to inspire a whole album and catapult her into her current romance with Travis Kelce, aka Amerca’s first nepo boyfriend. Now they’re the American Royal couple — and she somehow had time to fly from tour to his Super Bowl performance.
We all have the same hours in the day as Taylor Swift, but how she uses them will always be a mystery to me. I work eight hours a day and can barely manage a social life. Meanwhile, Taylor literally has it all — though conservatives are turning on her for daring to be a woman in her 30s who’s not married with kids. If that’s not proof that women can’t do anything right, I don’t know what is.
Clearly, she’s working late because she’s a singer. No wonder Taylor Swift became a billionaire months into her tour in October 2023. Her net worth is currently around 1.3 billion dollars, making her the only female musician to become a billionaire from her music.
Other entertainment billionaires like Rihanna, Kylie Jenner, Kim Kardashian, Jay-Z, and Kanye West have joined the three-comma club thanks to ventures like clothing brands, beauty products, and other entrepreneurial pursuits. Rihanna has her FENTY Empire. Kim has her award-winning SKIMS. Ye had Yeezy. But Taylor has an unbeatable catalog of publishing.
But Taylor isn’t just different from other Billionaires because of how she earned her money. She’s the Taylor we know and love because of how she spends it. Her rollercoaster Eras Tour is how she’s made much of her fortune. And she’s using it to give back in monumental degrees. From individual donations to investing in local infrastructure, Taylor is literally changing lives on a macro and micro scale. And teaching us what to expect from all billionaires in the process.
The Era’s Tour Bonuses — Talk About Workplace Benefits
First to make headlines were the Eras Tour crew bonuses. While some of us get rewarded with a pizza party or a $10 gift card to Starbucks, Taylor casually dropped $55 million in bonuses for her tour crew. The massive sum was paid out to everyone who makes the Eras Tour go around, from truck drivers to dancers and sound technicians.
In fairness, these bonuses are definitely well-deserved. Taylor’s shows are over three hours long. Imagine dancing for that long — because Swift certainly isn’t the one with the impressive moves — for hundreds of tour dates. Or remembering countless combinations of light cues to go with a setlist that changes daily. Yeah, they’re clocking in. And if my boss had millions to blow, I’d be expecting a comfortable bonus too. But $55 Million? That’s a testament to Swift’s generosity. It's like she's Oprah, but instead of cars, she's giving out life-changing amounts of cash. "You get a bonus! You get a bonus! Everybody gets a bonus!"
It’s similar to how Zendaya gave film equity to every member of the crew that worked on her controversial black-and-white drama, Malcolm & Marie. Filmed in a few days with a bare-bones crew during the peak of the pandemic, the film was Zendaya’s passion project with Sam Levinson, in which she starred alongside John David Washington. Though the film got mixed reviews, it captured the audience’s attention all the same. After all, it was Zendaya — and we’ll watch her in anything. So since the film sold to Netflix for a hefty sum, all the crew members got payouts from the deal on top of their salaries to reward their hard work.
Bonuses and equity payouts are common in many industries, but not entertainment. Even though it’s one of the most lucrative and recognizable American industries, most entertainers don’t make enough to survive. The SAG and WGA strikes last year were proof that there needs to be systemic change in the industry. LA County has even identified show businesses as risk factors for being unhoused — after all, how many stories do we hear of actors who were living in their cars before their big break? And for many, their big break never comes. For even more, they get hired on amazing gigs with giant performers … then go right back to the grind afterward. While individual actions from our favorite stars won’t fix everything, Zendaya and Taylor are providing models for how Hollywood should treat the people who make this town go round.
And in this economy, even a little bit could go a long way. Inflation and the cost of living are not a joke. Especially when, like with many creative careers, you often have to invest in lessons or equipment for your craft. With all this considered, the impact of Swirt’s donations can’t be overstated. Imagine getting a lump sum of cash for dancing to your favorite Taylor Swift tracks? Talk about a dream job.
The Economic Impact of Swift - Swiftonomics, if you will
Like Barbie and Beyonce last year, Swift is still on a tear to boost the economy of the cities she’s in just by traveling there — ad inspiring others to make the trek, too.
The Barbie movie proved that by marketing to women (instead of just making Marvel flops like Madame Web that aren’t really targeted to women at all), the entertainment industry can make giant profits. Barbie fever went beyond the theater. Thanks to a plethora of product collabs, the phenomenon rippled through retail.
Similarly, Beyonce’s Renaissance Tour tour generated an estimated $4.5 billion for the American economy. According to NPR, that’s almost as much as the entire 2008 Olympics earned for Beijing. People were taking money out of their 401ks to pay for Beyonce tickets and the glittery, silver-hues outfits to rock at her shows. Cities even started calling her effect the “Beyonce Bump.”
Swift has the same effect. She’s not just proving her generosity on a micro-scale for the people close to her, she’s having actual, tangible effects on the economy. It's like she's leaving a trail of dollar bills in her wake, and cities are scrambling to catch them like it's a country-pop, capitalist version of musical chairs.
The US Travel Association called it the Taylor Swift Impact after she generated over $5 Billion in just the first 5 months of the Eras Tour. But how does this work? It’s not like Taylor is printing more money at those shows, but it almost is. Her tour dates are pretty much economic steroid shots for local businesses. Hotels are booked solid, restaurants are packed, and let's not even get started on the surge in friendship bracelet supplies.
“Swifties averaged $1,300 of spending in local economies on travel, hotel stays, food, as well as merchandise and costumes,” say the US Travel Association. “That amount of spending is on par with the Super Bowl, but this time it happened on 53 different nights in 20 different locations over the course of five months.” That’s not to say anothing of her effect on the actual Super Bowl and the entire NFL season thanks to her ball-throwing boyfriend.
It's like she's created her own micro-economy, and everyone's invited to the party. And unlike some economic theories that rely on wealth trickling down (spoiler alert: it doesn't), Taylor's wealth is more like a t-shirt cannon or the confetti at her shows — showering everyone around.
Donations that actually do good
Taylor isn’t just stepping into cities and calling it a night. She’s also not just throwing pennies at problems - she's making significant contributions that are changing lives. And more importantly, she's using her platform to encourage her fans to do the same.
She kicked off her tour with quiet donations to food banks in Glendale, Ariz., and Las Vegas ahead of the Eras Tour. Once the tour was in full swing, she continued this practice. In Seattle, she donated to Food Lifeline, a local hunger relief organization. In Santa Clara, she showed some love to Second Harvest of Silicon Valley. And let's not forget about her $100,000 donation to the Hawkins County School Nutrition Program in Tennessee.
She’s been making similar donations overseas. Taylor Swift donated enough money to cover the food bills for an entire year across 11 food banks and & community pantries in Liverpool. Swift also covered 10,800 meals for Cardiff Foodbank and many more banks across the UK and EU. Her impact is so profound that her numbers are doing more to combat issues like hunger than the government.
Can billionaires actually be good?
One thing about me, I’m always ready and willing — knife and fork in hand — to eat the rich. Because fundamentally, can any billionaire really be good? In our late-stage capitalist horror story, the answer is usually no. Look how many of them are supporting the Trump campaign just to get some tax breaks.
But here's the thing - Taylor Swift might just be the exception that proves the rule. She's not perfect, sure. She still flies private jets and probably has a carbon footprint bigger than Bigfoot. But unlike most of the others in her tax bracket, she's not flaunting her wealth like it's a personality trait.
Take a look around. We've got billionaires trying to colonize Mars instead of, I don't know, helping people on Earth. In this context, Taylor's approach is more like Mackenzie Scott’s — Bezos’s ex-wife. She's not trying to escape to another planet - she's trying to make this one better.
And look, I'm not saying we should stop critiquing billionaires or the system that creates them. But she's just setting the bar for what we should expect from all billionaires. She's showing us that our collective power as fans can translate into real-world change. That our love for catchy choruses and bridge drops can somehow, improbably, lead to food banks getting funded and crew members getting life-changing bonuses.
So sorry to my neighbors who hear me belting “Cruel Summer” and “right where you left me” at the top of my lungs (and range). Just know it’s for the greater good.
Why Doesn't Kyle Rittenhouse Deserve Qualified Immunity?
The cases of Rusten Sheskey and Kyle Rittenhouse make it clear that the leniency afforded to police officers is not justified.
Amid protests of a police shooting in Kenosha, Wisconsin this week, three protesters were shot by a 17-year-old with an AR-15.
Two of the protesters died at the scene on Tuesday. The third was seriously injured, but survived. The shooter, Kyle Rittenhouse of Antioch Illinois, has been charged with two counts of first-degree homicide, among other charges.
The event that spurred the protests was shocking on its face, but an increasingly familiar scenario—a Kenosha police officer shot an unarmed Black man in the back seven times.
The incident took place on Sunday, August 23rd, after police officers arrived at the scene of a domestic disturbance with little information. A woman had called 911 and used 29-year-old Jacob Blake's name, but was reportedly "uncooperative" with the 911 operator, so police had little else to go on.
Sources since the incident have said that Blake was actually breaking up an argument, possibly between the 911 caller and another woman. But it turned out there was a warrant out for Blake's arrest, and police responded to the call with force.
While some details of the encounter remain uncertain, Blake was tased more than once, and two videos document police officers struggling to restrain him as he attempts to free himself and move toward the driver side door of his SUV.
Authorities identify officer who opened fire in Jacob Blake shooting l GMAwww.youtube.com
The footage shows that as Blake opened the door, officer Rusten Sheskey grabbed him by the shirt and shot him seven times in the back. While all this took place, Blake's three young sons were sitting inside the SUV.
Miraculously, Blake survived those gunshots, but is paralyzed, and likely to never walk again. After regaining consciousness, a heavily medicated Blake reportedly asked his father "Why did they shoot me so many times?" to which his father responded, "Baby, they weren't supposed to shoot you at all."
Police have claimed that a knife was found on the driver's side floorboard, with the suggestion that Blake was reaching for it in order to harm the officers. Why else would he have struggled so hard to get to the driver side door? Surely he didn't think he could get away?
The answer is that Jacob Blake likely didn't think much at all. Nor would anyone in that situation.
A taser delivers an electrical pulse of around 50,000 volts of low amperage electricity that courses through the victim's body, causing muscles to seize violently. While the low amperage of these pulses generally protects the victim's heart from stopping, the electricity has been shown to reach the brain, where it can disrupt memory and thought processing.
Blake was effectively shot with a brain disruption device. Coupled with the body's natural fight or flight response—which causes adrenaline and other stress-response hormones to flood into the bloodstream—chances are he couldn't get a handle on what was going on. If his instinct was to fight, maybe that means he was reaching for a knife.
But if his instinct was to run—to quickly get himself and his children away from a very real threat—then no amount of arguing or reasoning was going to stop him from trying to get in his car to drive off.
Rusten Sheskey, likewise, may have been acting on instinct. The kind of tunnel vision that takes over in stressful situations may have prevented him from considering the innocent explanation for why Jacob Blake would struggle so hard to open his car door. He may also have been influenced by the kind of implicit racial bias that causes many Americans to perceive Black men as more threatening.
Or maybe there was nothing "implicit" about his bias at all. Maybe Rusten Sheskey was one of the blatant bigots who have actively infiltrated law enforcement, and would have taken any excuse to shoot a Black man with the intent to kill.
We don't know, and may never find out. What we do know is that, even if Rusten Sheskey is charged with Jacob Blake's murder—so far, no charges have been filed—he is very likely to be acquitted.
So why has Kyle Rittenhouse already been charged with murder?
His crimes took place more than two days after Jacob Blake was shot, yet no officers have been charged in connection with the incident. The answer is closely tied to the controversial concept of "qualified immunity."
Among calls to defund and reform America's police in the months since the horrific killing of George Floyd, one of activists' primary demands is the elimination of qualified immunity, which essentially says that police officers cannot be sued for any reasonable actions they take as part of fulfilling their duties. That includes shooting unarmed civilians if the officers perceive them—for whatever reason—as an imminent threat.
While the protections only apply to civil suits, the reasoning behind them is closely related to the logic that tends to prevent police officers from being charged and convicted in these cases. But why doesn't Jacob Blake deserve the same leniency? Were the circumstances under which he fired his rifle substantially different than what led Rusten Sheskey to fire seven bullets into Jacob Blake's back?
Again, many of the details are unclear. While there are multiple videos documenting portions of the incident, we don't know exactly what led up to the moment when Rittenhouse shot his first victim, 36-year-old Joseph Rosenbaum.
Reportedly Rosenbaum threw a plastic bag at Rittenhouse, and attempted to take his gun from him—possibly fearing that Rittenhouse was not in a state of mind to handle his firearm safely. If that was his fear, it was soon justified when Rittenhouse shot Rosenbaum, wounding him in the back, hand, groin, thigh, and head.
Perhaps Rittenhouse was influenced by the rhetoric from conservative outlets like the Daily Caller, and from President Donald Trump himself—who famously said "when the looting starts, the shooting starts"—to view the Black Lives Matter movement and protesters opposing police brutality as violent terrorists who deserved to be met with violence. Is that different than how Rusten Sheskey was primed to view Jacob Blake?
In the aftermath, while Richard McGinniss, a videographer from conservative website The Daily Caller, did his best to tend to Rosenbaum's wounds, Rittenhouse ran from the scene, rifle in hand. He was caught on video telling a friend over the phone, "I just killed someone."
In further video protesters pursued Rittenhouse, and when he fell to the ground, he pointed his rifle at them. Multiple protesters attempted to disarm him—and 26-year-old Anthony Huber struck him with a skateboard. But rather than surrender or drop his weapon, Rittenhouse shot at them, shooting Huber in the heart and nearly severing the arm of Gaige Grosskreutz.
When Rittenhouse got back to his feet and managed to get away from protesters, he found his way to the police, whom he approached while protesters called out for him to be arrested. Instead, Rittenhouse was allowed to return to his home in Illinois, where he was arrested the next day.
But why was he arrested at all? Why Kyle Rittenhouse and not Rusten Sheskey?
If anything, Rittenhouse has more of a claim to make in terms of self-defense. While Sheskey may have suspected that Jacob Blake was reaching for some kind of weapon, Rittenhouse knew for a fact that his victims were reaching for a high-powered semi-automatic rifle—his rifle.
And in the case of Anthony Huber, he attacked Rittenhouse with a skateboard—which may even be considered "assault with a deadly weapon" in some cases. Of course, his victims were more than justified in fearing what Rittenhouse would do with his weapon, but couldn't you say the same for Jacob Blake? Didn't he have reason to fear for his life and attempt to either run from the police or defend himself however he thought he could? So why is it different?
Is it a matter of duty? While Rittenhouse may not have been serving in any official capacity as a police officer, he clearly saw his role in Kenosha as very similar.
He'd trained with the Grayslake Police Department through their "Public Safety Cadet" program for aspiring police officers aged 14-21. On social media he included the motto "Duty. Honor. Courage. Blue Lives Matter." with his profile picture. In an interview with the Daily Caller prior to the shooting—filmed by none other than Richard McGinniss—Rittenhouse referred to it as his "job" to use his gun to defend himself and others.
According to reports, local police treated Rittenhouse and other armed civilians seeking to take a stand against riots as their allies rather than vigilantes—handing out water bottles and giving them encouragement. This may explain why police allowed Rittenhouse to leave the scene after killing two men and injuring a third.
Clearly, Rittenhouse believed himself—not without reason—to be serving alongside the police, and in a similar capacity. Did he lack the training to do so with the professionalism of an actual police officer?
The Grayslake Police Department's Public Safety Cadet program—according to an archived page—included weekly meetings, a background check, and firearms training. Considering the fact that several states require police officers to receive just twelve weeks of training—less than barbers or plumbers—Rittenhouse may have had nearly as much training as many rookie cops.
New video shows Antioch teen just before deadly Kenosha protest shooting | ABC7 Chicagowww.youtube.com
Was it his age then? One of the charges against Rittenhouse is "possession of a dangerous weapon by a person under 18." Is there a switch that was going to flip when he turned 18 that would have made him more responsible? More capable of wielding deadly force with care? At 21 then? Or 31—the age of Rusten Sheskey?
No, the only thing that separates the actions of Kyle Rittenhouse and the numerous police officers who have shot unarmed people in recent years is that when Kenosha Sheriff David Beth was encouraged to deputize the armed civilians going out amid protests, he refused. Does that make him a hero? No, but it does mean that his police department won't be sued—at least in this case.
Now Kyle Rittenhouse has been charged with homicide, and he or his parents will no doubt be defendants in a number of civil suits likely to be filed by the victims' families. Meanwhile, neither Rusten Sheskey nor the officers who tased Jacob Blake have been charged with anything, nor will his family be allowed to sue them.
So why doesn't Rittenhouse deserve the leniency that police receive in these cases?
Because no one does.
We should not accept the fact that armed men and women patrol our streets—often with the same defensive, violent attitudes as Kyle Rittenhouse—and can shoot unarmed civilians with impunity. It's time to end qualified immunity, shift police funding toward non-violent community services, and to make police accountable to civilian review boards with the power to punish them.
Short of that, we might as well give Kyle Rittenhouse his gun back and set him and others like him loose on our streets.
Meet Martin Gugino - The 75-Year-Old Assaulted by the Police and Attacked by Trump
Trumps latest Twitter harassment is directed at a man who is genuinely heroic
You may have seen the footage of Martin Gugino—a 75-year-old peaceful protester—being shoved to the ground by police in Buffalo.
Or, if you prefer the perspective of President Trump and associated right-wing conspiracy theorists: an Antifa provocateur who was harassing the police and trying to sabotage their equipment before deliberately falling "harder than he was pushed," cracking his skull on the sidewalk, and (intentionally?!) bleeding from the ear.
Setting aside the absurd notion that a man in his mid-70s—no matter how passionate and impressive a figure—would exaggerate his fall and risk permanent brain damage when a burly police officer 40 years his junior suddenly and forcefully shoves his chest, it's worth looking into who this man is. Is it possible that he is—as Donald Trump posed in a Tweet Tuesday morning—a member of "ANTIFA" (whom Trump has attempted to designate a "terrorist organization") sent to make the Buffalo police look bad? Or is Martin Gugino a gentleman of principle who was brutally assaulted and sent to the hospital in an incident that further exposed the hostility of police forces to the communities they "serve" and their pathological resistance to accountability? Spoiler alert: It's the second one.
Then again, I'm just a stranger on the Internet. Why would you believe me over the President of the United States parroting his favorite ass-kissing, propaganda network? Fortunately, you don't have to. In the difficult choice between a known liar who has never met Martin Gugino and a random stranger who has never met Martin Gugino, there exists a secret third option—people who know him:
Terrence Bisson, a mathematics professor at Canisius College, first met Gugino at a demonstration at Buffalo City Hall around 10 years ago. The two have since volunteered together at the Western New York Peace Center, where Gugino served as Treasurer and Bisson as chair on the Latin American Solidarity Committee—whose members are "committed to non-violent civil disobedience." Bisson describes Gugino as "funny and gentle" and says, "He'd never shout or oppose someone. He would ask questions if he thought something was not right."
While some observers have tried to find a provocation in the way Gugino stood in front of police, those individuals seem to have had an obstructed view of events (watching, as it turns out, from inside their own a**holes), and Bisson rejects the idea outright, saying that Gugino "is the last person you would want to push down; he's the kind of person who you would want to speak up."
Mark Colville, who founded the Amistad Catholic Worker house in New Haven Connecticut has likewise known Gugino for years and describes him as "shy and reserved," saying, "He likes his privacy. He doesn't make a spectacle of himself. He likes to show up and be present. He likes to be involved in these movements for justice. But he doesn't do it in a self-promoting kind of way."
Tom Casey, a Buffalo coordinator for Pax Christi—an international Catholic peace movement—dismissed the idea of Gugino as a provocateur, claiming, "I have never heard him use a vile or angry word against anybody and I spent a lot of time talking to him." Then again, this account is contradicted by Mary Anne Grady Flores, an anti-drone warfare activist who describes Gugino as "a gentle giant, who is so articulate, so thoughtful." Oh wait, not contradicted. The opposite of that.
In short, Martin Gugino, a retired computer programmer who has lived alone since the death of his mother, is a devout Catholic, a passionate peace activist, and probably not someone who conspires to be grievously injured on film or to "black out" police equipment with his cell phone—if that was even possible. You can disagree with his politics (especially if you suck, are racist, or love being ruled over by narcissistic billionaires), but you can't misrepresent him as something he's not.
He's not a provocateur, a terrorist, or even someone associated with the tactics or organizations indicated by the label Antifa. He was not—as Buffalo mayor Byron Brown has claimed—any more so than any passionate protester trying to agitate for meaningful reform. He did not provoke the police who shoved him, or "fall harder than he was pushed," nor did he "slip"—as one police union president claimed. He was peacefully participating in protests against police brutality following the horrific murder of George Floyd. He was standing in the way while Buffalo PD officers set out to clear Niagara Square, so he was pushed with enough force to send him sprawling against the sidewalk where he cracked his skull, bled from his ear, and was left lying motionless as police officers moved on.
The fact that 57 other police officers stepped down from their positions in protest of the idea that the officers responsible for that violence should be punished only reveals how entrenched and dangerous police unity is for communities that would seek to hold them accountable. And the fact that Donald Trump would magnify a conspiracy theory about Gugino serves as a reminder of how callous and instinctually authoritarian he is—with no regard for how this "shy and reserved" man who "likes his privacy" might be affected by the attention and no concern for the fact that his followers often follow up tweets like this with death threats.
When reached for comment by USA Today, Gugino responded to his assault at the hands of the police with a simple tweet: "No comment other than Black Lives Matter. Just out of the ICU. Should recover eventually. Thx."
To Donald Trump: 5 Ways You're Actually a Flawless Being Doing a Beautiful, Unbelievable Job Right Now
You could resign if you want to, but then who will keep America so GD great?
With Donald Trump making a visit to Bangor, Maine today, the editorial board of the Portland Press Herald issued an op-ed calling for President Trump to resign.
The harshly critical piece entitled "To President Trump: You Should Resign Now" was framed as an open letter to the president and got straight to the point with this opening plea, "We're sorry that you decided to come to Maine, but since you are here, could you do us a favor? Resign."
In recent days even George W. Bush has been critical of President Trump's response to protests, so this new piece quickly became a trending topic on Twitter. Obviously, this is another baseless attack from the lying news media—AKA lügenpresse. Considering how delicate our president's ego is—he's our special little guy—we can only hope that Donald Trump didn't see the letter; but just in case he did, it's worth writing another one to lift his spirits. So here's our best attempt—with lots of pictures and flattery to keep him reading:
To President Trump: Keep up the good work! Here are five ways you're doing a great, amazing, beautiful job of keeping America great and protecting our values.
So, in short, Mr. President: Never change, never consider any other perspectives, and never worry about the backlash of violently quashing peaceful protest. Just keep your pants dry, and keep up the good work.
Guardian Angels Clash with Rioters in NYC: A Better Model for Policing?
While their founder is far from perfect, their model of policing could go a long way to easing tensions
When you imagine a 66-year-old white man taking justice into his own hand to face down looters in the ongoing protests of police brutality, it sounds horrible.
And in many ways Curtis Sliwa, the founder of the Guardian Angels, would probably meet your expectations. He is a brash Republican talk show host who is hoping to unseat Bill De Blasio as mayor in 2021. He's fond of dramatic publicity stunts, he's currently advocating for more aggressive police action to break up the protests...of aggressive police action, and he referred to the East Village Foot Locker he and his fellow Guardian Angels defended from violent looters on Tuesday night as "the jewel in the crown" because he assumes that rioters "were looking for the sneakers, limited edition." In other words, Sliwa is kind of gross, but his organization is surprisingly not.
An unarmed volunteer organization that Sliwa founded in the late '70s to patrol streets and subways in order to deter crime and fight off muggers, the Guardian Angels' ranks were mainly made up of young black and Latino men who wanted to fight back against the crime that ravaged their New York City communities. While that vigilante impulse has often led to violence and further injustice, the fact that the Guardian Angels were armed with nothing but their signature red berets and "karate," operating mainly through collective intimidation to deter crime in their communities, speaks volumes in their favor.
© Stephen Shames/Polaris
It's no wonder the organization grew so quickly, with chapters opening all over the world. Admittedly their prominence has declined somewhat in recent decades, but considering the adoption of hyper-violent vigilante symbols by many police officers, perhaps it's time for the Guardian Angel's model of vigilantism to have a resurgence—or perhaps even to be adopted for official police tactics.
Imagine a world where seeing a police uniform didn't automatically indicate someone with a gun. What if guns were reserved for certain officers and certain situations, and patrol cops relied on numbers, intimidation, and non-lethal force—including but not limited to martial arts (and maybe those sheets that Japanese police roll people up in)—to prevent, deter, and defuse violent crime. And imagine if those cops had close ties to communities they patrolled—actually lived in those neighborhoods—and had that added incentive to resolve situations peacefully.
While some cities have residency requirements for their police, these measures are often not enforced. And even in cities like New York, where police use of guns has declined, the constant threat of possible gun violence heightens tensions between police and the communities they're intended to serve—especially when there is no sense that the officers have any investment in the neighborhoods they patrol.
Obviously, the danger involved in fighting crime and arresting criminals shouldn't be downplayed—Sliwa and at least one other Guardian Angel were hospitalized with serious injuries following Tuesday night's confrontation with looters—and sometimes firearms are necessary in that work. But considering how many nations' police don't regularly carry guns—and the fact that pizza delivery is technically a more dangerous job—maybe the average beat cop can get by with a Kevlar vest, a bodycam, and some martial arts training. Maybe these cops could be part-time or semi-professional—like an officially sanctioned neighborhood watch or citizen patrol with some training, arrest powers, and extra pocket money. If we dramatically scaled down the size of our traditional police forces, then we could afford programs with a less hostile approach to localized patrolling.
Curtis Sliwa and a fellow Guardian Angel survey the West Indian Day parade in Brooklyn, 2007
Needless to say, this is in no way an endorsement of Curtis Silwa, who faked his own 1980 kidnapping and once had his members spraypaint "KKK" and "White Power" outside their headquarters for publicity. He was and remains a jackass, but even a jackass is entitled to a good idea now and then. And considering the current backlash against excessive force and the militarization of the police, maybe the Guardian Angels' model can point the way for some of the necessary reforms.
Would it solve everything? No. After all, Derek Chauvin didn't even need his gun when he killed George Floyd—only his knee. But we have to do something, and maybe treating our police more like red berets rather than green berets could begin to ease tensions in over-policed neighborhoods—and could start to heal the painful history of oppression and institutional violence in America's minority communities.
Was the Jimmy Fallon Blackface Skit Intentionally Released as a Distraction from the Murder of George Floyd?
Racist police violence is a modern epidemic. So why are we talking about an SNL skit from 2000?
At this point, celebrity apologies are incredibly common. In 2020, it seems like some formerly beloved actor or TV personality is being put through the wringer of public opinion a few times a week.
Most recently, Twitter canceled Jimmy Fallon after an unquestionably racist skit from the 2000 season of SNL resurfaced online. The skit features Fallon impersonating Chris Rock, complete with black-face and an offensive imitation of Rock's speech patterns.
Jimmy Fallon Blackfaceyoutu.be
This quickly led to the hashtag #jimmyfallonisoverparty trending on Twitter. While fans seemed split on whether Fallon should be forgiven for the 20-year-old misstep, most everyone agreed that Fallon should apologize regardless. This morning, he did just that in the form of a tweet.
As far as celebrity apologies go, Fallon's is a pretty good one. He doesn't try to sidestep the blame, he doesn't bring up the fact that there were undoubtedly many, many other individuals involved in the creation of the skit, and he doesn't even mention the fact that in 2000, many people still thought it was possible for black-face to be done in the spirit of fun, because the deeply racist nature of the act was largely ignored in mainstream (white) media. Of course, we know better now, and it's easy to see that a white person doing an exaggerated imitation of a black person—darkened skin included—can only be a racist, belittling act with a long, dark history of racial oppression. With that in mind, Fallon's only option was to apologize without caveat or reservation. Indeed, it's refreshing to see a celebrity apology that doesn't try to justify or minimize their own misstep. While we can all agree Fallon made a terrible, racist choice 20 years ago, we have to believe that, like all of us, he's grown since then. If cancel culture is to have any efficacy in making the world a better place, it has to leave room for forgiveness and growth. Hopefully, the whole affair will leave Fallon (and those who witnessed it) more racially sensitive.
All of that being said, one has to ask why the clip was brought up now, given that it's been circulated around the Internet before, and the specific YouTube clip that was shared was posted on the site over a year ago. It's also worth noting that the version of the clip that was going around Twitter has a text overlay that reads: "NBC FIRED MEGAN KELLY FOR MENTIONING BLACKFACE. JIMMY FALLON PERFORMED ON NBC IN BLACKFACE."
Megan Kelly, an outspoken conservative, was indeed fired from her job at NBC because she defended the use of blackface in Halloween costumes, saying on her talk show, "Truly, you do get in trouble if you are a white person who puts on blackface for Halloween, or a black person who put on whiteface for Halloween," she said. "When I was a kid, that was OK as long as you were dressing up as a character." While Fallon's instance of racial insensitivity was in 2000, Kelly defended blackface in 2019, long after society at large had begun to acknowledge the hurt that blackface and other forms of racial impersonation could cause. This fundamental difference aside, Kelly also has a long history of racial insensitivity that Fallon does not, even once saying, "What is the evidence that what happened to Eric Garner and what happened to Michael Brown has anything to do with race?" in a conversation about the epidemic of racist police officers in America.
Given the text overlay, it's pretty clear that whoever began the #jimmyfallonisoverparty was not necessarily seeking justice for the black community, but was instead trying to imply hypocrisy in the cancellation of Megan Kelly, given that Fallon (who has been outspoken about the flaws of the Trump administration and political pundits like Kelly) is still on the air. One even has to wonder if, given that it's obvious that the #jimmyfallonisoverparty trend was begun by a conservative individual or group, if the trend was meant to be a distraction from the widespread racist police violence that has been emphasized in recent weeks by incidents like the death of George Floyd, a black man who was murdered in Minneapolis by a white police officer on Monday. It seems oddly coincidental that the clip of Fallon should flood the Internet with controversy the day after Floyd's murder, unfortunately serving to help steer conversation away from Floyd's unjust death.
George Floyd
Indeed, under the unquestionably racist Donald Trump administration, more and more black people are being harassed, attacked, and murdered at the hands of racist white civilians and police officers. But Trump and his supporters don't want you to focus on that–so much so that it doesn't feel impossible that the Fallon skit was intentionally weaponized as a distraction.
In the last few weeks alone we learned that Ahmaud Arbery was murdered senselessly by a white man while simply out for a jog, and we all witnessed the harassment of Christian Cooper, a black man who was threatened by a white woman in Central Park who didn't want to put her dog on a leash. It's clear that racism in America cannot be reduced to insensitive skits from 20 years ago but is instead a current and deadly problem. What Jimmy Fallon did in 2000 was racist, yes; but don't let that distract you from the deadly consequences of racism in 2020, don't let celebrity apologies make you take your eyes of our lawmakers, who aren't doing enough to protect people of color in this country. Don't let the latest "#_____isoverparty" trend distract you from the deadly consequences of racism in our laws, culture, and criminal justice system.