“A tree is best measured when it is down,” the poet Carl Sandburg once observed, “and so it is with people.” The recent death of Harry Belafonte at the age of 96 has prompted many assessments of what this pioneering singer-actor-activist accomplished in a long and fruitful life.
Belafonte’s career as a ground-breaking entertainer brought him substantial wealth and fame; according to Playbill magazine, “By 1959, he was the highest paid Black entertainer in the industry, appearing in raucously successful engagements in Las Vegas, New York, and Los Angeles.” He scored on Broadway, winning a 1954 Tony for Best Featured Actor in a Musical – John Murray Anderson's Almanac. Belafonte was the first Black person to win the prestigious award. A 1960 television special, “Tonight with Belafonte,” brought him an Emmy for Outstanding Performance in a Variety or Musical Program or Series, making him the first Black person to win that award. He found equal success in the recording studio, bringing Calypso music to the masses via such hits as “Day-O (The Banana Boat Song)” and “Jamaica Farewell.”
Harry Belafonte - Day-O (The Banana Boat Song) (Live)www.youtube.com
Belafonte’s blockbuster stardom is all the more remarkable for happening in a world plagued by virulent systemic racism. Though he never stopped performing, by the early 1960s he’d shifted his energies to the nascent Civil Right movement. He was a friend and adviser to the Reverend Doctor Martin Luther King, Jr. and, as the New York Times stated, Belafonte “put up much of the seed money to help start the Student Nonviolent Coordinating Committee and was one of the principal fund-raisers for that organization and Dr. King’s Southern Christian Leadership Conference.”
The Southern Poverty Law Center notes that “he helped launch one of Mississippi’s first voter registration drives and provided funding for the Freedom Riders. His activism extended beyond the U.S. as he fought against apartheid alongside Nelson Mandela and Miriam Makeba, campaigned for Mandela’s release from prison, and advocated for famine relief in Africa.” And in 1987, he received an appointment to UNICEF as a goodwill ambassador.
Over a career spanning more than seventy years, Belafonte brought joy to millions of people. He also did something that is, perhaps, even greater: he fostered the hope that a better world for all could be created. And, by his example, demonstrated how we might go about bringing that world into existence.
Why We Should Talk About a "Straight Pride Parade"
In a country where everyone has freedom of speech, where do we draw the line?
The structures of heteronormativity, patriarchy, and white supremacy are now made fun of, overshadowed, and cast aside by many.
Consequently, some straight, white, and/or male people, used to a society built for their needs, feel irrelevant and unheard. Anytime a minority or oppressed group is celebrated, privileged people try and insert themselves in the conversation. There's a reason why every year people ask, "Why isn't there a White History Month?" during Black History Month. When white men start getting passed up for promotions in favor of more diverse hires, it causes them to feel a fraction of what POC and women have experienced for decades. They view these setbacks as oppression and their erasure from representation as an attack. In turn, they acknowledge they're beginning to lack dominant authority. Groups like Meninists and All Lives Matter exist to belittle the root causes of systemic issues in our country. The relationship between the main systemic sources of violence in America resonate beyond Straight Pride: They remind us how those power dynamics are at play even within marginalized communities.
John Hugo, the President of Super Happy Fun America and head organizer of Boston's controversial Straight Pride Parade, describes himself "living openly as a straight man." Hugo is one of three white men advocating for heterosexual representation within the LBGTQ+ community. Super Happy Fun America is a perfect example of the phenomenon in which the privileged see equality as oppression. SHFA even has their own gay ambassador, Chris Bartely. His tokenism and bio illuminates that although he is a gay man, that does not mean he has the right to speak for the entire LGBTQ+ community:
As gay ambassador, Chris uses his status in the LGBTQ community to challenge heterophobia wherever it exists. He became involved in the straight pride movement after being ostracized from established advocacy groups for merely suggesting that straight people be afforded equal rights.
What Bartley gets wrong is that straight people are discriminated against. Although, not all people within straight relationships are afforded rights like maternity and paternity leave or an abortion, but that's due to issues unrelated to sexual orientation. SHFA utilizes right-wing Trumpism to prick at the current frustration white, straight men entertain. Meanwhile, the definition of "great" is up for debate across the nation. In retaliation, liberals are readdressing America's history and the narratives ignored in textbooks, thus increasing the discourse of who truly makes America great.
The SHFA convinced themselves they have good intentions, but in reality they're misinterpreting the purpose of the LGBTQ+ community. The organizers fail to understand that the community is more than an umbrella term for sexual orientation: It's comprised of identities that could endanger lives and livelihoods because of outside discrimination. Those identities go beyond sexual orientation. They include a spectrum of gender identities which already foster inner conflict within the community due to transphobia and misogyny. By viewing LGBTQ+ solely as a flag of sexual identities is to entirely miss the point of why the community itself exists.
However, pride is a touchy subject when it comes to who is welcome at the celebrations and who it's about. Specifically, it spawns conflict within the community from gay men who exhibit misogynistic rhetoric about female allies and bisexuals. Some within the community push binaries of homosexual relationships (gay men and lesbian women) as the standard. In such instances, systems of patriarchy and white supremacy affect transgender people and queer POC at an alarming rate compared to other peers. Straight pride is a reminder that pride incites complicated matters of identity politics and how the community can be exclusionary by gate-keeping.
Meanwhile, the leaders of Super Happy Fun America are challenging said gate-keeping by arguing in favor of an S in LGBTQIA. Their Vice President, Mark Sahady, has come forward to announce the event is moving forward since they have a permit from the city. If Boston were to take that permit away, Sahady would sue on grounds of discrimination. Their argument is a slap in the face to Pride's history.
With the 50th Anniversary of Stonewall, members of the community are reflecting on the horrors of their history, specifically police brutality. Today, police presence stirs debate about how parades can exist within governmental bounds. After all, every parade needs a permit, and the police are brought to enforce the safety of its participants. But when there's a history of police brutality with an oppressed community, it's difficult to trust their intentions. Yet, the men of Super Happy Fun America use their permit from Boston to their benefit (and yet, also as a legal threat). Due to their privilege, they don't see police presence as an issue, because the enforcers have never endangered them: Police protect white men.
The LGBTQ+ community and their allies are rightfully disappointed that anyone would want a straight pride parade, since they know what it truly stands for: These heterosexuals want to overshadow a marginalized community that is beginning to thrive. American society is not at a point yet where we can see or accept each other for who we are and our diverse perspectives. By breaking down other viewpoints' origins, we can get to the root of such ignorance. Straight Pride is a reminder that prejudice is often wielded in reaction to "others" and increases our divisions. To reflect on the roles of sexism, racism, and homophobia is to better ourselves and our communities, dismantling systems of oppression that keep us at odds and with each other as Americans.
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