“A tree is best measured when it is down,” the poet Carl Sandburg once observed, “and so it is with people.” The recent death of Harry Belafonte at the age of 96 has prompted many assessments of what this pioneering singer-actor-activist accomplished in a long and fruitful life.
Belafonte’s career as a ground-breaking entertainer brought him substantial wealth and fame; according to Playbill magazine, “By 1959, he was the highest paid Black entertainer in the industry, appearing in raucously successful engagements in Las Vegas, New York, and Los Angeles.” He scored on Broadway, winning a 1954 Tony for Best Featured Actor in a Musical – John Murray Anderson's Almanac. Belafonte was the first Black person to win the prestigious award. A 1960 television special, “Tonight with Belafonte,” brought him an Emmy for Outstanding Performance in a Variety or Musical Program or Series, making him the first Black person to win that award. He found equal success in the recording studio, bringing Calypso music to the masses via such hits as “Day-O (The Banana Boat Song)” and “Jamaica Farewell.”
Harry Belafonte - Day-O (The Banana Boat Song) (Live)www.youtube.com
Belafonte’s blockbuster stardom is all the more remarkable for happening in a world plagued by virulent systemic racism. Though he never stopped performing, by the early 1960s he’d shifted his energies to the nascent Civil Right movement. He was a friend and adviser to the Reverend Doctor Martin Luther King, Jr. and, as the New York Times stated, Belafonte “put up much of the seed money to help start the Student Nonviolent Coordinating Committee and was one of the principal fund-raisers for that organization and Dr. King’s Southern Christian Leadership Conference.”
The Southern Poverty Law Center notes that “he helped launch one of Mississippi’s first voter registration drives and provided funding for the Freedom Riders. His activism extended beyond the U.S. as he fought against apartheid alongside Nelson Mandela and Miriam Makeba, campaigned for Mandela’s release from prison, and advocated for famine relief in Africa.” And in 1987, he received an appointment to UNICEF as a goodwill ambassador.
Over a career spanning more than seventy years, Belafonte brought joy to millions of people. He also did something that is, perhaps, even greater: he fostered the hope that a better world for all could be created. And, by his example, demonstrated how we might go about bringing that world into existence.
Mike Pompeo's Multiculturalism Tweet Sums Up the Trump Era
The future looks pretty grim.
It seems fitting that the Trump administration would go out with a bang. It also seems fitting that the bang would be unbridled white supremacy and blatant racism.
After the white supremacist insurrection at the Capitol, tensions have been high in anticipation of the January 20th Inauguration, with the whole country waiting on edge to see what how the transfer of power will go.
For a while, it looked like they'd have to drag Donald Trump out of the White House by his platinum wig. For a moment, it looked like there would be a coup. But the reality is much less dramatic but more insidious. Trump loyalists, it seems, are spending their last days seeping as much vitriolic rhetoric into the country (and presumably the White House floors judging by the news of a pre-Biden deep clean) as they possibly can.
Outgoing Secretary of State, Mike Pompeo, took to Twitter on his last full day in office to say, "Woke-ism, multiculturalism, all the -isms — they're not who America is. They distort our glorious founding and what this country is all about. Our enemies stoke these divisions because they know they make us weaker."
Woke-ism, multiculturalism, all the -isms — they're not who America is. They distort our glorious founding and what… https://t.co/aKWpDCy5iT— Secretary Pompeo (@Secretary Pompeo) 1611066600
The image attached to the tweet reads: "Censorship, wokeness, political correctness, it all points in one direction — authoritarianism, cloaked as moral righteousness."
There's so much to unpack here.
The basic logic of his argument is hard to parse. From the tweet it seems that he believes that multiculturalism is a divisive tool used by "our enemies" to "distort our glorious founding" — though who he refers to and what our founding entails he does not specify.
The ensuing logic, however, makes claims that denounce authoritarianism and moral righteousness. In Pompeo's mind, multiculturalism somehow does not align with the individualism he thinks will save us from authoritarianism.
To pick apart the nonsense of his argument would be redundant, so it is instead easier to call it what it is: racist.
The tenuous thread of his logic rests on the shoulders of white supremacy. The narrative is familiar but no less frightening. Pompeo tells a short story of how our country was, and could be, so great if not for the threat of the encroaching "other" contaminating the nation's proverbial purity.
The ensuing language may be vague, but the purist sentiments of his rhetoric are clear. His focus on "multiculturalism" is a signpost that signals his issue is not just with the left, but with BIPOC communities.
Beneath his cacophony of buzzwords, the dangerous, fascist sentiments of the past four years are all encapsulated into a reminder that the Trump administration and the people who perpetrated the harm and violence of it does not stop with Trump.
In truth, the barely concealed violence of Pompeo's rhetoric is engrained so deeply into the fabric of the United States that he might be right: Despite its insistence to the contrary, the US has purported to be a multicultural nation but has always been ruled by white supremacy.
Though this country claims to be about diversity and inclusion, so much of its history points to the opposite. But this is not the argument Pompeo is making.
There are valid claims about how, occasionally throughout US history, multiculturalism and the famous "melting pot" end up diluting people's cultures into a vague shadow of what they used to be. Pompeo, as a descendant of Italian immigrants, is a direct result of the dilution of Italian culture for the mantle of whiteness that he is so secure inside.
However, Pompeo is not calling for a more nuanced understanding of race, culture, and ethnicity.
He's calling for the same thing Donald Trump called for that brought on the Capitol siege, the same thing that has allowed racism, xenophobia, and white supremacy to persist as ruling bodies of this country — a scapegoat.
His vague language is intentional. It invites dissatisfied, disaffeced white people to substitute their ideals and their issues for the distortions and divisions he mentions, while uniting them against "multiculturalism."
While similar rhetoric has been spouted by this administration in various forms, its usual targets are the general left, or progressives and democrats. The focus on "multiculturalism" bypasses the white liberals he could be appealing to for unity against the "divisions" in our country.
The invocation of "woke-ism," a convenient neologism he makes up to orchestrate this tweet, fabricates another giant to distract from the actual "isms" most people would turn to … like, racism.
In fact, just deleting the first two words of the tweet makes a different argument altogether. Yes, I do agree that "all the -isms" distort the ideal vision of the country, but we have different "isms" and different ideals.
What's most frightening about this sentiment is that Mike Pompeo reportedly has ambitions to run for President in 2024. His key to winning: taking over the MAGA mantle.
Pompeo's sentiments coupled with his ambitions serve as a reminder that Trump's legacy is not going away with a Biden Presidency.
Despite Biden's calls for "unity," Trump loyalists do not want unity between all Americans. They want the vitriolic energy that put them in power to persist so that they can stay in power.
I implore Biden then, to pull back his hands, to waste less time appealing to white supremacists and more time reaching towards the communities who (somewhat reluctantly for most) ensured his win.
So far, Biden has elected a historically diverse cabinet, one which seems to exemplify multiculturalism at its best. But to make it its best, it's important that we do not take multiculturalism to mean tokenization, but rather the active process of representation, celebration, and learning that it should be.