Billie Eilish is perhaps the most talented artist of our generation…and I don’t throw that around lightly. At only 13, Eilish wrote “Ocean Eyes” alongside her brother Finneas and launched her prolific career. And at the fair age of 22, Eilish has 24 GRAMMY Award nominations and nine wins, two Oscars, two Golden Globes, and countless other accolades.
Beyond that, she recently announced her third album, HIT ME HARD AND SOFT, to be released May 17, 2024. She spent the days leading up to the announcement building excitement by adding all of her Instagram followers to her “Close Friends” list. Eilish had the most Instagram followers in 48 hours…with her count increasing by 7 million followers total.
While her debut album, when we all fall asleep…where do we go?, was a chart-topper in its own right, it landed Billie every GRAMMY it was nominated for at the ripe age of 18…Eilish has solidified herself as one of the most revered and sought-after popstars in the world.
Eilish recently caught media attention for quietly revealing her sexuality. In an interview with Variety, she states that she’s always liked girls…and assumed people always knew that. In a viral snippet from her new song, LUNCH, she details a love affair with a girl.
But people don’t only adore Billie for her catchy tracks that consistently top the charts. It’s not just her songwriting ability and unique vocals that keep us hooked. People love her because she’s unafraid to speak her mind.
Whether it be complaining about too many influencers being at an awards show, or calling out other artists for using unsustainable practices…Billie does not hold back.
Billie Eilish On Sustainability
Eilish home
rethinkingthefuture.com
The Eilish home is iconic for many reasons: it’s where Billie and Finneas recorded her debut album, countless other songs, and EPs, in an effort to conserve water there’s no grass, and the roof is covered in solar panels. And being environmentally conscious extends beyond the four walls of their home.
When the hottest young talent is discovered at such an early age like Eilish, record labels are chomping at the bit to sign them. It’s like when a D1 athlete is ready to commit to college…you have your pick.
But what Eilish and her mom, Maggie Baird, were looking for wasn’t about money or label-perks…they were seeking a solid sustainability program. And while that may seem like standard practice, most labels didn’t bring up environmental policies during these meetings at all.
After signing to The Darkroom via Interscope Records, the struggle didn’t stop there. Billie Eilish and her family have been consistent contributors to the fight against climate change.
Maggie Baird has since started Support + Feed, which focuses on the climate crisis and food insecurity. Support + Feed helped Eilish’s 2022 Happier Than Ever tour save 8.8 million gallons of water through plant-based meal service for the artist and crew members.
During Billie’s 2023 Lollapalooza performance, she aided the launch and funding of REVERB’s Music Decarbonization Project – which guaranteed all battery systems used during her set were solar powered. The MCD’s overall mission is to lower – and eventually eliminate –the music industry’s carbon emissions.
But more recently, Billie Eilish called out other artists for releasing multiple versions of vinyls in order to boost vinyl sales. In an interview with Billboard, she says,
“We live in this day and age where, for some reason, it’s very important to some artists to make all sorts of different vinyl and packaging … which ups the sales and ups the numbers and gets them more money and gets them more…”
Artists convince fans to buy different versions of their albums by offering exclusive features on each vinyl. Take Taylor Swift, for example, who released five separate vinyl versions of Midnights, each with a different deluxe “Vault” track.
While Billie may not have been trying to shade one artist in particular, the point is that she’s fed up. After being the rare artist in the industry who go out of their way to remain environmentally conscious, Eilish sets the bar high.
How Eilish’s New Album Is Sustainable
Billie for "Hit Me Hard and Soft"
William Drumm
Social media users were quick to claim Eilish was hypocritical by announcing that HIT ME HARD AND SOFT will have eight vinyl variations. However, each vinyl is made from recycled materials – either 100% recycled black vinyl or BioVinyl, which replaces petroleum used during manufacturing with recycled cooking oil.
This just illustrates that Eilish wasn’t directing criticism towards other artists for using vinyl variants to gain album sales…but she does think there are better ways to do it that benefit the environment without hurting their sales.
Where are you really from: Race, Identity and Power in the U.S. and France
Since President Barack Obama first stepped into office, the American people were startled by a possibility that there didn't have to be a "Black America and White America," anymore, but just "the United States of America." According to New Yorker contributor, author, and associate professor at the University of Connecticut, Jelani Cobb, that was some promising presidential rhetoric, but overall, a lie.
Anyone who's read the headlines or seen the news for the past few years can recognize that race relations are far from stable, and the U.S. is far from "united." With issues such as police violence, racial profiling, and the "Black Lives Matter" movement as our modern-day Civil Rights movement, the rift between black and white transcends skin color—it's also a matter of class, power, and the notion of our republic.
As a long-time ally of the United States, France has played an integral role in its development. France has had its share of race problems of its own, seen most prominently through the Algerian War (1954-1962) and lingering racism against people of North African descent that largely populate the banlieues, or suburbs. The war prompted a silence that was only sort of broken recently, by French president François Hollande, who acknowledged the war's brutality, but didn't apologize. Immigration has always been a hotbed issue in France, but it is especially now more important in preparation for their 2017 presidential election. On the other hand, Americans have a little less time to figure out new policies as the "changing of the guards" is decided next week. Even so, Paris was (and still is) a destination for African-Americans. James Baldwin, Langston Hughes, and Ta-Nehisi Coates, all found inspiration on French turf.
You may know Coates as the National Book Award-winning author of Between the World and Me. But Coates has also had a history struggling to learn French, as he told us at the opening reception of Festival Albertine last night. He just returned from Paris after a year-long writing fellowship, and there, had various interactions with African-Americans. He used his research to help curate the 3rd annual festival of the famed French-English bookstore housed by the French Embassy in New York City.
During last night's gathering, we were among a room of French, American, White, Black, and more. Coates stood before us and explained the process of selecting his panel for the November 2nd discussion, When Will France Have Its Barack Obama? Joining Cobb on the panel was journalist Iris Derœux, and historians Pap Ndiaye and Benjamin Stora.
What first struck me about the title of this discussion was the use of the word, "when." It suggests that France will have a Barack Obama, and it's only a matter of time. But will France ever have a Barack Obama? The French perspective is so used to seeing White males in political positions that a Black president would seem revolutionary, but would it be more revolutionary than what happened in America?
Ndiaye recounted an anecdote of a modern iteration of W.E.B. Du Bois's theory of double-consciousness. As a Black French man from Paris, when people ask him where he's from, he always answers, logically, "I'm from Paris." But then there's always a follow-up question; "Where are you really from?" This implies that because of the color of his skin and the language that he speaks, people don't feel comfortable accepting him as a Parisian. He must therefore be from somewhere else.
Both France and the United States have had different forms of racism. Americans had slavery, the French had the Algerian war, and that's just two examples. But these major tragedies in world history do not come without aftershocks. Festival Albertine will explore race and identity in the modern age through a series of panels highlighting a number of artistic forms, including art, film, literature, and dance.
The festival runs through November 6th, 2016. For more information, click here. And if you can't make it to New York, all of the events are livestreamed to help spread the messages of these scholars, artists, and writers to people in the rest of the United States, in France, and beyond.