If you aren’t familiar with SSENSE, it’s the online epicenter for buying luxury brands and high-end streetwear. Founded by the three Atallah brothers, the goal was to take away the obstacles and headaches that could arise from purchasing high-end fashion and democratize the latest, coolest brands.
More than any other platform right now, SSENSE does curation right. They’re painfully aware of which pieces from new collections are a fit for their audience. They show you what’s relevant and hot right now — prioritizing pieces you’ll genuinely like rather than what’s just being pushed by the brand. Now, SSENSE carries brands of all price points from Adidas to Versace.
Another highlight: SSENSE is known for its brand diversity. They often highlight Black-owned brands and showcase collections from people of color and lesser-known designers. To close out Black History Month 2024, SSENSE is teaming up with none other than ESSENCE: a pairing that makes perfect sense.
ESSENCE, the lifestyle publication geared towards Black women, is helping feature three designers and artists: Bianca Saunders, Mowalola, and Stanley Raffington. The series will showcase their designs and tell their story.
According to SSENSE’s site,
“The two brands are turning ESSENCE’s “In The Studio” print franchise into a video series hosted by Lynette Nylander. The series will spotlight the achievements and creativity of Black designers who have significantly impacted the menswear realm. With three episodes, each featuring a distinguished designer, the series offers exclusive insights into their creative processes and journey,”
Meet The SSENSE X ESSENCE Feature Designers
Bianca Saunders
Bianca Saunders
British GQ
Bianca Saunders’ clothing embraces masculinity in womenswear. Her jackets will always be a bit oversized, or the style will mimic a classic streetwear bomber that could have been borrowed from boys like Jeremy Allen-White and Jacob Elordi — a girl can dream.
“The essence of Saunders' clothing lives in the details, which point to how she subverts ideals often associated with menswear.”
Finding the intersectionality between workwear and streetwear, Saunders clothing is genderless and trendy. Some of her signatures include layered shirts, tucked waists, and somewhat minimalist designs.
@babyboyflame Buying Black: @Bianca Saunders #streetwear #menswear #blackownedbusiness #fashion #fashiontok #fashiontiktok ♬ Oldschool - Cookin Soul
Mowalola
Mowalola
Joyce NG
Mowalola, a highly sought after designer whose pieces have been worn by the likes of Rihanna and Naomi Campbell, is a bit of an icon in the fashion world. Her mantra for fashion is “do what you want to do” and that’s exactly the kind of energy Mowalola’s clothes give off.
Much like Bianca Saunders, Mowalola is known for her gender bending designs. Inspired by cinema, many of her collections revolve around movies. And this is on full display at her cinematic runway shows.
She brings an edge to her designs through textures like leather and intentionally placed cutouts. She’s not afraid to make public commentary on race and gender, making her runway shows incredibly popular.
“The British designer has shifted the cultural zeitgeist with her boundary-pushing collections inspired by the world around her.”
@i_d Replying to @JAC So are we! #ferragamo #maximiliandavis #tiktokfashion #mfw #mowalola ♬ original sound - i-D
Stanley Raffington
Stanley Raffington
ESSENCE
In a world where the Chanel black-and-white aesthetic hails ever-popular, especially amongst those emulating Old Money Style and Sofia Richie’s closet, it’s hard to find designers who aren’t afraid of a bit of color…enter Stanley Raffington.
Often incorporating Rastafarian colors of red, yellow, and black as an ode to his Jamaican roots, Raffington isn’t going to shy away from any hue. He quickly rose into fashion prominency when Madonna and FKA Twigs attended his show, which included 3D printed accessories.
Constantly inspired by his Jamaican roots and the nostalgia of past trends, you will see lots of Y2K nods in Stanley Raffington’s clothing. He’s embraced tech in the fashion world by utilizing 3D printing in many of his designs and runway shows, and he’s not slowing down now.
@yungstanz Process behind my 3d printed curve bag. Taking inspiration from the architecture of Zaha Hadid, mixing new technology with natural materials and craft. Available now exclusively at @SSENSE ♬ Never Lose Me - Flo Milli
Strict Immigration Policies are Destroying Maryland's Crabbing Industry
Maryland crab picking factories are wanting for workers, but America's current immigration policy is keeping seasonal workers out of the country.
One unforeseen consequence of our current immigration policy is the way in which it hurts American business, the very thing these policies claim to protect. On the one hand, illegal immigrants allow business owners to hire workers at a fraction of the market rate due to these workers' precarious position. This is the sort of thing that ought to be eliminated in the interest of providing fair pay to the entire American workforce.
On the other, immigrants provide the necessary manpower for businesses that require a high volume of low-skill workers, like restaurants. The current administration's anti-immigration policies don't just target potential illegal immigrants for deportation but have made it harder for laborers to get visas for seasonal work. As of right now, foreign workers are awarded work visas via a lottery system rather than a first-come, first-served based. Trump himself has derided this practice as unsafe and open to infiltration by criminals and terrorists, drawing ire for his wishes to abolish the program. This could be a devastating blow to many severely understaffed industries across the country, as the lottery itself leaves many business wanting for workers.
For example, the Maryland crab industry has reportedly lost 40% of their workforce for this year's crab season and nearly half of the Eastern Shore's crab houses don't have enough workers. This is bad news for crab lovers, as about 50% of the United States' blue crab harvest comes from Maryland. U.S. unemployment has steadily fallen since 2008, and as it has, the demand for seasonal workers in fields that require intense manual labor has shot up.There were reportedly 81,000 applications for work visas this January with only 33,000 visas available, presenting a huge problem, not just for the federal government but for the businesses that need these foreign workers to operate. On top of this, Mexican workers who depend on these jobs–some of whom who have been coming to Maryland for 20 years–are suddenly unable to feed their families.
Even fervent supporters of Trump's stance on immigration would be forced to admit that from a utilitarian perspective, this is a disaster, not just for the crabbing industry, but for the state of Maryland. Crab prices are set to skyrocket due to the limited availability of Maryland's crabs, and companies are losing millions of dollars, all because they can't adequately staff their warehouses. In order to help alleviate the problem, Maryland Representative Andy Harris successfully campaigned for an additional 15,000 visa approvals, but it may be too little too late. By the time the workers arrive and are situated, the crabbing industry will have already taken a huge hit, as we're already more than two months into crab season. This visa approval also doesn't guarantee that the crab houses' prospects will improve next year. The current lottery system makes it incredibly difficult for Maryland crabbers to know how well they're going to be staffed in a given season.
According to Harris, efforts to raise the visa cap have been stalled by labor unions claiming that that foreign workers are being used as a means to drive down domestic wages. This however, feels more like an attempt to shift blame, as the AFL-CIO is pretty firmly pro-immigration. In fact, most major unions strive to organize immigrants, undocumented or not. There may be local groups or factions attacking immigration, but the idea that these fringe groups are powerful enough to stop the passing of meaningful legislation is far fetched.
Regardless of what Andy Harris can get done in Washington, crab picking houses can't continue to operate at a loss if the Maryland crabbing industry is to survive. This much is clear. The stringent immigration restrictions obviously don't help Mexican workers trying to find seasonal jobs. And for all the lip service politicians have given to helping American businesses, these same laws have crippled one of Maryland's biggest industries. As a result, we're left with one question: who is the current immigration policy designed to help?
Matt Clibanoff is a writer and editor based in New York City who covers music, politics, sports and pop culture. His editorial work can be found in Inked Magazine, Pop Dust, The Liberty Project, and All Things Go. His fiction has been published in Forth Magazine. -- Find Matt at his website and on Twitter: @mattclibanoff
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