If you aren’t familiar with SSENSE, it’s the online epicenter for buying luxury brands and high-end streetwear. Founded by the three Atallah brothers, the goal was to take away the obstacles and headaches that could arise from purchasing high-end fashion and democratize the latest, coolest brands.
More than any other platform right now, SSENSE does curation right. They’re painfully aware of which pieces from new collections are a fit for their audience. They show you what’s relevant and hot right now — prioritizing pieces you’ll genuinely like rather than what’s just being pushed by the brand. Now, SSENSE carries brands of all price points from Adidas to Versace.
Another highlight: SSENSE is known for its brand diversity. They often highlight Black-owned brands and showcase collections from people of color and lesser-known designers. To close out Black History Month 2024, SSENSE is teaming up with none other than ESSENCE: a pairing that makes perfect sense.
ESSENCE, the lifestyle publication geared towards Black women, is helping feature three designers and artists: Bianca Saunders, Mowalola, and Stanley Raffington. The series will showcase their designs and tell their story.
According to SSENSE’s site,
“The two brands are turning ESSENCE’s “In The Studio” print franchise into a video series hosted by Lynette Nylander. The series will spotlight the achievements and creativity of Black designers who have significantly impacted the menswear realm. With three episodes, each featuring a distinguished designer, the series offers exclusive insights into their creative processes and journey,”
Meet The SSENSE X ESSENCE Feature Designers
Bianca Saunders
Bianca Saunders
British GQ
Bianca Saunders’ clothing embraces masculinity in womenswear. Her jackets will always be a bit oversized, or the style will mimic a classic streetwear bomber that could have been borrowed from boys like Jeremy Allen-White and Jacob Elordi — a girl can dream.
“The essence of Saunders' clothing lives in the details, which point to how she subverts ideals often associated with menswear.”
Finding the intersectionality between workwear and streetwear, Saunders clothing is genderless and trendy. Some of her signatures include layered shirts, tucked waists, and somewhat minimalist designs.
@babyboyflame Buying Black: @Bianca Saunders #streetwear #menswear #blackownedbusiness #fashion #fashiontok #fashiontiktok ♬ Oldschool - Cookin Soul
Mowalola
Mowalola
Joyce NG
Mowalola, a highly sought after designer whose pieces have been worn by the likes of Rihanna and Naomi Campbell, is a bit of an icon in the fashion world. Her mantra for fashion is “do what you want to do” and that’s exactly the kind of energy Mowalola’s clothes give off.
Much like Bianca Saunders, Mowalola is known for her gender bending designs. Inspired by cinema, many of her collections revolve around movies. And this is on full display at her cinematic runway shows.
She brings an edge to her designs through textures like leather and intentionally placed cutouts. She’s not afraid to make public commentary on race and gender, making her runway shows incredibly popular.
“The British designer has shifted the cultural zeitgeist with her boundary-pushing collections inspired by the world around her.”
@i_d Replying to @JAC So are we! #ferragamo #maximiliandavis #tiktokfashion #mfw #mowalola ♬ original sound - i-D
Stanley Raffington
Stanley Raffington
ESSENCE
In a world where the Chanel black-and-white aesthetic hails ever-popular, especially amongst those emulating Old Money Style and Sofia Richie’s closet, it’s hard to find designers who aren’t afraid of a bit of color…enter Stanley Raffington.
Often incorporating Rastafarian colors of red, yellow, and black as an ode to his Jamaican roots, Raffington isn’t going to shy away from any hue. He quickly rose into fashion prominency when Madonna and FKA Twigs attended his show, which included 3D printed accessories.
Constantly inspired by his Jamaican roots and the nostalgia of past trends, you will see lots of Y2K nods in Stanley Raffington’s clothing. He’s embraced tech in the fashion world by utilizing 3D printing in many of his designs and runway shows, and he’s not slowing down now.
@yungstanz Process behind my 3d printed curve bag. Taking inspiration from the architecture of Zaha Hadid, mixing new technology with natural materials and craft. Available now exclusively at @SSENSE ♬ Never Lose Me - Flo Milli
What The 2020 Election Tells Us
Finding common ground in its aftermath
Regardless of any other conclusion from the election cycle of 2020, neither party received a sweeping mandate or a clear win. Dreams of a Blue or Red wave proved to be just that: dreams. The margin of victory will have been razor thin, whether for the White House, the Senate, or the House. It seems clear that the American people do not trust either party to have complete control, which has been the long-term trend of our history (and a healthy one in my view).
We have an opportunity in this moment to learn a lesson personally and to insist that our elected leaders do the same. The country is divided, indeed far more divided than the pollsters would have led us to believe. In general, they confidently predicted sweeping margins for Democrats that just did not exist in reality. Without regard to why those pollsters were wrong and without casting aspersions on their motivation, we must accept the reality that about half the country deeply disagrees with whichever partisan view we personally hold.
Further, we must accept the reality that we've done nothing, as a society, to bridge the deep gap in thinking that exists. Both sides tried everything in this election to convince voters of the perfidy and bad intentions of the other side. The discourse from the candidates themselves fell to the level of schoolyard taunts in the so-called first debate, which actually left me feeling dumber for having watched it.
As for "coverage" of the election, one could quickly determine the point of view of any given outlet, journalist, or commentator as we lacked any coherent, comprehensive, and fact-based reporting on the candidates, their records, or the issues that actually matter. Under such conditions we merely demonize the other and create echo chambers that amplify our own notions: we do nothing to engage with and understand the other.
Of course, one might argue that such a gap cannot be bridged anyway. One might argue that our politicians, political parties, and media reflect, rather than create, the deep difference in culture between the Red and the Blue. One might (merely to take a representative example of the Blue and Red polar ideologies) posit that secular humanism simply cannot exist alongside a theocentric world view. One might, quite convincingly, cite threatening statements from the firebrands of one side or the other as proof that Red or Blue adherents want to destroy their opponents' reputations, livelihoods, or basic freedoms. Indeed, whether by rioting or stockpiling weapons the Blues and Reds give ample evidence of mutual hatred and distrust.
I suggest that we each, as individuals, reject this paradigm. That rejection requires both a conscious decision and actual work.
The decision part involves a choice to open one's mind to the possibility that the other has honest motives and acts in goodwill for humankind. It means deciding to lower, if only by a fraction, one's own very well self-justified guard as a sign of openness to dialog. We cannot even begin to talk if we continue to excoriate each other from behind our respective shield walls like medieval warriors.
The work part involves putting oneself in the shoes of the other in a very real way. I suspect that many of us have the lived experience of telling someone else about a problem, only to have them say, "I understand. That happened to me…." Then that person tells us what happened to them in a way that neither responds to our situation nor gives any indication that they actually heard what we were talking about.
Rather, they turned our experience into a parable justifying their own point of view and actions. I think that we could agree that we don't turn to that person again for advice or counsel, as we no longer trust them to provide either.
And, if we are honest, we also recognize that we have been that bad counsel and that we have turned the experience of others into enabling us to be the hero of our own story. In other words, when we confront the deepest corners of ourselves, we see that we have been the badly counseled and the bad counselor.
What to do then?
Seek common ground. Seek it upon whatever mundane foundations you can find.
I'm reminded of "Breakfast at Tiffany's" by Deep Blue Something. The singer laments:
"You'll say that we've got nothing in common
No common ground to stand on
And we're falling apart
Our lives have come between us
Still, I know you just don't care."
But, the singer finds common ground in the seemingly mundane movie of the song's title:
And I said, "What about Breakfast at Tiffany's?"
She said, "I think I remember the film
And as I recall I both think we kind of liked it."
And I said, "Well that's the one thing we've got."
As much as it sounds silly to seek wisdom 1990s pop songs, I do see wisdom here.
Rather than focusing on that which divides us, let's focus on what we do have in common. We'll never bridge the deeper divides if we can't find ways to relate to one another as people. If we think about our own lived experience, it's a lot easier to find common ground on big things when there is common ground on small things first.
So, let's find those small opportunities and embrace them.