Donald Trump Is Encouraging His Supporters to Spread Death
It's understandable. The economy is suffering under the strain of the COVID-19 quarantine. It has decimated the stock market and resulted in an unprecedented spike in unemployment, and people want to get back to their lives. They want to reopen the country, and so does President Trump—whose ardent supporters have been among the most vocal and visible protestors. He's worried that if this situation continues on his watch, the economic damage may hurt his chances at re-election, as businesses small and large suffer losses that threaten their very survival. Leaving aside the fact that reopening too early will result in worse economic damage, there is another group that doesn't seem to concern him as much and whose survival depends on continuing the quarantine: People. Hundreds of thousands of people.
A mass grave in New York
So when Donald Trump was suggesting that "large sections of the country" could re-open for Easter, it was cause for concern. But with the impact of the pandemic still far from its terrifying peak in hotspots like New York city, it seemed likely that Donald Trump would back off his overly-optimistic stance—and he did.
That's often how things work with Donald Trump. He will make a show of how tough and no-nonsense he is with some dramatic posturing that seems to fly in the face of the experts and will then be cowed by behind-the-scenes efforts to make him see reason. Unfortunately for the country, most of his followers are not similarly attended to by an entourage of people trying desperately to steer them away from catastrophic idiocy. So now that Easter has come and gone and Donald Trump is continuing to hint that he may soon reopen the country—maybe even against the wishes of governors in individual states—chaos was bound to ensue.
While some of the protesters have remained in their cars—honking their horns and blocking the passage of at least one ambulance—others crowded together to scream their rejection of science in one proud voice and one shared cloud of breath.
For Donald Trump, the political effect of his latest hints and ambiguous comments about wanting to reopen the country and authorizing governors "to implement ... a very powerful reopening plan" while telling them, "You're going to call your own shots," is that he can have his cake and eat it too. While taking no direct measures to reopen the country amid continued medical advice to extend restrictions, he can still communicate to stir-crazy and cash-strapped supporters that he's doing everything he can for them and that maybe they should talk to their governors.
And that's just what they've been doing. In Michigan—where Operation Gridlock was so effective that even emergency vehicles couldn't get through—protestors directed their frustration at Democratic Governor Gretchen Whitmer, with chants of "Recall Whitmer" and "Lock her up." In North Carolina, at the ReopenNC protest, more than 100 angry citizens assembled to protest Governor Roy Cooper's stay-at-home order and to spread conspiracy theories that the COVID-19 death toll is being inflated—though the opposite is true.
In Ohio the scene was particularly disturbing, with dozens of protestors gathering at the statehouse in Columbus with Guy Fawkes masks, Trump hats, and signs reading "This is tyranny," and "Quarantine the sick not the Contitution [sic]." Eventually a group pressed close together against the locked glass doors to shout their feelings with no concern for social distancing.
What these people need is financial assistance that isn't delayed by politics or targeted at millionaires and massive corporations, as well as reassurance that the current approach is necessary and effective—that our leaders are unified in following the guidance of health experts. What they get instead, from Trump and top Conservative voices, is constant waffling and hedging about the cost to the economy and tacit endorsement of these dangerous protests.
Just as he has had every opportunity to decry violence done in his name, Donald Trump could end these protests. If he were open and honest about the fragility of our hospital system and our country's best hope of getting through this crisis intact, then he could quell much of this unrest and dispel false narratives equating this virus to the flu or car accidents. Instead, he feigns careful consideration while effectively encouraging defiance that will inevitably result in more infections and more death.
Stay home and stay safe.
World Leaders — They're Just Like Us (Special Trudeau and Trump Edition)!
SPLASH
They Shop at the Supermarket!
German Chancellor Angela Merkel digs through her bag at the supermarket checkout while flanked by security.
GEOFFROY VAN DER HASSELT/GETTY
They Go to Restaurants!
French President Emmanuel Macron enjoys a tasty beverage at La Rotonde.
Must See: Trudeau Caught on Camera Joking About Trumpwww.youtube.com
They Make Fun of Stupid People!
Canadian prime minister Justin Trudeau laughs it up with other world leaders at the expense of the most stupid guy they all know. Even weak UK prime minister Boris Johnson joins in to avoid being on the bottom of the world leader totem pole!
https://www.standard.co.uk/news/world/donald-trump-justin-trudeau-twofaced-nato-a4304571.html
They Don't Respect Stupid People So Much That They Openly Admit to Trash Talking Them!
Canadian prime minister Justin Trudeau gets covertly taped goofing on US president Donald Trump ("You just watched his team's jaws drop to the floor," he said in regards to Trump holding an impromptu press conference that derailed the NATO schedule). Then, after being asked about it by the media, Trudeau is pretty much just like, "Yeah, that guy's a f*cking moron." Okay, he's a little more eloquent than that: "I was happy to be part of it but it was certainly notable," Trudeau said.
They Whine and Attempt to Call Their More Powerful Rivals Names When Their Feelings Get Hurt!
US president Donald Trump tries his best to insult Canadian prime minister Justin Trudeau, calling him "two-faced" in response to the surfaced video of Trudeau roasting him.
https://www.latimes.com/politics/story/2019-12-03/trump-blasts-macron-nato-unity-meeting
They Give Up and Run Back to Their Safe Spaces!
US president Donald Trump ultimately can't handle the big leagues, so after a pathetic attempt at calling Canadian prime minister Justin Trudeau names, Trump quits NATO and runs back home to his safe space in America.
Reuters
They Ultimately Succumb to Their Stronger, More Handsome Rivals!
US President Donald Trump sulks as his wife Melania, who allegedly sleeps in a separate bedroom from him, gets extra friendly with his biggest rival, Canadian prime minister Justin Trudeau. Trump loves to prove that his supporters who constantly shout about "cucks" are, as always, projecting.
At the end of the day, maybe we're not so different from world leaders after all!
A Viable Alternative to Impeaching Trump
I think every Rational Person can agree that half of this country has lost its damn mind—and I'm not talking about the Good Half! It's time we forced the Elites in this country—again, not the good ones—to pay their fair share! If they really think that we should raise the top marginal tax rate—which affects everyone equally!—they should prove it by putting their unearned billions of dollars to good use.
By establishing the official, fully-funded position of RONALD REAGAN SUPER PRESIDENCY, Jeff Bezos, Bill Gates, George Soros, and Warren Buffett will be demonstrating a commitment to start being patriotic and working to MATA—Make America Truly Amazing. For only a quarter of a billion dollars each, they can create a new Executive Position that would have some Real, Actual Power in this country—unlike the regular presidency that, a lot of people don't realize, was RUINED by Obama, and doesn't let you do anything without a bunch of Very Partisan, Very Crooked judges getting in the way.
With that in mind, the following are the enumerated powers and privileges that the Super-President would wield:
1)The Super-Presidency, Super-President and all Derivatives are always Capitalized, and should be in ALL-CAPS as often as possible, because He—not to be sexist, but who are we kidding?—deserves our respect.
2)Upon unanimous selection by everyone on Cable News and the Met Gala guest list—who are generally Snooty Jerks, but will make the right call on this one, because it's Important—the Super-President shall be awarded A BILLION DOLLARS, up-front, no questions asked. Not that he needs it. I mean, even being qualified for this kind of position probably means He's already a Billionaire (but there's obviously no need to look too closely into His finances).
3)He will have his own social-media platform that's like Twitter, but with more Free Speech and fewer Haters. It will be called the Super-President's, Listen Up, Time To E-learn Respectfully—or SPLUTTER for short.
4)Everyone on cable news has to say one flattering thing about the Super-President every day, unless they want to be officially CANCELED, and de-platformed from SPLUTTER, or possibly executed—we'll work out the details later.
5)Once a week, He gets to force someone who's been rude to Him to APOLOGIZE or, again, be de-platformed/executed.
6)Once a month he gets a full Military Parade, with real Hollywood military weapons and vehicles like you see in the movies, and a lot of really Handsome Generals straight from central casting. And also a free tour of Universal Studios.
7)Once a year, His official title will be amended to reflect his achievements. Like, say that Billion Dollar bonus gives him the momentum he needs to quickly become the richest man in the world—as long as a Close Associate vouches over the phone and has a different name (though some overlap in the names is no big deal), we won't need to check too closely—then His official title will be lengthened to THE RONALD REAGAN SUPER-PRESIDENT, _ _ _ _ _ _ _. _ _ _ _ _, THE RICHEST AND THEREFORE SMARTEST MAN IN THE WORLD. And if he wants to replace the part about Reagan with his own name, that's also allowed—it's really just a placeholder.
8)He can have a Second Wife if he wants to, because He's EARNED it—unlike the regular president, who only gets one.
9)Free McDonald's for life, including if he wants to feed like a whole sports team, as long as they aren't Anthem-Kneelers.
10)His own version of the American flag with His name on it, and extra padding for flag-hugs.
11)It's a Lifetime Appointment, so He doesn't need to waste his time on re-elections, and He can never be IMPEACHED OR WITCH-HUNTED OR LYNCHED.
12)Rallies whenever He wants, and also Meetings for very High-Level, Important deals with very Handsome and Important Men, straight out of central casting.
Obviously this is way too much POWER to give to just anyone, so we better talk about the Requirements For Qualification, which are pretty tough, let me tell you, but should be no big deal as long as you're not a loser.
1)He should already be RICH, like really loaded, and not embarrassed to show it off, because that makes Him smart.
2)He should have gone to a really good school, like the Wharton School of Business, and any really established Jesuit School should be fine for undergrad. He also needs to have gotten really good grades, as verified by another call from a Close Associate with a BELIEVABLE name.
3)He has to resign from any Political Office He is currently holding, and can never hold another office, but there's no Shame in it, because this is a PROMOTION, and we wouldn't want a politician-type having this much power in the first place—this is a job for a Real Man.
4)He has to pledge to Make America Truly Amazing
5)He should have made his Fortune in something Real and Important, like Real Estate or Branded Marketing.
6)He should definitely be tall, like at least 6'2"—not that we're getting out a tape measure.
7)He should be a truly great golfer, since most DEALS happen out on the links these days. Any plaque that lists Him as a Champion at a prestigious Club/Resort should be proof enough.
8)Must be a Real American, and no I will not explain.
9)He should be able to provide a Classy Venue for a lavish Inauguration Party with just an amazing Chocolate Cake, and a bigger TV and Internet Audience than anyone ever.
10)He will probably already be very important and respected, as measured by how many times He's been on the cover of TIME magazine—at least 20.
11)Everyone should LOVE this guy, and he should be on record as loving them, too—the Blacks, Hispanics, the Jews, and especially the poorly educated (college these days is Ruining Kids anyway).
So, please sign here if you want these rich, Lefty Elites to pony up and give someone a REAL chance to fix this country. And if you don't sign, that means you hate America and you hate Trump. Oh, and feel free to nominate anyone you think might Qualify.
Visionaries Project: An Interview With Sherronda J. Brown
As our first installment of the Visionaries Project, we're beyond honored to feature Sherronda J. Brown, an incredibly eloquent and brilliant journalist and activist currently doing vital work in the media sphere.
Where did you grow up? Was there an activism or writing background in your childhood?
I grew up in a small town called Tarboro in Eastern North Carolina. I don't have an activism background from my youth, but I have always been a writer. My mom still has a stack of little books I wrote as early as Kindergarten and first grade.
Can you tell me a little bit about how you got into writing and journalism?
I don't think writing was much of a choice for me. I think it's something that just lives in my bones and my fingertips. If I wasn't writing about systemic oppression and its multiple arms, I'd almost certainly be writing in some other capacity, probably in entertainment media or true crime. Definitely true crime. Hell, I might still do that one day.
My foray into journalism was more like being pulled into it. I have always shared my views on social media, specifically Facebook, and eventually people started to follow me and root for me. To my surprise, my words touched people. I wrote briefly for a now-shuttered, indie feminist website (for free!) while in college many years ago, but my presence in this world really became solidified when current Managing Editor at Black Youth Project (BYP), Hari Ziyad, gave my writing a home at RaceBaitR and later encouraged me to write for BYP as well. Then, the Deputy Editor position came along, and Hari encouraged me to take another step. The next step was Wear Your Voice (WYV), where I was promoted to Managing Editor by founder Ravneet Vohra before I even knew what hit me. And here I am. Other people recognized my talents and potential before I did. They knew I could do this before I even knew it was an option. Shout out to imposter syndrome, and shout out to the people who helped me get here.
How did you get involved with Wear Your Voice? What work do you do for it, and what's the publication about?
Lara Witt, the current EIC, posted a call for pitches on social media and I submitted a piece about an indie film I had been really impressed by, The Keeping Room. This was just after the release of Sofia Coppola's remake of The Beguiled, and I argued that The Keeping Room—while an imperfect film—succeeds where Coppola's film fails, specifically in her erasure of an enslaved Black woman character from the Civil War era South in order to ensure that the Confederate white women are seen as indisputable victims within the story, rather than cruel enslavers. The essay did very well, so much so that the writer and producer, Julia Hart and Jordan Horowitz, reached out to thank me. That was a surprise and, of course, hugely flattering. From that point, I continued to write for WYV as a freelancer, until I got the courage to ask Lara if she needed any editorial support. She advocated for me and helped me become a part of the team, beginning as a part-time Social Media Manager. I will always, always be so grateful to her for that, especially because WYV is such an amazing publication to work for. I now get to say that I serve as the Managing Editor of a bold magazine that wholly embraces me and gives QTBIPOC space to talk about our experiences without tone policing or censorship. It's incredibly rewarding and therapeutic work for me.
The bio for Wear Your Voice cites Kimberlé Crenshaw's definition of "intersectionality." How would you define intersectionality? Has your understanding of it changed over time?
A lot of people misunderstand or wrongly define intersectionality, and I suppose I used to do the same. Once upon a time, I thought of it as a literal intersection, with multiple roads meeting and touching at a particular point, with each road being a different aspect of a marginalized identity. So, one road would be Black, one would be woman, one would be queer, and so on, and they would intersect with each other. In this visual representation, the points where they intersect would be the nucleus, where all the layered oppressions one experiences are most concentrated, for lack of a better phrase.
Now, I understand how wrong I was. Because, for a queer Black woman, Blackness is never separate from woman, is never separate from queer, and so on. More specifically, Kimberlé Crenshaw developed this theory and coined this term thirty years ago for Black women to think and talk about how we experience misogynoir. Intersectionality is specifically for Black women's benefit, and Crenshaw herself has told us not to use it as a blanket term for thinking about oppressions.
What do you mean by "digital activist," as you say in your bio? What potential do you see in digital activism going forward?
It's funny, I didn't realize that I was a digital activist until someone told me I was. I guess, I didn't really understand the true impact that my words were making. One of my favorite anecdotes—or maybe it's a testimony—is from a woman who said that my writing helped her get her teenage daughter to stop bleaching her skin. That made my heart sink and sing at the same time. People reach out to me periodically to share how I've helped them to think about things from a new perspective and better understand how oppressive systems work and even how they have participated in and benefited from them. That's the best reward for me. A lot of people don't consider digital activism to be valid. People like me often get called "armchair activists" as an indictment of our supposed laziness, which is quite an ableist sentiment. There is tremendous value in digital activism, whether or not people are physically or mentally healthy and able enough to contribute to "boots on the ground" work, and I don't just say this because I consider myself one. Think about how much information gets shared across social media by marginalized people that might not otherwise be reported on by the mainstream media. Digital activism can and does enact change in its own way, and there are plenty of examples.
If you see yourself as a resource for awareness or inspiration for activists and radical thinkers, what would you recommend to others looking to get into the type of work you're doing?
I know this is easier said than done, but take the leap. Shoot your shot. Send that pitch email. Read other people's work, digest it, process it, live in it. And then, find the gaps. With any given subject, there's always someone who has already written about it, of course, but there are always things left unsaid, views left unexplored. No one person can tackle every possible angle. Find the gaps that other people inevitably leave in their work and fill them. Address the unaddressed. That is how writers can set themselves apart, in my opinion. That's what I really appreciate as an editor and a reader.
Are there any projects or current topics you want to promote?
We are currently wrapping up our Summer of Sex campaign at WYV, a series that highlights perspectives of QTBIPOC [Queer, Trans, Black, Indigenous, People of Color] on the subject of sex and the things surrounding it. The piece I contributed to this is rather personal, maybe more personal than anything else I've ever written. In it, I do what feels for me like heavy lifting on the subjects of unhealthy sex, asexuality, celibacy, and fawning as a trauma response, as all of these relate to my personal story and life experience. These are topics I rarely see talked about openly and I would like to see others engaging with them as well.
You describe yourself as a "reformed Blackademic." What was your experience in academia and why did you choose to move towards digital media?
I had no idea I would end up here. For a long time, I thought I would be an academic, and I had plans to pursue a doctorate. The bureaucracy and high pressure of the institution turned out to be something I wasn't cut out for, and I'm perfectly fine with that. I call myself a reformed Blackademic because stepping back from academia allowed me to see how elitism and inaccessibility can sometimes be a barrier to connecting with our own communities. If my work isn't accessible to those outside of higher education, then I don't think it's actually doing as much work as we might assume. This isn't to say that there isn't value in academic thought and high theory. Of course there is, and the things I learned while pursuing my degrees absolutely continue to inform my current work. I'm just more intentional about making my work accessible, as much as I can, and I will hopefully continue to make more progress in that arena through digital media.
What are your favorite writing projects or stories you've covered over the years?
My favorite projects are the ones that allow me to blend my passion for entertainment media with my radical, leftist, Black feminist, anti-capitalist philosophies. I'd say I'm currently most fond of my analysis of Thanos and his flawed Malthusian logic system about overpopulation and my laments on the unfortunate pattern of Black horror stories and Black time travel narratives that seem to only contemplate white violence as a constant fixture in our lives.
You've written a lot about your interest in horror and haunting narratives. Can you tell me a little bit about that?
I became interested in hauntings in grad school, in terms of how the ghosts of history continue to haunt our lives everyday and how we see those ghosts manifesting in oppressive systems, and these things often show up as literal ghosts in cinematic haunting narratives, like literally any film that uses a "Native American burial ground" as a way to convey danger and terror for white protagonists only to ultimately subdue the ghosts rather than truly acknowledge and hold accountable the violent white colonialism that created them.
Candyman (1992) is also a prime example with the vengeful ghost created from a lynching, and it is one of my personal favorites, despite it ultimately being yet another story of a frightened white woman being lusted after by a Black man. Choosing favorites is always difficult, because it changes every few years, and I love so many. Train to Busan (2016), Tigers Are Not Afraid (2017), Hereditary (2018), and The Babadook (2014) are some of my contemporary favorites, but Psycho (1960), The Exorcist (1973), Night of theLiving Dead (1968), and Invasion of the Body Snatchers (1956) are longevity faves.
When you say "new voices" in horror, I immediately think of Jordan Peele, of course, who has two amazing horror entries already, which are among my favorites as well, and is sure to bring us more. He's tapped Nia DaCosta to direct his Candyman "spiritual sequel" expected in 2020, and I am ecstatic about a Black woman directing such a huge mainstream horror film. It would be a dream to see more Black women, more queer folks, more trans folks, more disabled folks at the helm of these stories. I want to see people who have historically been largely relegated to monstrosities in horror giving us innovative tales that subvert the status quo and rattle us in new, challenging ways.
You write a lot of content that challenges hegemonic, white supremacist narratives and ways of reporting and understanding current events; for example, the idea that climate change is new/just beginning to show effect, or that BIPOC women's bodies haven't always been byproducts of white supremacist violence. What writers, sources, or strategies have helped you challenge these hegemonic narratives? What kind of anti-oppression work do you see coming to the fore and/or still needing to be done in terms of this?
My first piece of writing that went viral viral was "White Women In Robes" on my personal blog, werdbrew. It was a critique of The Handmaid's Tale's use of harms committed against BIPOC in a story that centers white women and white feminism's historical connections with white supremacy, among other things. Dorothy E. Roberts' "Killing the Black Body" greatly informed that piece of writing, and anything else I've written about the reproductive control of and expectations for Black people. I also carry Audre Lorde, Alice Walker, and Angela Davis with me daily, and the spirits of Harriet Tubman and Zora Neale Hurston. The voices of Patricia Hill Collins, Nina Simone, and Toni Morrison are always with me when I write about Black womanhood. Some more recent entries that have inspired me include Tressie McMillan Cottom's "Thick" and Sabrina Strings' "Fearing the Black Body," both amazing and important works. I just think Black women are so brilliant and so uniquely able to Illuminate ugly but necessary truths about our world. Black women are already doing crucial anti-oppression work, and always have been. People just need to listen.
You write that white dystopian narratives align with the "destruction of the dominant white society, the disruption of the white heteropatriarchal family unit, and the downfall of post-colonial civilization as a whole" in one of your reviews. What kind of disruption would you like to see, and are there any images of the future that you imagine seeing through and beyond this disruption?
That is the kind of disruption I like to see. In a perfect world, we would finally get to see all the remnants of white colonialism gone, but unfortunately that is not our reality. I don't mind at all that dystopian narratives involve this kind of destruction in the fantasy world, especially because the destruction of a society where white supremacists hold political, economic, and social power only creates possibilities for the rest of us. My issue is that these narratives—with the exception of The Girl With All The Gifts (2017)—never explore those new opportunities or acknowledge the fact that QTBIPOC already live in a dystopia in the real world.
Still from "The Girl With All the Gifts"pressinfo.com
Are there any particular voices or groups you'd like to see highlighted in our current cultural moment?
I absolutely want more QTBIPOC voices. More fat, disabled, neurodivergent folks being heard and respected and humanized. More sex workers, more undocumented immigrants. I want to hear more from the younger generation, too. The people who get silenced the most are the ones who need to be elevated the most.
What's your everyday routine like? Where do you like to do your work or write?
I'm actually working to embrace my nocturnal nature these days, and I'm fortunate enough to have a career that allows me to do so. What are considered "normal" sleeping hours often serve as my writing time. Some of the best things I've written have come pouring out of me between the hours of 3 and 6 am. I'm either writing in bed or on the couch, and I always write on my phone. I sleep as best as I can, if I can, for a few hours and then I'm up and working again by noon. For BYP, I might be publishing in WordPress and/or desperately searching for good stock images of Black people. For WYV, I might be taking care of daily social media management duties, doing secondary edits or final checks on a piece before Lara publishes, creating graphics, and/or designing and sending out our weekly newsletter(s). For both publications, I might be hopping on a staff video or phone call, brainstorming new content, reading and catching up on the day's news so far, answering emails, evaluating pitches, responding to Slack messages, drafting calls for pitches, organizing my editorial calendar, conducting interviews, checking in with writers, and addressing anything else that requires my attention. The late afternoon and evening is when I rest, recharge, meditate, exercise, and eat. Sometimes, I will do some in-depth editing work on writers' drafts during this time, but mostly I don't start doing that kind of work until around midnight. Then, I plan for the next day/night. I admit, sometimes it's hard to keep track of what day it is.
You do a lot of challenging work. What do you do for fun, and to take care of yourself?
I'm proud to say that I'm much better about taking care of myself now than I used to be. For self-care, I watch horror game play on YouTube because I think it's more fun to watch other people do it—plus it's cheaper and less time-consuming. I spend quality time with friends virtually—ironically, all of my closest friends live far away. I SnapChat with my little sister. I take myself to 4 pm matinees in the middle of the week. I laugh with my co-workers. I support and mentor Black kids. I lift weights. I hit my heavy bag. I eat peanut butter fudge sorbet at 3 AM. I write happy things. I listen to podcasts and audiobooks about true crime, folklore, and history. I laugh at nonsensical memes. I block white people with dreadlocks. I drink plenty of water. I take selfies. I spend entire weekends naked, and I don't let myself work on Saturdays anymore.
You can follow Sherronda J. Brown on Facebook, Twitter, Instagram, Muck Rack, and werdbrew.
Want to be featured on The Visionaries Project, or want to nominate someone you think should be? Email us at [email protected] or message us on Twitter at @LibertyThis.
A Stain on History, Happening in Real Time: Collective Amnesia and the European Refugee Crisis
The photo of Alan Kurdi, the drowned three-year-old who provided a name and face to the crisis, sparked international acknowledgment and inspired humanitarian activists all over the world.
Alan Kurdi, via Medium
But that was four years ago. What has happened to those 5.2 million since then?
Firstly, there are a lot more than 5.2 million now. According to the UN, as many as 63.5 million people have had to flee their homes because of conflict since World War II; and today, roughly eight thousand people per month arrive in Greece, Italy, and Spain from Syria, Guinea, Algeria, and neighboring countries. These numbers are staggering; the lives they describe are almost impossible to imagine. But each figure corresponds to individual experience and a body that likely has crossed countless miles of ocean to arrive on European shores. Though it is impossible to generalize their stories, the majority of these people are currently stranded in liminal places like refugee camps or living as undocumented citizens without access to rights, living wages, and other protections.
According to the Aegean Boat Report, around 20 boats have arrived on the Greek island of Lesvos alone in February 2019, carrying a total of 791 people. Lesvos's Moria Camp holds somewhere between eight to ten thousand refugees; it was initially designed to hold ten. Many have been there for over half a decade, and the conditions in the camp are becoming more and more unlivable by the day.
Many refugees go through hell and back to get there. Left with no choice but to flee violence and unlivable conditions, many spend thousands of dollars on hiring a smuggler who could carry them across the sea. The journey is treacherous—smugglers sometimes have deals with authorities or even pirates, and recent reports have revealed that the journey is more dangerous than ever before, with 1,600 to as many as 2,730 people dying at sea in 2018. The
UNHCR released a report which argued that although the official number of migrants crossing the Mediterranean fell last year, this was likely due to "reductions to search and rescue capacity coupled with an uncoordinated and unpredictable response to disembarkation." This in turn, "led to an increased death rate as people continued to flee their countries due to conflict, human rights violations, persecution, and poverty." As the world forgets, the little structure and safety netting that does exist inevitably falls apart.
The news is a strange beast. Some stories can dominate for months and fade out so suddenly it's almost like they never happened; particularly shocking acts of individual or random violence can consume headlines while systematic, long-term horrors can fade away, having lost their ability to capture audiences' attention. With countries like South Sudan, Yemen, and Afghanistan steadily experiencing mass exoduses for years and years at a time, and with the inundation of tragic stories and gory photographs from Syria, it's easy for ongoing horrors to slip underneath an ocean of facts and figures that seem too overwhelming to address.
It's also easy for governments to shirk off responsibility for taking in refugees, seeing as technically they are stateless and, therefore, are not protected by any citizenship rights. Though the Universal Declaration of Human Rights guarantees basic protections for all people on earth, it does not specify which countries are responsible for providing these protections.
But every political decision manifests in lived experiences. For example, when migrants arrive on the shores of Lesvos, they are sometimes met with volunteers who provide water and transportation to the camps. Families and individuals are assigned at random to tents, which are crammed next to each other, creating unlivable conditions.
Lesvos, in particular, has an extensive volunteer population, but overall aid groups often work as band-aids, failing to heal the sources of a larger issue and failing to structure a pathway forward. Instead, aid groups and refugees languish on Lesvos, in the grey area of statelessness and global amnesia. NGOs are gradually shifting their focus to working with refugees and locals to develop long-lasting relationships and skills, which can propel migrants forward into new lives.
But in light of the antipathy many locals hold towards newcomers, and also because of the trauma, language barriers, or other struggles that migrants face, the process of adjustment is challenging and will require individualized attention, patience, and cohesive efforts. Reports reveal that the majority of refugees fleeing severe conflicts will have vestiges of trauma; the IRC reported high levels of depression and PTSD among refugees across the board.
A 2011 Oxford University study found that the best way for refugees to move forward is through integration into life in their new countries. Solutions lie in treating the wound at its source, addressing xenophobia, and fighting for fair opportunities to education, jobs, healthcare, and other vital structural support systems. On the other hand, stranding migrants in places like Lesvos—where they live in unsanitary and dangerous conditions, surrounded by strangers who may also be experiencing trauma, with no idea of if or when they will be able to leave—is a product of a collective worldwide amnesia, a refusal to see what is happening in real time.
Long-term, slow-moving challengers are not foddered for breaking news. Particularly massive floods of refugees might pique the interest of a world leader; an artist might draw attention to the crisis through an installation in a busy city; but always, the cycles of violence and erasure continue as the world gets caught up in shinier, brighter topics. But remembering and acknowledging what is happening is the first step to moving in a new direction.
Eden Arielle Gordon is a writer and musician from New York City.