Swifties, this one’s for you. It seems like Taylor Swift's Eras Tour has lasted eons. Yet somehow, there’s always something to talk about. Just thinking about how much she’s accomplished while on tour makes me want to buckle down, lock in, and channel my inner girlboss. But while I can’t even be bothered to cook dinner at home after a long day of work, Taylor is accomplishing milestones most musicians can only dream of. Let’s recap.
The Era’s Tour began in March 2023 with its North American leg. It’s set to go until December 2024, with dates in Europe, Australia, Asia, and South America— spanning 152 shows across five continents.
As the queen of multitasking, Swift hasn’t stopped at just selling out stadiums. Since the Eras tour began, she’s released multiple albums — both new and old — and shaken up the tour setlist with each new release. Her list of new releases started on the first day of tour with “All Of The Girls You Loved Before,” which was quickly followed up by “The Alcott,” a feature on The National’s album — reciprocity for their work on her pandemic era albums, Folklore and Evermore.
She also released Midnights: Late Night Edition (including the iconic collab with Ice Spice), as well as not one but two album re-releases — Speak Now Taylor's Version and 1989 Taylor's Version. As if that wasn’t enough, she announced her latest album, The Tortured Poet’s Department, in a GRAMMY’s acceptance speech. Talk about legendary. Since its release, she’s also been churning out deluxe versions and remixes to keep us on our toes. The Eras Tour was even made into a Blockbuster film that brought Beyonce to its premiere. Star power: confirmed.
But that’s just her work life. Her personal life is just as eventful. She ended her 7-year relationship with Joe Alwyn in April 2023. Then entered into a brief but controversial fling with 1975 frontman Matty Healy. Though it didn’t last long, the relationship was enough to inspire a whole album and catapult her into her current romance with Travis Kelce, aka Amerca’s first nepo boyfriend. Now they’re the American Royal couple — and she somehow had time to fly from tour to his Super Bowl performance.
We all have the same hours in the day as Taylor Swift, but how she uses them will always be a mystery to me. I work eight hours a day and can barely manage a social life. Meanwhile, Taylor literally has it all — though conservatives are turning on her for daring to be a woman in her 30s who’s not married with kids. If that’s not proof that women can’t do anything right, I don’t know what is.
Clearly, she’s working late because she’s a singer. No wonder Taylor Swift became a billionaire months into her tour in October 2023. Her net worth is currently around 1.3 billion dollars, making her the only female musician to become a billionaire from her music.
Other entertainment billionaires like Rihanna, Kylie Jenner, Kim Kardashian, Jay-Z, and Kanye West have joined the three-comma club thanks to ventures like clothing brands, beauty products, and other entrepreneurial pursuits. Rihanna has her FENTY Empire. Kim has her award-winning SKIMS. Ye had Yeezy. But Taylor has an unbeatable catalog of publishing.
But Taylor isn’t just different from other Billionaires because of how she earned her money. She’s the Taylor we know and love because of how she spends it. Her rollercoaster Eras Tour is how she’s made much of her fortune. And she’s using it to give back in monumental degrees. From individual donations to investing in local infrastructure, Taylor is literally changing lives on a macro and micro scale. And teaching us what to expect from all billionaires in the process.
The Era’s Tour Bonuses — Talk About Workplace Benefits
First to make headlines were the Eras Tour crew bonuses. While some of us get rewarded with a pizza party or a $10 gift card to Starbucks, Taylor casually dropped $55 million in bonuses for her tour crew. The massive sum was paid out to everyone who makes the Eras Tour go around, from truck drivers to dancers and sound technicians.
In fairness, these bonuses are definitely well-deserved. Taylor’s shows are over three hours long. Imagine dancing for that long — because Swift certainly isn’t the one with the impressive moves — for hundreds of tour dates. Or remembering countless combinations of light cues to go with a setlist that changes daily. Yeah, they’re clocking in. And if my boss had millions to blow, I’d be expecting a comfortable bonus too. But $55 Million? That’s a testament to Swift’s generosity. It's like she's Oprah, but instead of cars, she's giving out life-changing amounts of cash. "You get a bonus! You get a bonus! Everybody gets a bonus!"
It’s similar to how Zendaya gave film equity to every member of the crew that worked on her controversial black-and-white drama, Malcolm & Marie. Filmed in a few days with a bare-bones crew during the peak of the pandemic, the film was Zendaya’s passion project with Sam Levinson, in which she starred alongside John David Washington. Though the film got mixed reviews, it captured the audience’s attention all the same. After all, it was Zendaya — and we’ll watch her in anything. So since the film sold to Netflix for a hefty sum, all the crew members got payouts from the deal on top of their salaries to reward their hard work.
Bonuses and equity payouts are common in many industries, but not entertainment. Even though it’s one of the most lucrative and recognizable American industries, most entertainers don’t make enough to survive. The SAG and WGA strikes last year were proof that there needs to be systemic change in the industry. LA County has even identified show businesses as risk factors for being unhoused — after all, how many stories do we hear of actors who were living in their cars before their big break? And for many, their big break never comes. For even more, they get hired on amazing gigs with giant performers … then go right back to the grind afterward. While individual actions from our favorite stars won’t fix everything, Zendaya and Taylor are providing models for how Hollywood should treat the people who make this town go round.
And in this economy, even a little bit could go a long way. Inflation and the cost of living are not a joke. Especially when, like with many creative careers, you often have to invest in lessons or equipment for your craft. With all this considered, the impact of Swirt’s donations can’t be overstated. Imagine getting a lump sum of cash for dancing to your favorite Taylor Swift tracks? Talk about a dream job.
The Economic Impact of Swift - Swiftonomics, if you will
Like Barbie and Beyonce last year, Swift is still on a tear to boost the economy of the cities she’s in just by traveling there — ad inspiring others to make the trek, too.
The Barbie movie proved that by marketing to women (instead of just making Marvel flops like Madame Web that aren’t really targeted to women at all), the entertainment industry can make giant profits. Barbie fever went beyond the theater. Thanks to a plethora of product collabs, the phenomenon rippled through retail.
Similarly, Beyonce’s Renaissance Tour tour generated an estimated $4.5 billion for the American economy. According to NPR, that’s almost as much as the entire 2008 Olympics earned for Beijing. People were taking money out of their 401ks to pay for Beyonce tickets and the glittery, silver-hues outfits to rock at her shows. Cities even started calling her effect the “Beyonce Bump.”
Swift has the same effect. She’s not just proving her generosity on a micro-scale for the people close to her, she’s having actual, tangible effects on the economy. It's like she's leaving a trail of dollar bills in her wake, and cities are scrambling to catch them like it's a country-pop, capitalist version of musical chairs.
The US Travel Association called it the Taylor Swift Impact after she generated over $5 Billion in just the first 5 months of the Eras Tour. But how does this work? It’s not like Taylor is printing more money at those shows, but it almost is. Her tour dates are pretty much economic steroid shots for local businesses. Hotels are booked solid, restaurants are packed, and let's not even get started on the surge in friendship bracelet supplies.
“Swifties averaged $1,300 of spending in local economies on travel, hotel stays, food, as well as merchandise and costumes,” say the US Travel Association. “That amount of spending is on par with the Super Bowl, but this time it happened on 53 different nights in 20 different locations over the course of five months.” That’s not to say anothing of her effect on the actual Super Bowl and the entire NFL season thanks to her ball-throwing boyfriend.
It's like she's created her own micro-economy, and everyone's invited to the party. And unlike some economic theories that rely on wealth trickling down (spoiler alert: it doesn't), Taylor's wealth is more like a t-shirt cannon or the confetti at her shows — showering everyone around.
Donations that actually do good
Taylor isn’t just stepping into cities and calling it a night. She’s also not just throwing pennies at problems - she's making significant contributions that are changing lives. And more importantly, she's using her platform to encourage her fans to do the same.
She kicked off her tour with quiet donations to food banks in Glendale, Ariz., and Las Vegas ahead of the Eras Tour. Once the tour was in full swing, she continued this practice. In Seattle, she donated to Food Lifeline, a local hunger relief organization. In Santa Clara, she showed some love to Second Harvest of Silicon Valley. And let's not forget about her $100,000 donation to the Hawkins County School Nutrition Program in Tennessee.
She’s been making similar donations overseas. Taylor Swift donated enough money to cover the food bills for an entire year across 11 food banks and & community pantries in Liverpool. Swift also covered 10,800 meals for Cardiff Foodbank and many more banks across the UK and EU. Her impact is so profound that her numbers are doing more to combat issues like hunger than the government.
Can billionaires actually be good?
One thing about me, I’m always ready and willing — knife and fork in hand — to eat the rich. Because fundamentally, can any billionaire really be good? In our late-stage capitalist horror story, the answer is usually no. Look how many of them are supporting the Trump campaign just to get some tax breaks.
But here's the thing - Taylor Swift might just be the exception that proves the rule. She's not perfect, sure. She still flies private jets and probably has a carbon footprint bigger than Bigfoot. But unlike most of the others in her tax bracket, she's not flaunting her wealth like it's a personality trait.
Take a look around. We've got billionaires trying to colonize Mars instead of, I don't know, helping people on Earth. In this context, Taylor's approach is more like Mackenzie Scott’s — Bezos’s ex-wife. She's not trying to escape to another planet - she's trying to make this one better.
And look, I'm not saying we should stop critiquing billionaires or the system that creates them. But she's just setting the bar for what we should expect from all billionaires. She's showing us that our collective power as fans can translate into real-world change. That our love for catchy choruses and bridge drops can somehow, improbably, lead to food banks getting funded and crew members getting life-changing bonuses.
So sorry to my neighbors who hear me belting “Cruel Summer” and “right where you left me” at the top of my lungs (and range). Just know it’s for the greater good.
What's Going On with the Opioid Crisis?
According to the Associated Press, Walmart may have unlawfully provided controlled substances to its customers, providing thousands of people with prescriptions that should not have been filled. The suit alleges that Walmart's system made it impossible for pharmacists to properly screen and vet the prescriptions they filled, ignoring warnings from pharmacists in the process.
This comes after Walmart sued the Justice Department and the DEA, arguing that hundreds of doctors who should not have been allowed to prescribe controlled substances at all were still actively registered with the DEA.
Both suits are ongoing, but one thing is clear: A lot of powerful organizations are to blame for the opioid crisis.
How the Opioid Crisis Began
The US's opioid crisis has been festering for a long time. In 1991, the first wave of the opioid crisis occurred when a sharp rise in the prescription of opioids led to multiple deaths. At this time, many pharmaceutical companies claimed the risk of addiction to opioids was very low.
In 1995, Purdue Pharma received approval for OxyContin, leading many patients to get hooked. In 2007, they paid a $634 million dollar fine for lying about the drug's addictive nature.
Prescriptions for opioids began to increase over the next few decades, tripling between 1991 and 2011. The second wave of the crisis occurred in 2010, when prescriptions to opioids became harder to obtain and more people started turning to heroin and illegal drugs. The third wave began in 2013, when drugs like fentanyl and synthetic opioids began to rise in popularity, leading to another spike in deaths.
Today, overdoses are the leading cause of death for people under 50 years old. In 2017, there were more than 70,237 deaths related to overdoses and 47,600 were related to opioids. An estimated 130 people die each day from opioid-related misuse. The opioid epidemic has claimed a total of over 400,000 lives.
Who Is to Blame?
The opioid crisis is a complicated issue that can't be neatly blamed on any one company or action. Certainly, the root of the problem lies with Big Pharma — the Purdue Pharmas and Sacklers of the world who lied about the addictive nature of their products and relentlessly sold these dangerous products. Drug company executives and opioid salesmen also have blood on their hands.
In addition, the government is to blame. Evidence continues to find that Congress was and is influenced by pharmaceutical lobbyists, and Congress has passed legislation that crippled the DEA's power.
In addition, Department of Justice-led investigations that should've burned drug corporations to the ground failed to adequately persecute the corporations. Furthermore, the FDA also failed to act when they should have; in 2001, they approved OxyContin for anyone suffering from chronic pain, despite scientists previously finding that the drug is only effective in the very short-term.
Over-prescription and doctors are to blame, as well. Many believed they were doing the right thing but prescribed far, far more than safe limits of drugs to their patients. In addition, distributors like Walmart and other pharmacies are also to blame for not taking adequate precautions.
The root of the issue, however, can't be separated from other systemic crises, like economic inequality, a broken healthcare system, and the chronic health issues that plague many Americans.
"Greed drove opioid manufacturers to oversell and overproduce the drugs, the lawsuits allege," writes Melissa Healy for the Los Angeles Times. "Greed drove companies that distribute prescription drugs to oversupply pharmacies… And greed drove pharmacies to overdispense the drugs to patients who were becoming hooked, to criminals who were diverting them to the black market, and to addicts shopping for a fix."
Arguably, greed also prevents America — one of the richest nations in the world — from offering its citizens healthcare and the ability to live safely.
How Do We Solve the Opioid Crisis?
Solving the opioid crisis won't be simple or easy.
In an immediate sense, any solution to the crisis will have to treat friends and family members of people who suffer from addiction as well as the people themselves. Treatment will have to be made broadly available, as will ongoing support.
"We need to treat opioid use disorder like we treat other chronic health disorders — managed in primary care, using specialists for exacerbations, consultations, and particularly challenging cases," says Bradley Stein of the RAND Drug Policy Research Center.
But to really solve the crisis, we'll have to take a deeper look at what's causing it. Millions of people are still suffering from chronic pain — another root of the opioid crisis — and healthcare workers will have to figure out how to treat pain without using opioids. Solutions might lie in "interventional" pain therapies or other approaches that lead to long-term relief instead of just putting a band-aid over the problem.
In addition, many people are driven to use opioids due to emotional issues or mental health issues. To treat the root causes of the opioid epidemic, we also need to treat mental health issues and treat reasons why people are suffering from such extreme emotional pain in America today.
Those solutions might lie in deepening community ties, in education, and in healing some of the economic inequality that has created so many of our issues. It might also mean making healthcare, housing, healthy food, and opportunity more affordable so people don't wind up in so much pain and distress. It might also mean reducing pollution and other issues that lead people, particularly low-income people and communities of color, to develop chronic health issues.
In short, simply cracking down on prescriptions and distributors and making Big Pharma pay up isn't the solution. It's just the beginning. The solutions of the opioid crisis are bound up with solutions to climate change and economic inequality, and until we understand the interconnectedness of it all, we'll never really treat the crisis at its source.
Nan Goldin Leads Guggenheim Protest Against Opiod-Pushing Sackler Family, Sparking Nationwide Pushback
The venerated photographer and hundreds of others overtook the atrium of New York's Guggenheim to protest the museum's ongoing relationship with the Sackler Family, one of its largest donors. The majority of the Sacklers' wealth comes from Purdue Pharma—the primary manufacturer and distributor of OxyContin.
Visionary photographer Nan Goldin made waves in the 1960s with her raw, vivid portraits, which showed the electric underside of New York's gritty arts scene as well as the intimacies of human life and love.
Back then, her photos were protests against stereotypes; they lovingly portrayed queer culture, denounced domestic violence, and provided a window into an open kind of sexuality that was not often seen during the stultified conformity of the 1950s.
Image via Artnet News
Since then, Goldin's work has been exhibited at the MOMA and she has been recognized as one of the 20th century's most influential photographers. But in 2019, she's been occupying space in museums for a very different reason.
On Saturday night, Goldin and hundreds of others overtook the atrium of New York's Guggenheim to protest the museum's ongoing relationship with the Sackler Family, one of its largest donors. Exchanging money to support the arts certainly isn't a crime, but the majority of the Sacklers' wealth comes from their involvement with Purdue Pharma—the primary manufacturer and distributor of the extremely addictive and deadly drug OxyContin.
In 2013, Goldin was prescribed OxyContin for wrist surgery. "I ended up locked in my room for three years," she told the crowd that gathered in the Guggenheim on Saturday night. "I came to and I realized it was time to speak out." After a near-death experience with the drug, Goldin dedicated herself to taking down the Sackler Family, the group of billionaire pharmaceutical moguls who made tens of millions of dollars off OxyContin sales before the drug was flagged and criminalized for its addictive properties.
In 2007, Purdue Pharma admitted that OxyContin's branding was misinformative, but continued to distribute and profit off the product, allegedly paying themselves as much as $4 billion that year. Since then, waves of lawsuits have continued to dog the pharmaceutical company as they have continued to profit off opioid sales. In 2018, New York City won $500 million in damages as part of a suit against Purdue and a host of other narcotics peddlers, including the makers of Percocet and fentanyl patches.
None of the Sackler family members themselves have been individually targeted, though lawyers hope this may change as investigations ramp up, thanks to protests like Goldin's. Also, the sheer number of opiod-related deaths each day in America—over 130 per day, according to the U.S. Department of Health and Public Services—is a factor that's hard to ignore.
The Sacklers have filtered money earned through Purdue into thousands of cultural institutions, including the Guggenheim, which has its own Sackler wing. Other institutions that have benefitted from their donations include the Metropolitan Museum of Art, the Smithsonian, Harvard, and MIT. Goldin, among other activists, has been calling for the museums to stop taking Sackler money for years; her organization P. A. I. N. (Prescription Addiction Intervention Now) has staged die-ins at the Met, among other protests.
Image from a P.A.I.N. ProtestImage via ART News
That February night at the Guggenheim, protesters dropped sheets of paper resembling prescription notes from balconies high above, each printed with various Sackler quotes. One bore a phrase spoken by the late Purdue president Richard Sackler, in which he advised his employees to "hammer on abusers in every way possible," belying insidious involvement and intentional sabotage of already vulnerable populations. The quote appeared in a recent Massachusetts court filing that is accusing the Sackler family of direct, intentional involvement with the start of the opioid crisis. "It is an attractive market," an internal memo read, according to the suit. "Large unmet need for vulnerable, underserved and stigmatized patient population suffering from substance abuse, dependence and addiction."
So far, all of the aforementioned institutions have continued taking Sackler money, though the Met announced in January that it was planning on reconsidering its gift acceptance policies.
"We see museums and cultural institutions glorifying the very rich and we also see them giving them positions of power," one of the protestors, L. A. Kauffman, told ArtNews. "The Sackler family is one of many who has been able to stand outside the law because of their great wealth and we are saying: the time is up."
Eden Arielle Gordon is a writer and musician from New York City. Follow her on Twitter at @edenarielmusic.
What Is the Dark Web?
It's not as scary as you think.
There have been numerous pieces written about the dark web and the dangers it could pose to your personal cyber security. It's also been used in advertisements by Experian, in which they offer "free dark web scans" to help customers find out if their "information is on the dark web." This type of language is deliberately misleading, as is the company's definition of the dark web, which basically describes it as a world full of Internet marauders hunting for your social security number. Ironically, in order to acquire the "free dark web scan," Experian itself asks its customers for their social security numbers.
In a certain light, these ads are hilarious in their deliberate misinterpretation of how the dark web works, but there's something sinister about the way they prey on the wallets of the uninformed. Though it sounds dangerous, the dark web isn't the nightmarish hellscape that cyber security companies would have you believe it is. Before understanding the dark web however, one has to first understand the deep web, and by extension, the Internet as a whole.
The Internet is divided into two subsections: the surface web and the deep web. The difference between the two is simple. The surface web is readily accessible via search engines; the deep web is not. While almost every site you visit is probably part of the surface web, there are certain places on the Internet that are necessarily hidden. For example, research papers, netbanking, and medical records aren't readily accessible to anyone using Google, as the search engine doesn't index these things. Another example, is content that exists behind a paywall, like the New York Times' online newspaper. The dark web can be thought of as a small subsect of the deep web, but while the two are often conflated, they aren't the same at all. It's helpful to think of the Internet as an iceberg, with most of it existing beneath the surface. The surface web encompasses about 4% of the entire Internet while the deep web and dark web, represent 90% and 6% respectively.
The iceberg
Unlike the deep web, the dark web is only accessible via special networks, the most popular of which being Tor. Browsers like Tor render your computer invisible while you browse, using complex encryptions to mask your computer's IP number while you browse, allowing for a truly private Internet experience. Confidentiality is at the heart of Tor's mission, and its developers goal was to create an Internet free of surveillance and tracking. Unfortunately, when they are guaranteed anonymity, many Internet users get into some pretty unsavory things.
The first time the dark web was in the news, was when the online black market the Silk Road became a major player in 2011. Until the FBI arrestedSilk Road founder Ross Ulbricht in 2013, the site was a forum dealing in illegal weapons, drugs, and child pornography, and the transactions were made via Bitcoin rather than actual cash. Bitcoin itself came to prominence in these illicit markets, though it's slowly falling out of favor with online black markets due to the wild fluctuations in its price over the past few years. Outside of the Silk Road and its successors, there has also been tons of publicity surrounding the hiring of hit men via the dark web, though most of these services have turned out to be scams. The most famous scam was run by a company called Besa Mafia, who would take cash from buyers, and then instead of killing the person they were hired to kill, they would report the buyers to the police and get them arrested.
It's not quite this sinister
Realistically though, the dark web isn't nearly as scary as it's made out to be. Yes, there are hackers and illegal activity, but at the core of Tor's project, is privacy. If a hacker wanted to steal someone's social security number or if a pedophile wanted to seek out illicit porn, they wouldn't need to use the dark web to do it. In fact, the dark web only accounts for about .2% of the child porn being shared online. While it's fair to assume that most sites on the dark web are used for criminal activity, it's worth mentioning that the FBI can pretty easily arrest and track folks using the dark web. They've even contracted one of Tor's developers to help them track down cyber criminals.
The dark web's reach with regard to criminal activities has been largely exaggerated by the mainstream media, and there's no real reason to fear it. If you're someone who strongly values the privacy of your browsing habits, for whatever reason, the dark web provides a different type of Internet, one that's far more secure than your standard browser. If you don't care about your Internet privacy, that's fine too. Dark web hackers aren't going to hunt you down and steal all your information in the night, and you're no less safe on the Internet just because Tor browsers exist. There's a strange tendency in this country to conflate others' privacy and anonymity with a lack of personal security. Cyber security firms have a vested interest in keeping you scared and in the dark about how the Internet works. Don't put too much stock into it. The dark web as we know it has existed since 2002, and we're no worse for wear.