Billie Eilish is perhaps the most talented artist of our generation…and I don’t throw that around lightly. At only 13, Eilish wrote “Ocean Eyes” alongside her brother Finneas and launched her prolific career. And at the fair age of 22, Eilish has 24 GRAMMY Award nominations and nine wins, two Oscars, two Golden Globes, and countless other accolades.
Beyond that, she recently announced her third album, HIT ME HARD AND SOFT, to be released May 17, 2024. She spent the days leading up to the announcement building excitement by adding all of her Instagram followers to her “Close Friends” list. Eilish had the most Instagram followers in 48 hours…with her count increasing by 7 million followers total.
While her debut album, when we all fall asleep…where do we go?, was a chart-topper in its own right, it landed Billie every GRAMMY it was nominated for at the ripe age of 18…Eilish has solidified herself as one of the most revered and sought-after popstars in the world.
Eilish recently caught media attention for quietly revealing her sexuality. In an interview with Variety, she states that she’s always liked girls…and assumed people always knew that. In a viral snippet from her new song, LUNCH, she details a love affair with a girl.
But people don’t only adore Billie for her catchy tracks that consistently top the charts. It’s not just her songwriting ability and unique vocals that keep us hooked. People love her because she’s unafraid to speak her mind.
Whether it be complaining about too many influencers being at an awards show, or calling out other artists for using unsustainable practices…Billie does not hold back.
Billie Eilish On Sustainability
Eilish home
rethinkingthefuture.com
The Eilish home is iconic for many reasons: it’s where Billie and Finneas recorded her debut album, countless other songs, and EPs, in an effort to conserve water there’s no grass, and the roof is covered in solar panels. And being environmentally conscious extends beyond the four walls of their home.
When the hottest young talent is discovered at such an early age like Eilish, record labels are chomping at the bit to sign them. It’s like when a D1 athlete is ready to commit to college…you have your pick.
But what Eilish and her mom, Maggie Baird, were looking for wasn’t about money or label-perks…they were seeking a solid sustainability program. And while that may seem like standard practice, most labels didn’t bring up environmental policies during these meetings at all.
After signing to The Darkroom via Interscope Records, the struggle didn’t stop there. Billie Eilish and her family have been consistent contributors to the fight against climate change.
Maggie Baird has since started Support + Feed, which focuses on the climate crisis and food insecurity. Support + Feed helped Eilish’s 2022 Happier Than Ever tour save 8.8 million gallons of water through plant-based meal service for the artist and crew members.
During Billie’s 2023 Lollapalooza performance, she aided the launch and funding of REVERB’s Music Decarbonization Project – which guaranteed all battery systems used during her set were solar powered. The MCD’s overall mission is to lower – and eventually eliminate –the music industry’s carbon emissions.
But more recently, Billie Eilish called out other artists for releasing multiple versions of vinyls in order to boost vinyl sales. In an interview with Billboard, she says,
“We live in this day and age where, for some reason, it’s very important to some artists to make all sorts of different vinyl and packaging … which ups the sales and ups the numbers and gets them more money and gets them more…”
Artists convince fans to buy different versions of their albums by offering exclusive features on each vinyl. Take Taylor Swift, for example, who released five separate vinyl versions of Midnights, each with a different deluxe “Vault” track.
While Billie may not have been trying to shade one artist in particular, the point is that she’s fed up. After being the rare artist in the industry who go out of their way to remain environmentally conscious, Eilish sets the bar high.
How Eilish’s New Album Is Sustainable
Billie for "Hit Me Hard and Soft"
William Drumm
Social media users were quick to claim Eilish was hypocritical by announcing that HIT ME HARD AND SOFT will have eight vinyl variations. However, each vinyl is made from recycled materials – either 100% recycled black vinyl or BioVinyl, which replaces petroleum used during manufacturing with recycled cooking oil.
This just illustrates that Eilish wasn’t directing criticism towards other artists for using vinyl variants to gain album sales…but she does think there are better ways to do it that benefit the environment without hurting their sales.
Dance Dance Counter-Revolution – We Built a Playlist Fit for a Dictator
The sounds of the summer don't have to just be the cries of your enemies...
There was a time when, if a leader of a nation wanted to speak to their people, they could just hop on the radio and instantly be transported into every living room. Nowadays, politicians –– democrat and demagogue alike –– have to fight to be heard above the unending noise of social media, where the inane musings of a citizen's friend is given equal time as whatever pronouncement they (the politicians) wish to make. Increasingly, this has led to attention-starved politicians engaging in some previously unimaginable behavior, in a seeming attempt to not just compete with your online friends, but become one of them.
The current U.S. President has eschewed the official White House statement in favor of stream-of-consciousness tweeting that resembles some kind of fridge poetry for Tea Party uncles. His predecessor, CoolDadPresident™ Barack Obama, realizing that Roosevelt's fireside chat shtick wouldn't work with the kids, did something different. Realizing that music is both a Thing That Humans Generally Like and a excellent signifier of cultural literacy, the White House published a series of summer playlists curated by the President that combined tracks from some up-and-coming artists (Courtney Barnett's, "Elevator Operator" made an appearance) with undeniable classics like Miles Davis' "Flamenco Sketches".
But why should elected leaders be the only ones who get to cut a mixtape? What about the outcasts of the global order; the ones who everyone avoids at UN meetings? Don't dictators love to dance too? According to The Guardian, the answer is yes, at least in the case of Bashar Al-Assad, whose iTunes purchase history reveals that even the Syrian autocrat is not immune to the charms of LMFAO's "I'm Sexy and I Know It". Years of brutal civil war has left Al-Assad's image somewhat tarnished (war crimes will do that), so perhaps he should find some time in-between barrel-bombing sessions to reveal the softer side of himself; the Bashar who, like any regular loving husband, sends Blake Shelton songs to his wife. Yes, he may have given the order to shell Homs into glass that same day, but it's a start.
So, in the spirit of the humble profession of providing PR advice to despots, I have compiled what I think is a perfect summer playlist fit for any established or prospective authoritarian; one that is sure to give them a much-needed image boost, as well as providing a few helpful tips along the way:
Track 1: "Who Wants the World" by The Stranglers
Before you can even begin to throw that tyrannical power around, you've got to have the ambition to take it. The Stranglers' 1980 new wave classic should get you pumped up for some putsch-ing. "Who waaaants the world?" You do.
Track 2: "Cruel" by St. Vincent
Any dictator worth their salt knows that, even with ambition, seizing and maintaining their positions can't be done with a clean pair of hands. That's okay though, the lilting melodies of Annie Clark should be cool enough to help you drown out the screams you hear in your head.
Track 3: "SHAME" by Young Fathers
So you've taken power, but something feels off, right? People really seem to not like you. Sure, you might've "disappeared" half their family, but your "dodgy dealings just got deadly", it's nothing to be ashamed of. In fact, they should be the ones who are ashamed. Sing it with me: "What a shame on you/Where's your gall when it's a shame on you?"...
Track 4: "Illicit Fields" by Ka
Being a dictator can be tough, but it can have its perks, even if they might be a little blood-stained. Mixing sweeping melodies and punchy samples, Ka's Honor Killed the Samurai depicts the grey moral territory of life on the margins, where there is very little time for sweeping generalizations like 'good' and 'evil'. It's a seismic work, and sure to provide lots of cool credibility when you invite some influencers over to one of your six places to listen to it on vinyl. Just don't sound too into it when you're singing the hook: "Hate's well known/It's that love I'm unfamiliar with".
Track 5: "Rasputin" by Boney M
With all of this good publicity, you're probably going to be so tied up giving interviews and re-tweeting praise fromNew York Times op-ed columnists that you'll need a reliable henchman to run the affairs of state in your stead. Just make sure that he's at least somewhat qualified. Oh... he's a womanizing cult leader who may or may not be sleeping with your wife? Eh, I'm sure everything will be fine. Plus, his song is so catchy.
Track 6: "The Partisan" by Leonard Cohen
The henchman thing didn't work out, there's rebellion in the air. It'll be okay though; just study this legendary Résistance hymn and you'll get to know your enemy. A bit of Cohen should also help you court some hipsters to your side, and he once published a book of poems entitled Flowers for Hitler, which sounds like a dictator-y thing to bring to a meeting with Hitler. There is something eerily sleep-inducing about the way that Cohen strums through a song that is so saturated with sadness and death; it's enough to make you ignore the wind that's blowing...
Track 7: "Sinnerman" by Nina Simone
There's really nothing that dictators obsess about more than the pursuit of immortality. Obtaining a permanent place in history, whether it be through building palaces, empires, or body counts, is kind of the dictator thing. But, as Simone herself once noted, "time is the dictator of us all," and there's a certain justice that, in the end, everyone fears. This winding, ten-minute symphony of a song is probably Simone's greatest work, and her engine-like piano playing and rhythmic vocals are the perfect accompaniment to some vigorous exercise; the kind of exercise that you'd get from say, running away from an angry mob. Turn it up, tyrants –– time to figure out "where you're gonna run to"...