Dall-E Mini, the AI-powered text-to-image generator has taken over the internet. With its ability to render nearly anything your meme-loving heart desires, anyone can make their dreams come true.
DALL-E 2, a portmanteau of Salvador Dali, the surrealist and Wall-E, the Pixar robot, was created by OpenAI and is not widely available; it creates far cleaner imagery and was recently used to launch Cosmpolitan’s first AI-generated cover. The art world has been one of the first industries to truly embrace AI.
The open-sourced miniature version is what’s responsible for the memes. Programmer Boris Dayma wants to make AI more accessible; he built the Dall-E Mini program as part of a competition held by Google and an AI community called Hugging Face.
And with great technology, comes great memes. Typing a short phrase into Dall-E Mini will manifest 9 different amalgamations, theoretically shaping into reality the strange images you’ve conjured. Its popularity leads to too much traffic, often resulting in an error that can be fixed by refreshing the page or trying again later.
If you want to be a part of the creation of AI-powered engines, it all starts with code. CodeAcademy explains that Dall-E Mini is a seq2seq model, “typically used in natural language processing (NLP) for things like translation and conversational modeling.” CodeAcademy’s Text Generation course will teach you how to utilize seq2seq, but they also offer opportunities to learn 14+ coding languages at your own pace.
You can choose the Machine Learning Specialist career path if you want to become a Data Scientist who develops these types of programs, but you can also choose courses by language, subject (what is cybersecurity?) or even skill - build a website with HTML, CSS, and more.
CodeAcademy offers many classes for free as well as a free trial; it’s an invaluable resource for giving people of all experience levels the fundamentals they need to build the world they want to see.
As for Dall-E Mini, while some have opted to create beauty, most have opted for memes. Here are some of the internet’s favorites:
pic.twitter.com/DbLoe1s00c
— Weird Dall-E Mini Generations (@weirddalle) June 8, 2022
pic.twitter.com/cxtliOrlHz
— Weird Dall-E Mini Generations (@weirddalle) June 12, 2022
no fuck every other dall-e image ive made this one is the best yet pic.twitter.com/iuFNm4UTUM
— bri (@takoyamas) June 10, 2022
pic.twitter.com/rEBHoWR7lH
— Weird Dall-E Mini Generations (@weirddalle) June 12, 2022
pic.twitter.com/RSZaCIDVV7
— Chairman George (@superbunnyhop) June 9, 2022
back at it again at the DALL•E mini pic.twitter.com/iPGsaMThBC
— beca. ⚢ (@dorysief) June 9, 2022
There’s no looking back now, not once you’ve seen Pugachu; artificial intelligence is here to stay.
A New Golden Age of Journalism
The press is under siege, but it hasn't stopped great journalists from doing their job.
Last week, Luke O'Brien, a writer for the Huffington Post, penned an article which revealed the person behind the Twitter handle @AmyMek (real name: Amy Jane Mekelberg), an account dedicated to peddling racist garbage predominantly aimed at Muslims. O'Brien's story itself quickly gets muddled in minutia (albeit interesting minutia), revealing various details about Mekelberg's life. As one can imagine, the article was met with scorn from Mekelberg's many fans, but things took a distinctly violent turn over the past few days, with O'Brien receiving death threats online. Over the course of Donald Trump's presidency, rhetoric against the mainstream press has become increasingly malignant.
Political criticisms are touted as un-American and there's a rapidly growing sentiment that our freedom of the press is under siege. But, while direct threats against journalists are frightening, there's an argument to be made that we're entering a new golden era of American journalism.
Here is an example of what I received after Mekelburg orchestrated a harassment mob against me. pic.twitter.com/qIThLoU9Cl
— Luke O'Brien (@lukeobrien) June 5, 2018
A Brief History Lesson:
The rise of newspapers in this country runs directly parallel to the adoption of our two party system in the late 18th century. Following the end of George Washington's second term, political groups rapidly began sponsoring papers to curry favor with the general public and to support their candidates. In this way, the press is directly responsible for stoking the fires of American partisanism. Still, these early papers were little more than pamphlets, and there were no pretenses surrounding unbiased reporting. These political newspapers were essentially used as a means of smearing the competition. The press as we know it began with the invention of the Linotype Machine, a device that rapidly industrialized the newspaper business by allowing papers to be printed at astonishing (for the time) speeds. It's important to remember though,while freedom of the press was baked into the fabric of the constitution, there were no rules prohibiting newspapers from distorting the truth, or in some case, outright lying in their publications.
Yellow Journalism
In the late 19th century, the yellow journalism of William Randolph Hearst and Joseph Pulitzer pushed us into the Spanish American War. Throughout the early 20th century, the news slowly became more and more fact-based, eventually reaching what many consider to be the "Golden Age of Journalism," that brief period during the Vietnam War when the press core took on the U.S. government and won. Unfortunately, this period was little more than a blink, an exception to the rule of American media. In the decades following journalism's golden age, the 24-hour cable news circuit coupled with the Internet, rendered print newspapers obsolete.
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