Swifties, this one’s for you. It seems like Taylor Swift's Eras Tour has lasted eons. Yet somehow, there’s always something to talk about. Just thinking about how much she’s accomplished while on tour makes me want to buckle down, lock in, and channel my inner girlboss. But while I can’t even be bothered to cook dinner at home after a long day of work, Taylor is accomplishing milestones most musicians can only dream of. Let’s recap.
The Era’s Tour began in March 2023 with its North American leg. It’s set to go until December 2024, with dates in Europe, Australia, Asia, and South America— spanning 152 shows across five continents.
As the queen of multitasking, Swift hasn’t stopped at just selling out stadiums. Since the Eras tour began, she’s released multiple albums — both new and old — and shaken up the tour setlist with each new release. Her list of new releases started on the first day of tour with “All Of The Girls You Loved Before,” which was quickly followed up by “The Alcott,” a feature on The National’s album — reciprocity for their work on her pandemic era albums, Folklore and Evermore.
She also released Midnights: Late Night Edition (including the iconic collab with Ice Spice), as well as not one but two album re-releases — Speak Now Taylor's Version and 1989 Taylor's Version. As if that wasn’t enough, she announced her latest album, The Tortured Poet’s Department, in a GRAMMY’s acceptance speech. Talk about legendary. Since its release, she’s also been churning out deluxe versions and remixes to keep us on our toes. The Eras Tour was even made into a Blockbuster film that brought Beyonce to its premiere. Star power: confirmed.
But that’s just her work life. Her personal life is just as eventful. She ended her 7-year relationship with Joe Alwyn in April 2023. Then entered into a brief but controversial fling with 1975 frontman Matty Healy. Though it didn’t last long, the relationship was enough to inspire a whole album and catapult her into her current romance with Travis Kelce, aka Amerca’s first nepo boyfriend. Now they’re the American Royal couple — and she somehow had time to fly from tour to his Super Bowl performance.
We all have the same hours in the day as Taylor Swift, but how she uses them will always be a mystery to me. I work eight hours a day and can barely manage a social life. Meanwhile, Taylor literally has it all — though conservatives are turning on her for daring to be a woman in her 30s who’s not married with kids. If that’s not proof that women can’t do anything right, I don’t know what is.
Clearly, she’s working late because she’s a singer. No wonder Taylor Swift became a billionaire months into her tour in October 2023. Her net worth is currently around 1.3 billion dollars, making her the only female musician to become a billionaire from her music.
Other entertainment billionaires like Rihanna, Kylie Jenner, Kim Kardashian, Jay-Z, and Kanye West have joined the three-comma club thanks to ventures like clothing brands, beauty products, and other entrepreneurial pursuits. Rihanna has her FENTY Empire. Kim has her award-winning SKIMS. Ye had Yeezy. But Taylor has an unbeatable catalog of publishing.
But Taylor isn’t just different from other Billionaires because of how she earned her money. She’s the Taylor we know and love because of how she spends it. Her rollercoaster Eras Tour is how she’s made much of her fortune. And she’s using it to give back in monumental degrees. From individual donations to investing in local infrastructure, Taylor is literally changing lives on a macro and micro scale. And teaching us what to expect from all billionaires in the process.
The Era’s Tour Bonuses — Talk About Workplace Benefits
First to make headlines were the Eras Tour crew bonuses. While some of us get rewarded with a pizza party or a $10 gift card to Starbucks, Taylor casually dropped $55 million in bonuses for her tour crew. The massive sum was paid out to everyone who makes the Eras Tour go around, from truck drivers to dancers and sound technicians.
In fairness, these bonuses are definitely well-deserved. Taylor’s shows are over three hours long. Imagine dancing for that long — because Swift certainly isn’t the one with the impressive moves — for hundreds of tour dates. Or remembering countless combinations of light cues to go with a setlist that changes daily. Yeah, they’re clocking in. And if my boss had millions to blow, I’d be expecting a comfortable bonus too. But $55 Million? That’s a testament to Swift’s generosity. It's like she's Oprah, but instead of cars, she's giving out life-changing amounts of cash. "You get a bonus! You get a bonus! Everybody gets a bonus!"
It’s similar to how Zendaya gave film equity to every member of the crew that worked on her controversial black-and-white drama, Malcolm & Marie. Filmed in a few days with a bare-bones crew during the peak of the pandemic, the film was Zendaya’s passion project with Sam Levinson, in which she starred alongside John David Washington. Though the film got mixed reviews, it captured the audience’s attention all the same. After all, it was Zendaya — and we’ll watch her in anything. So since the film sold to Netflix for a hefty sum, all the crew members got payouts from the deal on top of their salaries to reward their hard work.
Bonuses and equity payouts are common in many industries, but not entertainment. Even though it’s one of the most lucrative and recognizable American industries, most entertainers don’t make enough to survive. The SAG and WGA strikes last year were proof that there needs to be systemic change in the industry. LA County has even identified show businesses as risk factors for being unhoused — after all, how many stories do we hear of actors who were living in their cars before their big break? And for many, their big break never comes. For even more, they get hired on amazing gigs with giant performers … then go right back to the grind afterward. While individual actions from our favorite stars won’t fix everything, Zendaya and Taylor are providing models for how Hollywood should treat the people who make this town go round.
And in this economy, even a little bit could go a long way. Inflation and the cost of living are not a joke. Especially when, like with many creative careers, you often have to invest in lessons or equipment for your craft. With all this considered, the impact of Swirt’s donations can’t be overstated. Imagine getting a lump sum of cash for dancing to your favorite Taylor Swift tracks? Talk about a dream job.
The Economic Impact of Swift - Swiftonomics, if you will
Like Barbie and Beyonce last year, Swift is still on a tear to boost the economy of the cities she’s in just by traveling there — ad inspiring others to make the trek, too.
The Barbie movie proved that by marketing to women (instead of just making Marvel flops like Madame Web that aren’t really targeted to women at all), the entertainment industry can make giant profits. Barbie fever went beyond the theater. Thanks to a plethora of product collabs, the phenomenon rippled through retail.
Similarly, Beyonce’s Renaissance Tour tour generated an estimated $4.5 billion for the American economy. According to NPR, that’s almost as much as the entire 2008 Olympics earned for Beijing. People were taking money out of their 401ks to pay for Beyonce tickets and the glittery, silver-hues outfits to rock at her shows. Cities even started calling her effect the “Beyonce Bump.”
Swift has the same effect. She’s not just proving her generosity on a micro-scale for the people close to her, she’s having actual, tangible effects on the economy. It's like she's leaving a trail of dollar bills in her wake, and cities are scrambling to catch them like it's a country-pop, capitalist version of musical chairs.
The US Travel Association called it the Taylor Swift Impact after she generated over $5 Billion in just the first 5 months of the Eras Tour. But how does this work? It’s not like Taylor is printing more money at those shows, but it almost is. Her tour dates are pretty much economic steroid shots for local businesses. Hotels are booked solid, restaurants are packed, and let's not even get started on the surge in friendship bracelet supplies.
“Swifties averaged $1,300 of spending in local economies on travel, hotel stays, food, as well as merchandise and costumes,” say the US Travel Association. “That amount of spending is on par with the Super Bowl, but this time it happened on 53 different nights in 20 different locations over the course of five months.” That’s not to say anothing of her effect on the actual Super Bowl and the entire NFL season thanks to her ball-throwing boyfriend.
It's like she's created her own micro-economy, and everyone's invited to the party. And unlike some economic theories that rely on wealth trickling down (spoiler alert: it doesn't), Taylor's wealth is more like a t-shirt cannon or the confetti at her shows — showering everyone around.
Donations that actually do good
Taylor isn’t just stepping into cities and calling it a night. She’s also not just throwing pennies at problems - she's making significant contributions that are changing lives. And more importantly, she's using her platform to encourage her fans to do the same.
She kicked off her tour with quiet donations to food banks in Glendale, Ariz., and Las Vegas ahead of the Eras Tour. Once the tour was in full swing, she continued this practice. In Seattle, she donated to Food Lifeline, a local hunger relief organization. In Santa Clara, she showed some love to Second Harvest of Silicon Valley. And let's not forget about her $100,000 donation to the Hawkins County School Nutrition Program in Tennessee.
She’s been making similar donations overseas. Taylor Swift donated enough money to cover the food bills for an entire year across 11 food banks and & community pantries in Liverpool. Swift also covered 10,800 meals for Cardiff Foodbank and many more banks across the UK and EU. Her impact is so profound that her numbers are doing more to combat issues like hunger than the government.
Can billionaires actually be good?
One thing about me, I’m always ready and willing — knife and fork in hand — to eat the rich. Because fundamentally, can any billionaire really be good? In our late-stage capitalist horror story, the answer is usually no. Look how many of them are supporting the Trump campaign just to get some tax breaks.
But here's the thing - Taylor Swift might just be the exception that proves the rule. She's not perfect, sure. She still flies private jets and probably has a carbon footprint bigger than Bigfoot. But unlike most of the others in her tax bracket, she's not flaunting her wealth like it's a personality trait.
Take a look around. We've got billionaires trying to colonize Mars instead of, I don't know, helping people on Earth. In this context, Taylor's approach is more like Mackenzie Scott’s — Bezos’s ex-wife. She's not trying to escape to another planet - she's trying to make this one better.
And look, I'm not saying we should stop critiquing billionaires or the system that creates them. But she's just setting the bar for what we should expect from all billionaires. She's showing us that our collective power as fans can translate into real-world change. That our love for catchy choruses and bridge drops can somehow, improbably, lead to food banks getting funded and crew members getting life-changing bonuses.
So sorry to my neighbors who hear me belting “Cruel Summer” and “right where you left me” at the top of my lungs (and range). Just know it’s for the greater good.
Deceased Brothel Owner Wins Nevada Election: This is America
Dennis Hof won his bid for Nevada Assembly District 36 last night, despite having died three weeks ago.
Midterm elections are often considered a referendum on a sitting administration's progress—a collective report card graded by the people. Early numbers from this year's elections suggest a substantial and possibly record increase in voter turnout, which has been historically low in non-presidential voting years.
It's not surprising, given the turbulent political climate, that candidates from both parties continued to campaign at full speed up until the final hours. Yet despite an election cycle that saw blatantly racist attack ads, felony accusations, and threats of violence, the one surefire road to victory has been apparent for years: death.
Outlandish as it may seem, at least nine dead people have been elected to public office since 1962—six in the last 20 years alone. The latest, Dennis Hof, whose body was discovered last month after the legal brothel owner had celebrated at a campaign-and-birthday party, claimed victory in Nevada last night. Prior to his death, the 72-year-old had been celebrating with friends Heidi Fleiss, Ron Jeremy, and Joe Arpaio.
Ballots Beyond the Grave: Deceased People Who Have Won Elections
Rep. Clement Miller (CA, 1962; airplane accident)
Reps. Nick Begich (AK) and Hale Boggs (LA, 1972; airplane accident)
Gov. Mel Carnahan (MO, 2000; plane crash)
Rep. Patsy Mink (HI, 2002; viral pneumonia)
Sen. James Rhoades (PENN, 2008; car accident)
Sen. Jenny Oropeza (CA, 2010; cancer)
Sen. Mario Gallegos (TX, 2012; liver disease)
Dennis Hof (NV, 2018; cause of death not yet reported)
Hof ran for office as a self-proclaimed "Trump Republican" and stated that the president's 2016 win ignited his own desire for a career in politics. Similarities between the two run deep. Hof gained fame as a reality star on the long-running HBO documentary series Cathouse, which captured life at the Moonlite Bunny Ranch, one of several legal brothels owned and operated by Hof. In 2015, he published a memoir titled "The Art of the Pimp," a clear homage to Trump's "The Art of the Deal." In it, Hof included a psychological profile by psychotherapist Dr. Sheenah Hankin, which categorizes Hof as a narcissist who abused the sex workers he employed.
Among the issues he championed were immigration reform, a repeal of Nevada's 2015 Commerce Tax, and a campus carry law that would allow concealed-carry permit holders to bring their weapons onto Nevada college and university campuses. He was endorsed by Roger Stone and Grover Norquist. In the 2018 primary elections, Hof beat incumbent James Oscarson by a mere 432 votes. Because he died within 60 days of the upcoming election, Hof remained on the ballot, though signs were posted at polling sites notifying voters of his death.
It seems as though these issues matter more than electing a living person to citizens of the 36th Assembly District. In fact, a 2013 study by Vanderbilt University found that, in lower-level elections, voters are most likely to elect the candidate with the highest name recognition.
The 36th Assembly District, which spans Clark, Lincoln, and Nye counties, has long been a GOP stronghold. Hof defeated Democrat Lesia Romanov, a first-time (living, breathing) candidate and lifetime educator who works as assistant principal of an elementary school for at-risk children. Romanov was impelled to run for office by a desire for common-sense gun reform following the mass shooting in Parkland, Florida. Yet, too many of her constituents, upon discovering she was running against Hof, she became a de facto advocate for women, including "survivors of sex trafficking and exploited and abused brothel workers," according to NBC News. Romanov was among many women running for office in hopes of making Nevada's legislature the first to hold a female majority in the country.
As The Washington Post reported in 2014, there hasn't been an election with a dead person on the ballot in which the dead person lost. It's hard to determine what's more damning for American democracy: that voters are so divided that they're more likely to vote for a dead person than cross party lines or that they've been voting that way for years. At the same time, one might argue that giving Hof's seat to a living Republican (as appointed by county officials, according to state law) is a better outcome than if it'd gone to Hof himself, considering his history of sexual abuse allegations. The most preposterous indictment of the American political system is that although deceased candidates have been elected before, now the electorate could seemingly ask itself—in all seriousness—whether a dead serial abuser makes a better candidate than a living one. And no one seems to know the answer.
What Some French Women Misunderstand About #MeToo
100 prominent French women have signed an open letter arguing that the #MeToo movement has gone too far.
The #MeToo movement, first sparked by allegations against Hollywood heavyweights like Harvey Weinstein, has shown Americans just how many of us are survivors of sexual violence. Not only did #MeToo empower women to talk about our experiences with abuse and harassment, but it also inspired many employers to work toward creating a safer, more equitable workplace.
Most Americans appeared to be receptive to this revelation, but apparently the same can't be said for the French. At least that's how it seemed after a group of 100 prominent French women signed an open letter in the French newspaper Le Monde in January of this year, calling the movement a "hatred of men and sexuality."
On top of their claims that it's anti-men, these women noted that #MeToo attempts to make seduction shameful and frames women as "eternal victims." Among the co-signers were actress Catherine Deneuve, Catherine Millet, who authored a best-selling novel about sex, and conservative women like Elisabeth Lévy, editor of Causeur magazine.
Part of the letter reads: "As women, we do not recognize ourselves in this feminism, which goes beyond denouncing abuse of power and has turned into a hatred of men and of sexuality … Rape is a crime, but trying to seduce someone, even awkwardly, is not. Nor is being gallant a macho aggression ...
"It is the nature of puritanism to borrow, in the name of the supposed collective good, the arguments of the protection of women and of their emancipation to better chain them to their status as eternal victims; poor little things under the control of demonic phallocrats, like in the good old days of witchcraft."
It is here that I, as an American feminist, take issue with their fundamental misunderstanding of #MeToo — and survivorship.
For most of us in the United States, it's hard to find fault in something that feels so pure. Women live their lives with the awareness that there are men who want to hurt us. They're in our families, our friend groups, workplaces, and even among strangers. For many of us, it feels good to talk about our experiences and fears out loud.
The idea that asking to be treated better, to be seen as more than sexual objects for men to attempt to "conquer," turns us into perennial victims is absurd. The only thing that turns a woman into a victim is an abuser making the choice to harm her. In that vein, the only thing that makes women seem like we are always victims is the astounding prevalence of sexual violence, abuse, and harassment put upon us by abusers and a culture that excuses them.
This thinking also proposes that a fundamental aspect of femininity is being desired, while masculinity is inextricably tied to pursuit. This is a dangerous binary for women, and a limiting one for men.
When we expect that seduction is a natural part of how men interact with women, we place a massive burden upon women. Implying that men have some fundamental right to try to seduce us asks us to endure unwanted, inappropriate, and sometimes illegal sexual interaction. It places no responsibility upon men to control themselves or to even have empathy for the women they're trying to seduce. This type of thinking places more value upon men's right to seduce us than our right to feel safe and be treated as equals.
See, my husband has never had to worry about sexual harassment in the workplace. He's been working different jobs for 35 years, but he's never once considered how an outfit he is about to put on might cause his colleagues to sexually harass him. He's never worried that he might have to endure uncomfortable, inappropriate come-ons in order to keep his job.
In contrast, I've worried about these things in every male-dominated job I've ever had. In fact, my first experience with sexual harassment in the workplace happened when I was only 17 years-old. My boss was in his forties. I didn't report it or even tell my parents, because I believed it was normal for men to behave that way.
I'm far from alone. While there is a glaring need for more research in this area, one study determined that 81% of women have been sexually harassed. For generations, we have been taught — either overtly by our parents and teachers or implicitly through our own experiences — that being harassed is the price we pay for being in the workplace, school, or out in the world.
Teenage girls in school are groped, catcalled, and harassed by boys in classrooms and hallways. Sexist dress code policies imply that their bodies tempt boys into distraction, suggesting that boys simply cannot control themselves. Most women and girls have dealt with stalking, harassment, and sometimes even outright violence from strangers attempting to "seduce" them on the street.
The French women who wrote the open letter against #MeToo mention that many of the stories in this movement haven't featured an imbalance of power, as was the case with Harvey Weinstein. These French women make clear that they are against rape or men who abuse their power. But if you ask me, unwanted sexual attention from any man — whether he's your boss, classmate, or just a guy on the street — can feel like an abuse of power.
In our society, men, particularly white men, naturally hold positions of power over women. This begins with the fact that men are often physically larger and stronger; but, additionally, men are also more likely to be police officers, security guards, judges, and even legislators. So while the man or boy who harasses you may not necessarily hold formal power of you, he will likely evade prosecution due to the fact that he's part of a system designed to protect men.
Of course, there are exceptions to this rule of power when it comes to intersecting privileges. For instance, a white woman accusing a Black man of rape or violence holds an extraordinary amount of power. Despite the fact that 90% of rapes happen intra-racially (wherein the victim and perpetrator are of the same race), the disparaging stereotype that Black men are sexually violent toward white women has proven to be deadly for Black men and boys, resulting in staggering rates of wrongful convictions and vigilante violence.
Such was the case for Emmett Till, a 14-year-old boy who was accused of making sexual advances towards a white woman in 1955 and subsequently lynched. According to one historian, the white woman in question admitted in 2008 that she had lied about the boy touching her or talking suggestively. Of course, by then, it was decades too late.
Still, considering that the majority of sexual violence occurs between individuals of the same racial group, the men who choose to harm women generally hold more societal power than women do. This creates a scary world for women who wish to report their abusers or harassers.
Considering how likely men are to protect one another, asking the world to become a safer place for women doesn't present us as "eternal victims," as the French dissenters propose. It simply demands that women be treated as equal members of society, with the same freedoms to move through the world safely and free of harassment that men possess. And despite what the French #MeToo dissenters may have expected, the movement seems to have helped French women.
Protest in FranceThe Atlantic
According to a report by France24, "Reports of sexual violence surged between 23 and 30 percent in October 2017 from the year before...The increased number of complaints has been widely attributed to the movement for encouraging victims to speak out." France has also enacted a new law that makes street harassment illegal, which has led to the successful prosecution of a man who called a woman a "whore" on the street and groped her buttocks. The man was fined and was sentenced to time in jail, becoming the first person convicted for "sexist insults" in France.
None of this is to say that #MeToo is the end of romance, either. Rather, it proposes that men can do better than seducing women in a way that makes them feel scared or uncomfortable. After all, most men don't want to make women feel unsafe, and plenty understand that it's not "seduction" when you have to convince someone to want you — it's coercion.
Asking for equal access to work, schooling, and public spaces does not make us weak. In fact, standing up against the notion that men have the right to harass, assault, or even try to seduce us — awkwardly or not — is the epitome of strength, and it's sad that the French women who signed the letter don't understand that.
How Has Clarence Thomas Survived the #MeToo Movement?
What the campaign against sexual harassment has revealed about past allegations against the Supreme Court justice.
Since 1991, Clarence Thomas has served as a justice of the U.S. Supreme Court with a lifetime term.
Yet shortly before his nomination to the post, Anita Hill testified before a Senate committee that Thomas had sexually harassed her for three years at two different government organizations where they had worked together. Nearly three decades before #MeToo, Hill's testimony was the first major public allegation and investigation into sexual harassment in the workplace. It sparked a divisive discussion about harassment, power, trust and culpability across the country.
After detailing her experiences to the committee, Hill nonetheless watched Thomas win his nomination to the Supreme Court that same year. It was a position where he would have, among other responsibilities, authority over the rights and privileges of women under the Constitution for decades to come.
In February of this year, as part of the mighty wave of women's voices rising against sexual harassment and toppling the men who used it as a tool of power against them, several women brought Clarence Thomas back into the discussion and under the fierce light of the #MeToo movement. With the renewed attention also came calls for impeachment and evidence to support the push.
During the 1991 hearings, it was Anita Hill's word against that of soon-to-be-Justice Thomas.
In 1981, Hill was working for Thomas at the Department of Education when the harassment began. She described to the committee Thomas's attempts to ask her out and the numerous times he talked explicitly about sex acts at work. He later convinced her to move with him to the Equal Opportunity Employment Commission.
The harassment continued at the EEOC. Thomas described to Hill the pornographic videos he watched and disclosed to her his preferences for specific parts of female bodies. In 1983, Hill escaped the harassment by moving to Oklahoma to teach law. Finally, in 1991, she brought her experiences to the attention of a Senate prepared to nominate Thomas to the Supreme Court.
Anita Hill stepped in front of an audience of hundreds of millions and described what she suffered working for Thomas. And Thomas took his Supreme Court seat later that year. "I was disappointed but not surprised," Hill said.
Hill was alone on the stand during the 1991 hearings though others had been willing to testify alongside her.
"Four African-American women, including me, were willing to join professor Hill and testify about Thomas' behavior," wrote Angela Wright-Shannon in February. "We all were denied a voice." Without social media, these testimonies were simply never heard. Wright-Shannon recently described for the Huffington Post her own similar experiences with Thomas: he repeatedly asked her to date him and asked about her breast size.
Another belated testimony came from Lillian McEwen, Thomas's ex-girlfriend. "The Clarence I know was certainly capable not only of doing the things that Anita Hill said he did, but it would be totally consistent with the way he lived his personal life then," she said in an interview in 2010. The #MeToo environment of 2018 has allowed women to come forward together, in force, against the men who harassed them. Jill Abramson believes #MeToo might have allowed others to join Hill on the stand against Thomas and shifted the balance of credibility toward the victims.
After the recent months of accusations, resignations and lettings-go achieved by #MeToo, Thomas's ascension following his hearing and the existence of any subsequent career for him seem ridiculous. How could he have been appointed and how is he still a Justice? Yet, the President of the United States won his election and continues to hold power despite the infamous circumstances of his own history of harassment.
"How do you remove sexual predators from office when all attempts to prevent their ascension in the first place failed?" asks Wright-Shannon. The answer, according to Abramson, is perjury.
Since 1989, three federal judges have been impeached for charges including lying. Among the leaked documents of Hillary Clinton in 2016 was a "Memo on Impeaching Clarence Thomas," written in 2010, that assembles evidence of his perjury. Abramson's article details some of the lies he told, under oath, in front of the Senate Committee and Anita Hill, about the harassment—lies that can now be confirmed as such by the testimony of other victims. The #MeToo movement offers the possibility of strength in numbers that was lacking during the original hearings but that could now present significant corroboration to the perjury claim.
Wright-Shannon, Rose Jourdain and Sukari Hardnett were all victims willing to offer their stories to the Senate committee but didn't get the chance. Now, they and others can fight back.
In the fall of 2016, Moira Smith, an attorney, wrote a Facebook post about the night Clarence Thomas groped her at a dinner party in 1999. He squeezed her butt several times while she was setting the table and asked her to sit next to him. After finally making the incident public on Facebook, it also became the subject of an article in the National Law Journal.
The case for the impeachment of Thomas centers, currently, on his perjury during the 1991 hearings.
But Moira's account of his sexual misconduct at the dinner occurred when he was already a Supreme Court Justice, a detail that could add fuel to the impeachment push.
The current U.S. President secured his victory over the accusations of sexual misconduct by nineteen women, an event that is startlingly similar to Thomas's nomination after Anita Hill's testimony twenty-seven years ago. But since the election, the #MeToo movement has risen up in fury against men guilty of harassing women and has begun to secure justice for the victims. Now, more than ever, the circumstances seem to be prime for the impeachment of a justice guilty of sexual misconduct and perjury.