Billie Eilish is perhaps the most talented artist of our generation…and I don’t throw that around lightly. At only 13, Eilish wrote “Ocean Eyes” alongside her brother Finneas and launched her prolific career. And at the fair age of 22, Eilish has 24 GRAMMY Award nominations and nine wins, two Oscars, two Golden Globes, and countless other accolades.
Beyond that, she recently announced her third album, HIT ME HARD AND SOFT, to be released May 17, 2024. She spent the days leading up to the announcement building excitement by adding all of her Instagram followers to her “Close Friends” list. Eilish had the most Instagram followers in 48 hours…with her count increasing by 7 million followers total.
While her debut album, when we all fall asleep…where do we go?, was a chart-topper in its own right, it landed Billie every GRAMMY it was nominated for at the ripe age of 18…Eilish has solidified herself as one of the most revered and sought-after popstars in the world.
Eilish recently caught media attention for quietly revealing her sexuality. In an interview with Variety, she states that she’s always liked girls…and assumed people always knew that. In a viral snippet from her new song, LUNCH, she details a love affair with a girl.
But people don’t only adore Billie for her catchy tracks that consistently top the charts. It’s not just her songwriting ability and unique vocals that keep us hooked. People love her because she’s unafraid to speak her mind.
Whether it be complaining about too many influencers being at an awards show, or calling out other artists for using unsustainable practices…Billie does not hold back.
Billie Eilish On Sustainability
Eilish home
rethinkingthefuture.com
The Eilish home is iconic for many reasons: it’s where Billie and Finneas recorded her debut album, countless other songs, and EPs, in an effort to conserve water there’s no grass, and the roof is covered in solar panels. And being environmentally conscious extends beyond the four walls of their home.
When the hottest young talent is discovered at such an early age like Eilish, record labels are chomping at the bit to sign them. It’s like when a D1 athlete is ready to commit to college…you have your pick.
But what Eilish and her mom, Maggie Baird, were looking for wasn’t about money or label-perks…they were seeking a solid sustainability program. And while that may seem like standard practice, most labels didn’t bring up environmental policies during these meetings at all.
After signing to The Darkroom via Interscope Records, the struggle didn’t stop there. Billie Eilish and her family have been consistent contributors to the fight against climate change.
Maggie Baird has since started Support + Feed, which focuses on the climate crisis and food insecurity. Support + Feed helped Eilish’s 2022 Happier Than Ever tour save 8.8 million gallons of water through plant-based meal service for the artist and crew members.
During Billie’s 2023 Lollapalooza performance, she aided the launch and funding of REVERB’s Music Decarbonization Project – which guaranteed all battery systems used during her set were solar powered. The MCD’s overall mission is to lower – and eventually eliminate –the music industry’s carbon emissions.
But more recently, Billie Eilish called out other artists for releasing multiple versions of vinyls in order to boost vinyl sales. In an interview with Billboard, she says,
“We live in this day and age where, for some reason, it’s very important to some artists to make all sorts of different vinyl and packaging … which ups the sales and ups the numbers and gets them more money and gets them more…”
Artists convince fans to buy different versions of their albums by offering exclusive features on each vinyl. Take Taylor Swift, for example, who released five separate vinyl versions of Midnights, each with a different deluxe “Vault” track.
While Billie may not have been trying to shade one artist in particular, the point is that she’s fed up. After being the rare artist in the industry who go out of their way to remain environmentally conscious, Eilish sets the bar high.
How Eilish’s New Album Is Sustainable
Billie for "Hit Me Hard and Soft"
William Drumm
Social media users were quick to claim Eilish was hypocritical by announcing that HIT ME HARD AND SOFT will have eight vinyl variations. However, each vinyl is made from recycled materials – either 100% recycled black vinyl or BioVinyl, which replaces petroleum used during manufacturing with recycled cooking oil.
This just illustrates that Eilish wasn’t directing criticism towards other artists for using vinyl variants to gain album sales…but she does think there are better ways to do it that benefit the environment without hurting their sales.
“Close” to You” & “Good One” Review: When Family, Name, And Identity Are On The Line
Written By Samantha Phillips
Two August releases: Close to You (starring Elliot Page, and Hillary Baack, directed by Dominic Savage) and Good One (starring Lily Collias, James Le Gros, and Danny McCarthy, directed by India Donaldson).
Two enticing new films feature protagonists named Sam, a moniker I am – for obvious reasons – particularly attached to.
Both flicks chronicle slow-paced odysseys out of the city. In Good One a father, his high-school-aged daughter, and a friend leave Brooklyn for a three-day hike in the Catskills. Close to You’s Sam travels from Toronto to small town Canada for his dad’s birthday – his first time home since his transition.
- YouTubewww.youtube.com
Bucolic scenery and stately pacing create what could be called un-action movies; both offer the viewer a respite from the loud and violent overstimulation of so many mainstream films.
We watch a butterfly alight on a leaf in Good One; we hear somber piano notes blend beautifully with falling rain as Sam painstakingly sifts through old family photos in Close to You.
Emotional risk-taking abounds in both stories. Simply by returning home Sam, a trans man, faces his family’s scrutiny; extreme close-ups reflect that familial scrutiny. This hyper-close examination of anyone who crosses gender borders inevitably brings to mind the Paris Olympics, where athletes were harassed and over-analyzed for any sex/gender non-conformity.
As if our protagonists didn’t have enough to deal with already, they must also serve as caretakers and educators. In Close to You, Sam comforts his mom when she messes up his pronouns. In a scene you might call “Microaggressions for Dummies,” Sam’s sister’s bro-like partner, Paul, drunkenly asks if he can call Sam “Sammy” and then asks “what the rules are.” The use of pre-transition names – “dead” names – can be considered acts of hostility if done intentionally.
In Good One, Sam cooks for her middle-aged dad and his friend and generally looks out for them. But who’s looking out for Sam? Her identity as a queer seventeen-year-old is threatened when her security is tested. Her journey entails coming to terms with a family member’s inability to see and understand her reality.
Close to You and Good One engage with a rapidly changing cultural and political scene. Good One deftly underscores the fact that 81% of women reported experiencing some form of sexual harassment and/or assault in their lives. And in terms of Close to You, there's a slate of bills across the nation restricting trans rights and visibility. One hopes the films will bring some much-needed attention to these issues. It’s good to see these matters discussed and experiences shared – while realizing there’s a long way to go before explanation and visibility will no longer be necessary and we can all live our lives truthfully and proudly.
These movies expose how hard it can be to simply be heard and seen as who we are. As Sam’s character in Close to You advises his over-thinking mom: “Let’s breathe deeply.” Respect shouldn’t be that challenging a task.
Deceased Brothel Owner Wins Nevada Election: This is America
Dennis Hof won his bid for Nevada Assembly District 36 last night, despite having died three weeks ago.
Midterm elections are often considered a referendum on a sitting administration's progress—a collective report card graded by the people. Early numbers from this year's elections suggest a substantial and possibly record increase in voter turnout, which has been historically low in non-presidential voting years.
It's not surprising, given the turbulent political climate, that candidates from both parties continued to campaign at full speed up until the final hours. Yet despite an election cycle that saw blatantly racist attack ads, felony accusations, and threats of violence, the one surefire road to victory has been apparent for years: death.
Outlandish as it may seem, at least nine dead people have been elected to public office since 1962—six in the last 20 years alone. The latest, Dennis Hof, whose body was discovered last month after the legal brothel owner had celebrated at a campaign-and-birthday party, claimed victory in Nevada last night. Prior to his death, the 72-year-old had been celebrating with friends Heidi Fleiss, Ron Jeremy, and Joe Arpaio.
Ballots Beyond the Grave: Deceased People Who Have Won Elections
Rep. Clement Miller (CA, 1962; airplane accident)
Reps. Nick Begich (AK) and Hale Boggs (LA, 1972; airplane accident)
Gov. Mel Carnahan (MO, 2000; plane crash)
Rep. Patsy Mink (HI, 2002; viral pneumonia)
Sen. James Rhoades (PENN, 2008; car accident)
Sen. Jenny Oropeza (CA, 2010; cancer)
Sen. Mario Gallegos (TX, 2012; liver disease)
Dennis Hof (NV, 2018; cause of death not yet reported)
Hof ran for office as a self-proclaimed "Trump Republican" and stated that the president's 2016 win ignited his own desire for a career in politics. Similarities between the two run deep. Hof gained fame as a reality star on the long-running HBO documentary series Cathouse, which captured life at the Moonlite Bunny Ranch, one of several legal brothels owned and operated by Hof. In 2015, he published a memoir titled "The Art of the Pimp," a clear homage to Trump's "The Art of the Deal." In it, Hof included a psychological profile by psychotherapist Dr. Sheenah Hankin, which categorizes Hof as a narcissist who abused the sex workers he employed.
Among the issues he championed were immigration reform, a repeal of Nevada's 2015 Commerce Tax, and a campus carry law that would allow concealed-carry permit holders to bring their weapons onto Nevada college and university campuses. He was endorsed by Roger Stone and Grover Norquist. In the 2018 primary elections, Hof beat incumbent James Oscarson by a mere 432 votes. Because he died within 60 days of the upcoming election, Hof remained on the ballot, though signs were posted at polling sites notifying voters of his death.
It seems as though these issues matter more than electing a living person to citizens of the 36th Assembly District. In fact, a 2013 study by Vanderbilt University found that, in lower-level elections, voters are most likely to elect the candidate with the highest name recognition.
The 36th Assembly District, which spans Clark, Lincoln, and Nye counties, has long been a GOP stronghold. Hof defeated Democrat Lesia Romanov, a first-time (living, breathing) candidate and lifetime educator who works as assistant principal of an elementary school for at-risk children. Romanov was impelled to run for office by a desire for common-sense gun reform following the mass shooting in Parkland, Florida. Yet, too many of her constituents, upon discovering she was running against Hof, she became a de facto advocate for women, including "survivors of sex trafficking and exploited and abused brothel workers," according to NBC News. Romanov was among many women running for office in hopes of making Nevada's legislature the first to hold a female majority in the country.
As The Washington Post reported in 2014, there hasn't been an election with a dead person on the ballot in which the dead person lost. It's hard to determine what's more damning for American democracy: that voters are so divided that they're more likely to vote for a dead person than cross party lines or that they've been voting that way for years. At the same time, one might argue that giving Hof's seat to a living Republican (as appointed by county officials, according to state law) is a better outcome than if it'd gone to Hof himself, considering his history of sexual abuse allegations. The most preposterous indictment of the American political system is that although deceased candidates have been elected before, now the electorate could seemingly ask itself—in all seriousness—whether a dead serial abuser makes a better candidate than a living one. And no one seems to know the answer.
What Some French Women Misunderstand About #MeToo
100 prominent French women have signed an open letter arguing that the #MeToo movement has gone too far.
The #MeToo movement, first sparked by allegations against Hollywood heavyweights like Harvey Weinstein, has shown Americans just how many of us are survivors of sexual violence. Not only did #MeToo empower women to talk about our experiences with abuse and harassment, but it also inspired many employers to work toward creating a safer, more equitable workplace.
Most Americans appeared to be receptive to this revelation, but apparently the same can't be said for the French. At least that's how it seemed after a group of 100 prominent French women signed an open letter in the French newspaper Le Monde in January of this year, calling the movement a "hatred of men and sexuality."
On top of their claims that it's anti-men, these women noted that #MeToo attempts to make seduction shameful and frames women as "eternal victims." Among the co-signers were actress Catherine Deneuve, Catherine Millet, who authored a best-selling novel about sex, and conservative women like Elisabeth Lévy, editor of Causeur magazine.
Part of the letter reads: "As women, we do not recognize ourselves in this feminism, which goes beyond denouncing abuse of power and has turned into a hatred of men and of sexuality … Rape is a crime, but trying to seduce someone, even awkwardly, is not. Nor is being gallant a macho aggression ...
"It is the nature of puritanism to borrow, in the name of the supposed collective good, the arguments of the protection of women and of their emancipation to better chain them to their status as eternal victims; poor little things under the control of demonic phallocrats, like in the good old days of witchcraft."
It is here that I, as an American feminist, take issue with their fundamental misunderstanding of #MeToo — and survivorship.
For most of us in the United States, it's hard to find fault in something that feels so pure. Women live their lives with the awareness that there are men who want to hurt us. They're in our families, our friend groups, workplaces, and even among strangers. For many of us, it feels good to talk about our experiences and fears out loud.
The idea that asking to be treated better, to be seen as more than sexual objects for men to attempt to "conquer," turns us into perennial victims is absurd. The only thing that turns a woman into a victim is an abuser making the choice to harm her. In that vein, the only thing that makes women seem like we are always victims is the astounding prevalence of sexual violence, abuse, and harassment put upon us by abusers and a culture that excuses them.
This thinking also proposes that a fundamental aspect of femininity is being desired, while masculinity is inextricably tied to pursuit. This is a dangerous binary for women, and a limiting one for men.
When we expect that seduction is a natural part of how men interact with women, we place a massive burden upon women. Implying that men have some fundamental right to try to seduce us asks us to endure unwanted, inappropriate, and sometimes illegal sexual interaction. It places no responsibility upon men to control themselves or to even have empathy for the women they're trying to seduce. This type of thinking places more value upon men's right to seduce us than our right to feel safe and be treated as equals.
See, my husband has never had to worry about sexual harassment in the workplace. He's been working different jobs for 35 years, but he's never once considered how an outfit he is about to put on might cause his colleagues to sexually harass him. He's never worried that he might have to endure uncomfortable, inappropriate come-ons in order to keep his job.
In contrast, I've worried about these things in every male-dominated job I've ever had. In fact, my first experience with sexual harassment in the workplace happened when I was only 17 years-old. My boss was in his forties. I didn't report it or even tell my parents, because I believed it was normal for men to behave that way.
I'm far from alone. While there is a glaring need for more research in this area, one study determined that 81% of women have been sexually harassed. For generations, we have been taught — either overtly by our parents and teachers or implicitly through our own experiences — that being harassed is the price we pay for being in the workplace, school, or out in the world.
Teenage girls in school are groped, catcalled, and harassed by boys in classrooms and hallways. Sexist dress code policies imply that their bodies tempt boys into distraction, suggesting that boys simply cannot control themselves. Most women and girls have dealt with stalking, harassment, and sometimes even outright violence from strangers attempting to "seduce" them on the street.
The French women who wrote the open letter against #MeToo mention that many of the stories in this movement haven't featured an imbalance of power, as was the case with Harvey Weinstein. These French women make clear that they are against rape or men who abuse their power. But if you ask me, unwanted sexual attention from any man — whether he's your boss, classmate, or just a guy on the street — can feel like an abuse of power.
In our society, men, particularly white men, naturally hold positions of power over women. This begins with the fact that men are often physically larger and stronger; but, additionally, men are also more likely to be police officers, security guards, judges, and even legislators. So while the man or boy who harasses you may not necessarily hold formal power of you, he will likely evade prosecution due to the fact that he's part of a system designed to protect men.
Of course, there are exceptions to this rule of power when it comes to intersecting privileges. For instance, a white woman accusing a Black man of rape or violence holds an extraordinary amount of power. Despite the fact that 90% of rapes happen intra-racially (wherein the victim and perpetrator are of the same race), the disparaging stereotype that Black men are sexually violent toward white women has proven to be deadly for Black men and boys, resulting in staggering rates of wrongful convictions and vigilante violence.
Such was the case for Emmett Till, a 14-year-old boy who was accused of making sexual advances towards a white woman in 1955 and subsequently lynched. According to one historian, the white woman in question admitted in 2008 that she had lied about the boy touching her or talking suggestively. Of course, by then, it was decades too late.
Still, considering that the majority of sexual violence occurs between individuals of the same racial group, the men who choose to harm women generally hold more societal power than women do. This creates a scary world for women who wish to report their abusers or harassers.
Considering how likely men are to protect one another, asking the world to become a safer place for women doesn't present us as "eternal victims," as the French dissenters propose. It simply demands that women be treated as equal members of society, with the same freedoms to move through the world safely and free of harassment that men possess. And despite what the French #MeToo dissenters may have expected, the movement seems to have helped French women.
Protest in FranceThe Atlantic
According to a report by France24, "Reports of sexual violence surged between 23 and 30 percent in October 2017 from the year before...The increased number of complaints has been widely attributed to the movement for encouraging victims to speak out." France has also enacted a new law that makes street harassment illegal, which has led to the successful prosecution of a man who called a woman a "whore" on the street and groped her buttocks. The man was fined and was sentenced to time in jail, becoming the first person convicted for "sexist insults" in France.
None of this is to say that #MeToo is the end of romance, either. Rather, it proposes that men can do better than seducing women in a way that makes them feel scared or uncomfortable. After all, most men don't want to make women feel unsafe, and plenty understand that it's not "seduction" when you have to convince someone to want you — it's coercion.
Asking for equal access to work, schooling, and public spaces does not make us weak. In fact, standing up against the notion that men have the right to harass, assault, or even try to seduce us — awkwardly or not — is the epitome of strength, and it's sad that the French women who signed the letter don't understand that.
How Has Clarence Thomas Survived the #MeToo Movement?
What the campaign against sexual harassment has revealed about past allegations against the Supreme Court justice.
Since 1991, Clarence Thomas has served as a justice of the U.S. Supreme Court with a lifetime term.
Yet shortly before his nomination to the post, Anita Hill testified before a Senate committee that Thomas had sexually harassed her for three years at two different government organizations where they had worked together. Nearly three decades before #MeToo, Hill's testimony was the first major public allegation and investigation into sexual harassment in the workplace. It sparked a divisive discussion about harassment, power, trust and culpability across the country.
After detailing her experiences to the committee, Hill nonetheless watched Thomas win his nomination to the Supreme Court that same year. It was a position where he would have, among other responsibilities, authority over the rights and privileges of women under the Constitution for decades to come.
In February of this year, as part of the mighty wave of women's voices rising against sexual harassment and toppling the men who used it as a tool of power against them, several women brought Clarence Thomas back into the discussion and under the fierce light of the #MeToo movement. With the renewed attention also came calls for impeachment and evidence to support the push.
During the 1991 hearings, it was Anita Hill's word against that of soon-to-be-Justice Thomas.
In 1981, Hill was working for Thomas at the Department of Education when the harassment began. She described to the committee Thomas's attempts to ask her out and the numerous times he talked explicitly about sex acts at work. He later convinced her to move with him to the Equal Opportunity Employment Commission.
The harassment continued at the EEOC. Thomas described to Hill the pornographic videos he watched and disclosed to her his preferences for specific parts of female bodies. In 1983, Hill escaped the harassment by moving to Oklahoma to teach law. Finally, in 1991, she brought her experiences to the attention of a Senate prepared to nominate Thomas to the Supreme Court.
Anita Hill stepped in front of an audience of hundreds of millions and described what she suffered working for Thomas. And Thomas took his Supreme Court seat later that year. "I was disappointed but not surprised," Hill said.
Hill was alone on the stand during the 1991 hearings though others had been willing to testify alongside her.
"Four African-American women, including me, were willing to join professor Hill and testify about Thomas' behavior," wrote Angela Wright-Shannon in February. "We all were denied a voice." Without social media, these testimonies were simply never heard. Wright-Shannon recently described for the Huffington Post her own similar experiences with Thomas: he repeatedly asked her to date him and asked about her breast size.
Another belated testimony came from Lillian McEwen, Thomas's ex-girlfriend. "The Clarence I know was certainly capable not only of doing the things that Anita Hill said he did, but it would be totally consistent with the way he lived his personal life then," she said in an interview in 2010. The #MeToo environment of 2018 has allowed women to come forward together, in force, against the men who harassed them. Jill Abramson believes #MeToo might have allowed others to join Hill on the stand against Thomas and shifted the balance of credibility toward the victims.
After the recent months of accusations, resignations and lettings-go achieved by #MeToo, Thomas's ascension following his hearing and the existence of any subsequent career for him seem ridiculous. How could he have been appointed and how is he still a Justice? Yet, the President of the United States won his election and continues to hold power despite the infamous circumstances of his own history of harassment.
"How do you remove sexual predators from office when all attempts to prevent their ascension in the first place failed?" asks Wright-Shannon. The answer, according to Abramson, is perjury.
Since 1989, three federal judges have been impeached for charges including lying. Among the leaked documents of Hillary Clinton in 2016 was a "Memo on Impeaching Clarence Thomas," written in 2010, that assembles evidence of his perjury. Abramson's article details some of the lies he told, under oath, in front of the Senate Committee and Anita Hill, about the harassment—lies that can now be confirmed as such by the testimony of other victims. The #MeToo movement offers the possibility of strength in numbers that was lacking during the original hearings but that could now present significant corroboration to the perjury claim.
Wright-Shannon, Rose Jourdain and Sukari Hardnett were all victims willing to offer their stories to the Senate committee but didn't get the chance. Now, they and others can fight back.
In the fall of 2016, Moira Smith, an attorney, wrote a Facebook post about the night Clarence Thomas groped her at a dinner party in 1999. He squeezed her butt several times while she was setting the table and asked her to sit next to him. After finally making the incident public on Facebook, it also became the subject of an article in the National Law Journal.
The case for the impeachment of Thomas centers, currently, on his perjury during the 1991 hearings.
But Moira's account of his sexual misconduct at the dinner occurred when he was already a Supreme Court Justice, a detail that could add fuel to the impeachment push.
The current U.S. President secured his victory over the accusations of sexual misconduct by nineteen women, an event that is startlingly similar to Thomas's nomination after Anita Hill's testimony twenty-seven years ago. But since the election, the #MeToo movement has risen up in fury against men guilty of harassing women and has begun to secure justice for the victims. Now, more than ever, the circumstances seem to be prime for the impeachment of a justice guilty of sexual misconduct and perjury.