AOC and others have shared frightening first-hand details from the attempted coup on January 6th, 2021.
Update 2/2/2021: On Monday night, Representative Ocasio-Cortez once again took to Instagram Live to share her experience of the attack on the Capitol building in more detail.
She talked about the frightening moment when an unknown man made his way into her office shouting, "Where is she?" as she hid behind a bathroom door believing that he was likely there to kill her — "this was the moment where I thought everything was over,"
Even the realization that this man was a Capitol police officer didn't feel like a guarantee that he was looking out for her safety — an uncertainty which friendly interactions between police and attackers would later justify. She described sheltering in Representative Katie Porter's office as they received reports of bombs being found and made contingency plans for escaping out a window or into a safer office.
The intensity and detail of her account are striking, as is her decision to share a personal context for how she processes the experience, relating that she is "a survivor of sexual assault," and noting that "when we go through trauma, trauma compounds on each other."
But perhaps the most important moment of the stream was her comparison of recent calls for us all to "move on" from the insurrection — often from those who stoked the misinformation that brought it on — to "the tactics of abusers," saying, "this is at a point where it's not about the difference of political opinion. This is about just basic humanity."
On Tuesday night, Representative Alexandria Ocasio-Cortez of New York's 14th congressional district took to Instagram Live to share her experience of last week's frightening events at Capitol Hill.
Ocasio-Cortez has made a point of making herself accessible to the public, sharing her cooking, her gaming, and even her struggle to find affordable housing through social media. It's a practice that has contributed to the adoration of her fans as well as the vitriol of her detractors. But she has never shared anything quite as personal and affecting as her experience of the attempted coup on January 6th.
The attempted coup that took place at the Capitol building on Wednesday was equal parts terrifying and hilarious.
In times of crisis and chaos, it's important to keep a clear head and stay on top of the facts.
It's important to acknowledge that this was an unprecedented breach of security that could easily have been avoided and that it resulted in the deaths of at least four people.
But once you've processed the horror that entails, it's equally important to allow yourself a break from the tension and anxiety. Now and then it's essential to look at things from a different angle and just laugh at the absurdity.
Wednesday's attack on Capitol Hill was a great reminder of that lesson. Amid images of fascists and white supremacists taking over the Capitol building to disrupt the functioning of the federal government, chase legislators into hiding, and delay the confirmation of Joe Biden's clear victory over Donald Trump — waving the confederate flag, smashing things, stealing things, and generally getting away with it — there was also an abundance of clownish, hilarious behavior.
Some of the absurdity involved people being intentionally funny, while some of it displayed a raw, natural talent for being obliviously laughable. But all of it provided potent relief from the sense of American democracy falling to a movement of delusional bigots led by a petty conman (though that's still a disturbing possibility).
So as we move forward and focus on action to ameliorate the risk of further violence — anti-coup protests, impeachment, the 25th amendment — it's worth looking back at some of the highlights of absurdity that sprouted from Wednesday's waking nightmare.
At any rate, with all this absurdity, you have to laugh...or cry...or both, simultaneously while huddled in your closet.
A comedy legend passes the torch to the next generation.
2020 has been a huge year in the career of comedy veteran Rudy Giuliani.
He began his career in comedy back in 1997, when he supplemented his part-time gig as mayor of New York City with hosting duties at Saturday Night Live. Unfortunately, he hadn't yet refined his craft to become the hilarious avant-garde performance artist we know today.
Recently, we learned that Giuliani has tested positive for coronavirus, with the soon-to-be former president Trump wishing him well after contracting the "China virus." Speaking of absurd politicians, we look back on Giuliani's contributions to comedy.
In the '90s, Giuliani's approach to comedy consisted primarily of dressing in drag and struggling to read cue cards. But, as funny as that is to watch, audiences didn't really "get" him, and Rudy's turn as host has frequently been listed among the worst in the history of SNL.
Rita Delvecchio's Thanksgiving - SNL www.youtube.com
Still, he had obvious potential as a sloppy, bumbling comedic genius. He would return to the show on multiple occasions, but it wasn't until years later -- as a frequent guest on cable news -- that Giuliani settled into his current, brilliant niche as "Donald Trump's personal lawyer" and a "cybersecurity advisor."
At 76 years old, conventional wisdom would dictate that Rudy's best years in comedy were far behind him. But Rudy Giuliani has never cared much for "convention" or "wisdom." In addition to various angry and unhinged rants, Rudy has given us some amazing comedy moments like the time he butt-dialed a reporter, the time he went to the Apple Genius Bar after getting locked out of his phone, and the time he texted another reporter his private password.
And those are just the cybersecurity bits from 2019! In 2020 his "lawyer" persona has reached new levels of comedy, including his scene-stealing collaboration with Sacha Baron Cohen for Borat 2 and a series of press conferences in which he "accidentally" booked a landscaping company instead of a luxury hotel and allowed hair dye to drip slowly down the sides of his face.
But this week he has topped himself. Rather than introducing another classic Rudy character, he used the incredible moment he's been having to elevate a newcomer -- passing on the torch of sloppy political ranting to a new generation of comedic genius: Melissa Carone.
Trump's star voter fraud witness goes viral HUMILIATING herself at “hearing" www.youtube.com
Carone had previously given a solid performances as the incomprehensible "whistleblower" on Fox Business's Lou Dobbs Tonight. There she demonstrated how poorly she could explain concepts like ballots being counted incorrectly and mysterious vans delivering something other than food.
With Dobbs she put on an amusing show, but was a bit too stiff and put-together to really lose herself in the role. It was only with Rudy's coaching that Carone was able to loosen up and deliver the sloppy, belligerent performance of a lifetime in a hearing in front of the Michigan legislature on Wednesday.
Billed as a key witness of election misconduct and voter fraud, Carone was on a roll throughout the hearing. In addition to making her explanation of ballot tabulation even more confusing, she slurred her speech and frequently interrupted the state senators with hostile comments while they attempted to clarify her baseless and confusing accusations.
I thought Rudy Giuliani was crazy. Then I thought that Trump's 46-minute tirade was insane. But the #Trump Star… https://t.co/hBVLxsNMDX— Colonel Hardstone (@Colonel Hardstone)1607003476.0
Carone's bit involves her role as an IT contractor for Dominion Voting Systems, which placed her in Detroit's TCF while votes were being counted for the November 3rd election. There she claims to have seen workers counting stacks of ballots multiple times and signing voters names to incorrectly copied ballots.
Though Carone's claims have already been dismissed in court as incompatible with other witness testimony and "simply not credible," that didn't slow her down. She continued to hilariously claim that the fact that she had signed an affidavit was proof enough that she was telling the truth.
With unflinching, sloppy confidence, she delivered lines like, "I can't even get an actual job anymore ... because Democrats like to ruin your lives" and, "I signed something saying that if I'm wrong I can go to prison. Did you?" It was almost enough to make you believe that she really meant it -- which served to make the whole thing that much funnier.
Weekend Update: Girl You Wish You Hadn't Started a Conversation with on the 2016 Election - SNL www.youtube.com
While others have compared her performance to characters from Saturday Night Live (specifically, Cecily Strong's drunk girl character), there is something unrestrained and bizarre about it that more accurately recalls the heyday of Mad TV. Judging by the way he attempted to shush her, even Rudy couldn't believe how funny Carone was being, as she interrupted Republican state representative Steven Johnson to claim that the Detroit poll book contains zero registered voters and that turnout was 120% (it was actually under 50%).
Does it matter that she offers no evidence to support her claims that the poll book is "wildly off" by "over 100,000" votes or that "dead people voted and illegals voted?" Of course it matters. If she had any evidence for these claims, it wouldn't be comedy gold.
And now we have more of that comedy gold to look forward to. While the current outpouring of hilarious political comedy around "election fraud" and various clumsy, attempted coups is set to wrap up on December 14th, when the electoral college votes to elect Joe Biden the next president, Melissa Carone gives us a reason to be hopeful for the future of comedy.
Even if Rudy Giuliani retires from comedy later this month, he has anointed an heir in Carone. With her talent now in full bloom, we can all look forward to many more years of virtuosic comedic rants.
Our broken electoral system makes the endless stress and confusion of razor-thin margins inevitable. But we can fix it.
The panic that enveloped the world on November 3, 2020 already feels like a bad dream.
Despite the best efforts of Bernie Sanders and others to prepare us for the inevitable chaos, the partisan divide between mail-in and in-person voting had the predictable effect last Tuesday.
As the in-person votes accumulated in several key states where mail-in totals were always going to be delayed, the sense that Donald Trump was outperforming expectations—and was likely to secure reelection—was pervasive.
Sen. Bernie Sanders Predicts How Trump Will React On Election Night www.youtube.com
The president's rhetoric—deriding mail-in voting and downplaying the threat of the deadly coronavirus pandemic—meant that his supporters were much more likely to turn out to polling places. Democratic voters, on the other hand, were more inclined to avoid the crowded public spaces of election day voting.
Considering the ongoing, unprecedented spike in COVID-19 cases in the US, that caution was well-placed. Nonetheless, it gave President Trump leeway to pretend that his apparent victory had somehow been tampered with.
That strategy may turn out to work, and Donald Trump could snatch a "legal" coup from the jaws of a clear electoral defeat. But if the election had been closer, this game would have been much easier for him to play. The uncertainty and the potential for a court case to disrupt the results—as happened in Florida in the 2000 election—could have taken over the country for weeks without any projected winner.
Instead, victory was declared for Joe Biden and Kamala Harris, and we got to experience the pristine beauty of Donald Trump's desperate legal team scrambling to give a press conference outside Philadelphia's Four Seasons…Total Landscaping.
The image of Rudy Giuliani spreading lies about fraudulent votes in front of a garage door in a random, grungy parking lot was priceless. The only thing better is the way he and his team unconvincingly pretended to have booked that spot—rather than the similarly-named luxury hotel—on purpose.
I could write jokes for 800 years and I'd never think of something funnier than Trump booking the Four Seasons for… https://t.co/HoNzSpDrlt— Zack Bornstein (@Zack Bornstein)1604804994.0
And that absurd, hilarious fumbling is all thanks to the fact that Joe Biden earned a resounding and unambiguous victory. Except… Did he?
The Election Results
At current count Joe Biden has received around 5 million more votes than Donald Trump, and that margin is likely to grow as millions of remaining votes are tallied.
His popular vote lead puts him roughly in line with Barack Obama's unequivocal defeat of Mitt Romney in 2012. Biden is also projected to win as many as 306 electoral college votes—the same number Donald Trump won in 2016, and well in excess of the 270 needed to secure the presidency.
While these figures fall short of most of the polling in the lead-up to the election—which predicted Biden securing closer to an 8% lead—it still sounds like a decisive result. Sadly that shortfall hurt down-ballot Democrats, who failed to take control of the Senate or strengthen their caucus in the House. That points to at least two years of divided, ineffectual governance while Americans face down multiple generation-defining crises.
Still, the fears of a Trump victory that loomed large as the first results came in now seem a little silly. Trump didn't really stand a chance, right?
I woke up this morning with a sense of dread that I can't shake. So I'm gonna put my doom spiral out there in hopes… https://t.co/nTkVxyJVbt— Natalie Wynn (@Natalie Wynn)1604988024.0
Sadly, no. While the number of Americans who turned out to reject Trump's hateful politics and failures of leadership outnumber their pro-Trump counterparts by a respectable margin, the growing sense that Biden's victory was inevitable and comfortable does not hold up to scrutiny.
As 2016 taught us, "millions more votes" is a meaningless achievement in our bizarre, antiquated system. In that presidential race Hillary Clinton won the popular vote by nearly 3 million votes, but the way electoral votes are apportioned to favor rural states resulted in Donald Trump winning 306 electoral votes and the presidency (later finalized as 304 due to faithless electors).
The Decisive States
At the time, a great deal of attention was paid to the fact that three states—Wisconsin, Pennsylvania, and Michigan—had narrowly handed Trump his win. Worth a total of 46 electoral votes (enough to flip the whole election), Trump's margin of victory in those states was less than 1%.
From a cohort of 138 million, 79,316 voters in those three states ended up making the decision for the entire country. It seemed like a slap in the face to the notion of Democratic elections. But it turns out that things were even more narrow in 2020.
While there are still votes being counted—and the specific figures could change as the final tallies come in—it looks likely that four states will go to Biden with a margin of less than 1%. And in the three states where counts are currently closest—Georgia, Arizona, and Wisconsin—Biden is ahead by a total of fewer than 50,000 votes.
If those three states had gone the other way—Arizona could still flip—Donald Trump would have secured their 37 electoral votes and been handed a second term as president. And that's exactly what would have happened if 0.03% of the 160 million Americans who voted had decided to stay home—or if half that number flipped to voting for Trump instead of Biden.
Projected final Electoral College Tally, with current vote counts in the four closest states.AP
And Donald Trump only needs to assemble enough flimsy evidence to cast substantial doubt on that tiny fraction of votes in order to conduct a coup.
To put things in perspective, the voters who ensured Joe Biden's victory are outnumbered by the average daily visitors to Disneyland (pre-COVID). Back in the '90s, all the voters who were decisive in expelling Trump from the White House could have fit inside Donald Trump's Atlantic City casinos—before those were all either shuttered or rebranded.
The number of voters who determined our leader during a pandemic are dwarfed by the number of people who have been killed by that pandemic in New York and Texas alone...
Even if you add Pennsylvania's 20 electoral votes to the mix, around 95,000 voters could have delivered Donald Trump a comfortable victory—with 292 electoral votes—just by staying home. Then they all could have gone to a game at Penn State's Beaver Stadium, with 10,000 seats left to spare.
The Problem With the Electoral College
Why is it possible—let alone familiar and expected—for the most powerful position on Earth, leading a nation of 330 million, to be assigned according to the will of a number of people who couldn't fill the seats at a college football game?
Our system, as it currently exists, makes these razor-thin margins unavoidable.
If the decision were between two disappointing moderates, that might not be such a terrifying prospect, but political polarization has made each election an inevitable battle between a far-right zealot and… a disappointing moderate.
States with more rural populations lean strongly Republican, while more urban states lean strongly Democratic. With the already swift rate of cultural progress in cities being amplified by the Internet's tendency to intensify everything, the backlash in rural areas that are more resistant to change is stark, and the divide is only growing.
Of course the populous in Democratic states significantly outnumber Republican states. In a democratic system that would mean that Republicans would have to shift their policies and their rhetoric to appeal to more people. But the electoral college cancels out the population difference—giving smaller states proportionally more sway.
As a result, Republicans can play more and more to their relatively small base of support, while Democrats attempt to build broad enough support to overcome their disadvantage. And this struggle ends up playing out in just a handful of "swing states" where opinions are fairly mixed.
That's where candidates spend hundreds of millions of dollars, bombarding residents with attack ads, trying to sway the slim percentage of voters who aren't devoted to one side or the other. And the effect is to leave an increasing number of people disgusted with the whole political process.
This makes it exceedingly easy for misinformation or voter suppression efforts to become decisive. What if Trump donor Louis DeJoy had been even better at slowing down the mail in the lead up to the election? What if a "satirical" deepfake video of Hunter Biden had spread on Facebook, bolstering false claims of pedophilia? Would it have been enough to shift the vote by 1% in Arizona, Georgia, and Wisconsin?
In either case, as awful and as stressful as this election was, we shouldn't take the less-than-horrifying result as a sign that things are okay, or that the next election will be any better. As a nation we walk on a political knife's edge that's controlled by a fraction of the population of a few states.
The National Popular Vote Interstate Compact: A Possible Solution
If you don't live in one of those battleground states, you will never be in that tiny group of voters whose decision to vote or stay home determines the next four years for the rest of America. As long as we continue to allow the confusing, undemocratic, and unpopular Electoral College system to determine the outcome of presidential elections, candidates will ignore the needs of your state, because your vote won't count.
The good news is: There is a way out that doesn't avoids the nearly impossible process of passing a constitutional amendment.
The Electoral College and the National Popular Vote | One Detroit Clip www.youtube.com
States have the power to determine how their electoral votes are awarded. If a few more state legislatures in places like Texas—where each vote has roughly ⅓ the power of a vote in Vermont—signed onto the National Popular Vote Interstate Compact, we could render the Electoral college moot.
A winning number of electoral votes would go to whoever won the popular vote. Our next president would be determined by millions of Americans, rather than a few thousand people in Wisconsin.
Until then, we will keep walking the razor's edge.
Donald Trump is the most innocent president of our time.
Amidst the House's mounting Trump impeachment inquiry, only one thing is 100% certain no matter what the facts end up being: Donald Trump is totally innocent.
We know this because he tells us on Twitter, and if there's one thing we can all agree on, it's that Donald Trump never lies (and even if he was pretty much lying 84% of the time, that's only to troll stupid people, and by that I mean college-educated democrats and people who can read).
So who cares if the Whistleblower's statement has been proven accurate in a line-by-line dissection? And who cares if the White House definitely tried to cover up the details of the Ukraine call. If Donald Trump says he didn't do anything wrong, well, he's the president so I believe him. So in celebration of how truthful and honest our President is, and how much I believe him no matter what he says or does, I've made a lot of 5 times that Donald Trump was completely innocent.
The Ukraine Call
If Donald Trump says he didn't pressure foreign governments into interfering with the 2020 election even though he admitted to pressuring foreign governments into interfering with the 2020 election, I believe him. He said it was a "perfect phone call" and I'm not 100% sure what that is but it definitely was.
Russia, Russia, Russia! That’s all you heard at the beginning of this Witch Hunt Hoax...And now Russia has disappea… https://t.co/fUbv2gPksj— Donald J. Trump (@Donald J. Trump)1559217467.0
In addition to Florida - South Carolina, North Carolina, Georgia, and Alabama, will most likely be hit (much) harde… https://t.co/G9N3uqS9Pd— Donald J. Trump (@Donald J. Trump)1567349506.0
Those Tweets were NOT Racist. I don’t have a Racist bone in my body! The so-called vote to be taken is a Democrat c… https://t.co/jAGPz1saBI— Donald J. Trump (@Donald J. Trump)1563285582.0
In the first installment of our Visionaries Project, we interview brilliant writer, activist, and horror buff Sherronda J. Brown.
The Visionaries Project is a new subsection of The Liberty Project dedicated to highlighting the lives, passions, and work of writers and activists currently working towards social justice and liberation from oppression. We aim to uplift the perspectives of powerful, diverse voices working in media and activism today—and not just the faces who make headlines, but the real people on the ground every day, working towards their visions of a better world.
As our first installment of the Visionaries Project, we're beyond honored to feature Sherronda J. Brown, an incredibly eloquent and brilliant journalist and activist currently doing vital work in the media sphere.
Where did you grow up? Was there an activism or writing background in your childhood?
I grew up in a small town called Tarboro in Eastern North Carolina. I don't have an activism background from my youth, but I have always been a writer. My mom still has a stack of little books I wrote as early as Kindergarten and first grade.
Can you tell me a little bit about how you got into writing and journalism?
I don't think writing was much of a choice for me. I think it's something that just lives in my bones and my fingertips. If I wasn't writing about systemic oppression and its multiple arms, I'd almost certainly be writing in some other capacity, probably in entertainment media or true crime. Definitely true crime. Hell, I might still do that one day.
My foray into journalism was more like being pulled into it. I have always shared my views on social media, specifically Facebook, and eventually people started to follow me and root for me. To my surprise, my words touched people. I wrote briefly for a now-shuttered, indie feminist website (for free!) while in college many years ago, but my presence in this world really became solidified when current Managing Editor at Black Youth Project (BYP), Hari Ziyad, gave my writing a home at RaceBaitR and later encouraged me to write for BYP as well. Then, the Deputy Editor position came along, and Hari encouraged me to take another step. The next step was Wear Your Voice (WYV), where I was promoted to Managing Editor by founder Ravneet Vohra before I even knew what hit me. And here I am. Other people recognized my talents and potential before I did. They knew I could do this before I even knew it was an option. Shout out to imposter syndrome, and shout out to the people who helped me get here.
How did you get involved with Wear Your Voice? What work do you do for it, and what's the publication about?
Lara Witt, the current EIC, posted a call for pitches on social media and I submitted a piece about an indie film I had been really impressed by, The Keeping Room. This was just after the release of Sofia Coppola's remake of The Beguiled, and I argued that The Keeping Room—while an imperfect film—succeeds where Coppola's film fails, specifically in her erasure of an enslaved Black woman character from the Civil War era South in order to ensure that the Confederate white women are seen as indisputable victims within the story, rather than cruel enslavers. The essay did very well, so much so that the writer and producer, Julia Hart and Jordan Horowitz, reached out to thank me. That was a surprise and, of course, hugely flattering. From that point, I continued to write for WYV as a freelancer, until I got the courage to ask Lara if she needed any editorial support. She advocated for me and helped me become a part of the team, beginning as a part-time Social Media Manager. I will always, always be so grateful to her for that, especially because WYV is such an amazing publication to work for. I now get to say that I serve as the Managing Editor of a bold magazine that wholly embraces me and gives QTBIPOC space to talk about our experiences without tone policing or censorship. It's incredibly rewarding and therapeutic work for me.
The bio for Wear Your Voice cites Kimberlé Crenshaw's definition of "intersectionality." How would you define intersectionality? Has your understanding of it changed over time?
A lot of people misunderstand or wrongly define intersectionality, and I suppose I used to do the same. Once upon a time, I thought of it as a literal intersection, with multiple roads meeting and touching at a particular point, with each road being a different aspect of a marginalized identity. So, one road would be Black, one would be woman, one would be queer, and so on, and they would intersect with each other. In this visual representation, the points where they intersect would be the nucleus, where all the layered oppressions one experiences are most concentrated, for lack of a better phrase.
Now, I understand how wrong I was. Because, for a queer Black woman, Blackness is never separate from woman, is never separate from queer, and so on. More specifically, Kimberlé Crenshaw developed this theory and coined this term thirty years ago for Black women to think and talk about how we experience misogynoir. Intersectionality is specifically for Black women's benefit, and Crenshaw herself has told us not to use it as a blanket term for thinking about oppressions.
What do you mean by "digital activist," as you say in your bio? What potential do you see in digital activism going forward?
It's funny, I didn't realize that I was a digital activist until someone told me I was. I guess, I didn't really understand the true impact that my words were making. One of my favorite anecdotes—or maybe it's a testimony—is from a woman who said that my writing helped her get her teenage daughter to stop bleaching her skin. That made my heart sink and sing at the same time. People reach out to me periodically to share how I've helped them to think about things from a new perspective and better understand how oppressive systems work and even how they have participated in and benefited from them. That's the best reward for me. A lot of people don't consider digital activism to be valid. People like me often get called "armchair activists" as an indictment of our supposed laziness, which is quite an ableist sentiment. There is tremendous value in digital activism, whether or not people are physically or mentally healthy and able enough to contribute to "boots on the ground" work, and I don't just say this because I consider myself one. Think about how much information gets shared across social media by marginalized people that might not otherwise be reported on by the mainstream media. Digital activism can and does enact change in its own way, and there are plenty of examples.
If you see yourself as a resource for awareness or inspiration for activists and radical thinkers, what would you recommend to others looking to get into the type of work you're doing?
I know this is easier said than done, but take the leap. Shoot your shot. Send that pitch email. Read other people's work, digest it, process it, live in it. And then, find the gaps. With any given subject, there's always someone who has already written about it, of course, but there are always things left unsaid, views left unexplored. No one person can tackle every possible angle. Find the gaps that other people inevitably leave in their work and fill them. Address the unaddressed. That is how writers can set themselves apart, in my opinion. That's what I really appreciate as an editor and a reader.
Are there any projects or current topics you want to promote?
We are currently wrapping up our Summer of Sex campaign at WYV, a series that highlights perspectives of QTBIPOC [Queer, Trans, Black, Indigenous, People of Color] on the subject of sex and the things surrounding it. The piece I contributed to this is rather personal, maybe more personal than anything else I've ever written. In it, I do what feels for me like heavy lifting on the subjects of unhealthy sex, asexuality, celibacy, and fawning as a trauma response, as all of these relate to my personal story and life experience. These are topics I rarely see talked about openly and I would like to see others engaging with them as well.
You describe yourself as a "reformed Blackademic." What was your experience in academia and why did you choose to move towards digital media?
I had no idea I would end up here. For a long time, I thought I would be an academic, and I had plans to pursue a doctorate. The bureaucracy and high pressure of the institution turned out to be something I wasn't cut out for, and I'm perfectly fine with that. I call myself a reformed Blackademic because stepping back from academia allowed me to see how elitism and inaccessibility can sometimes be a barrier to connecting with our own communities. If my work isn't accessible to those outside of higher education, then I don't think it's actually doing as much work as we might assume. This isn't to say that there isn't value in academic thought and high theory. Of course there is, and the things I learned while pursuing my degrees absolutely continue to inform my current work. I'm just more intentional about making my work accessible, as much as I can, and I will hopefully continue to make more progress in that arena through digital media.
What are your favorite writing projects or stories you've covered over the years?
My favorite projects are the ones that allow me to blend my passion for entertainment media with my radical, leftist, Black feminist, anti-capitalist philosophies. I'd say I'm currently most fond of my analysis of Thanos and his flawed Malthusian logic system about overpopulation and my laments on the unfortunate pattern of Black horror stories and Black time travel narratives that seem to only contemplate white violence as a constant fixture in our lives.
You've written a lot about your interest in horror and haunting narratives. Can you tell me a little bit about that?
I became interested in hauntings in grad school, in terms of how the ghosts of history continue to haunt our lives everyday and how we see those ghosts manifesting in oppressive systems, and these things often show up as literal ghosts in cinematic haunting narratives, like literally any film that uses a "Native American burial ground" as a way to convey danger and terror for white protagonists only to ultimately subdue the ghosts rather than truly acknowledge and hold accountable the violent white colonialism that created them.
Candyman (1992) is also a prime example with the vengeful ghost created from a lynching, and it is one of my personal favorites, despite it ultimately being yet another story of a frightened white woman being lusted after by a Black man. Choosing favorites is always difficult, because it changes every few years, and I love so many. Train to Busan (2016), Tigers Are Not Afraid (2017), Hereditary (2018), and The Babadook (2014) are some of my contemporary favorites, but Psycho (1960), The Exorcist (1973), Night of the Living Dead (1968), and Invasion of the Body Snatchers (1956) are longevity faves.
When you say "new voices" in horror, I immediately think of Jordan Peele, of course, who has two amazing horror entries already, which are among my favorites as well, and is sure to bring us more. He's tapped Nia DaCosta to direct his Candyman "spiritual sequel" expected in 2020, and I am ecstatic about a Black woman directing such a huge mainstream horror film. It would be a dream to see more Black women, more queer folks, more trans folks, more disabled folks at the helm of these stories. I want to see people who have historically been largely relegated to monstrosities in horror giving us innovative tales that subvert the status quo and rattle us in new, challenging ways.
You write a lot of content that challenges hegemonic, white supremacist narratives and ways of reporting and understanding current events; for example, the idea that climate change is new/just beginning to show effect, or that BIPOC women's bodies haven't always been byproducts of white supremacist violence. What writers, sources, or strategies have helped you challenge these hegemonic narratives? What kind of anti-oppression work do you see coming to the fore and/or still needing to be done in terms of this?
My first piece of writing that went viral viral was "White Women In Robes" on my personal blog, werdbrew. It was a critique of The Handmaid's Tale's use of harms committed against BIPOC in a story that centers white women and white feminism's historical connections with white supremacy, among other things. Dorothy E. Roberts' "Killing the Black Body" greatly informed that piece of writing, and anything else I've written about the reproductive control of and expectations for Black people. I also carry Audre Lorde, Alice Walker, and Angela Davis with me daily, and the spirits of Harriet Tubman and Zora Neale Hurston. The voices of Patricia Hill Collins, Nina Simone, and Toni Morrison are always with me when I write about Black womanhood. Some more recent entries that have inspired me include Tressie McMillan Cottom's "Thick" and Sabrina Strings' "Fearing the Black Body," both amazing and important works. I just think Black women are so brilliant and so uniquely able to Illuminate ugly but necessary truths about our world. Black women are already doing crucial anti-oppression work, and always have been. People just need to listen.
"White supremacy is the ugliest thing I have ever seen—producing literal monstrosities—and its hideousness cannot b… https://t.co/wiLkhJBOYc— 𝚂𝚑𝚎𝚛𝚛𝚘𝚗𝚍𝚊 𝙹. 𝙱𝚛𝚘𝚠𝚗 (@𝚂𝚑𝚎𝚛𝚛𝚘𝚗𝚍𝚊 𝙹. 𝙱𝚛𝚘𝚠𝚗)1568832755.0
You write that white dystopian narratives align with the "destruction of the dominant white society, the disruption of the white heteropatriarchal family unit, and the downfall of post-colonial civilization as a whole" in one of your reviews. What kind of disruption would you like to see, and are there any images of the future that you imagine seeing through and beyond this disruption?
That is the kind of disruption I like to see. In a perfect world, we would finally get to see all the remnants of white colonialism gone, but unfortunately that is not our reality. I don't mind at all that dystopian narratives involve this kind of destruction in the fantasy world, especially because the destruction of a society where white supremacists hold political, economic, and social power only creates possibilities for the rest of us. My issue is that these narratives—with the exception of The Girl With All The Gifts (2017)—never explore those new opportunities or acknowledge the fact that QTBIPOC already live in a dystopia in the real world.
Still from "The Girl With All the Gifts"pressinfo.com
Are there any particular voices or groups you'd like to see highlighted in our current cultural moment?
I absolutely want more QTBIPOC voices. More fat, disabled, neurodivergent folks being heard and respected and humanized. More sex workers, more undocumented immigrants. I want to hear more from the younger generation, too. The people who get silenced the most are the ones who need to be elevated the most.
What's your everyday routine like? Where do you like to do your work or write?
I'm actually working to embrace my nocturnal nature these days, and I'm fortunate enough to have a career that allows me to do so. What are considered "normal" sleeping hours often serve as my writing time. Some of the best things I've written have come pouring out of me between the hours of 3 and 6 am. I'm either writing in bed or on the couch, and I always write on my phone. I sleep as best as I can, if I can, for a few hours and then I'm up and working again by noon. For BYP, I might be publishing in WordPress and/or desperately searching for good stock images of Black people. For WYV, I might be taking care of daily social media management duties, doing secondary edits or final checks on a piece before Lara publishes, creating graphics, and/or designing and sending out our weekly newsletter(s). For both publications, I might be hopping on a staff video or phone call, brainstorming new content, reading and catching up on the day's news so far, answering emails, evaluating pitches, responding to Slack messages, drafting calls for pitches, organizing my editorial calendar, conducting interviews, checking in with writers, and addressing anything else that requires my attention. The late afternoon and evening is when I rest, recharge, meditate, exercise, and eat. Sometimes, I will do some in-depth editing work on writers' drafts during this time, but mostly I don't start doing that kind of work until around midnight. Then, I plan for the next day/night. I admit, sometimes it's hard to keep track of what day it is.
You do a lot of challenging work. What do you do for fun, and to take care of yourself?
I'm proud to say that I'm much better about taking care of myself now than I used to be. For self-care, I watch horror game play on YouTube because I think it's more fun to watch other people do it—plus it's cheaper and less time-consuming. I spend quality time with friends virtually—ironically, all of my closest friends live far away. I SnapChat with my little sister. I take myself to 4 pm matinees in the middle of the week. I laugh with my co-workers. I support and mentor Black kids. I lift weights. I hit my heavy bag. I eat peanut butter fudge sorbet at 3 AM. I write happy things. I listen to podcasts and audiobooks about true crime, folklore, and history. I laugh at nonsensical memes. I block white people with dreadlocks. I drink plenty of water. I take selfies. I spend entire weekends naked, and I don't let myself work on Saturdays anymore.
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