If you aren’t familiar with SSENSE, it’s the online epicenter for buying luxury brands and high-end streetwear. Founded by the three Atallah brothers, the goal was to take away the obstacles and headaches that could arise from purchasing high-end fashion and democratize the latest, coolest brands.
More than any other platform right now, SSENSE does curation right. They’re painfully aware of which pieces from new collections are a fit for their audience. They show you what’s relevant and hot right now — prioritizing pieces you’ll genuinely like rather than what’s just being pushed by the brand. Now, SSENSE carries brands of all price points from Adidas to Versace.
Another highlight: SSENSE is known for its brand diversity. They often highlight Black-owned brands and showcase collections from people of color and lesser-known designers. To close out Black History Month 2024, SSENSE is teaming up with none other than ESSENCE: a pairing that makes perfect sense.
ESSENCE, the lifestyle publication geared towards Black women, is helping feature three designers and artists: Bianca Saunders, Mowalola, and Stanley Raffington. The series will showcase their designs and tell their story.
According to SSENSE’s site,
“The two brands are turning ESSENCE’s “In The Studio” print franchise into a video series hosted by Lynette Nylander. The series will spotlight the achievements and creativity of Black designers who have significantly impacted the menswear realm. With three episodes, each featuring a distinguished designer, the series offers exclusive insights into their creative processes and journey,”
Meet The SSENSE X ESSENCE Feature Designers
Bianca Saunders
Bianca Saunders
British GQ
Bianca Saunders’ clothing embraces masculinity in womenswear. Her jackets will always be a bit oversized, or the style will mimic a classic streetwear bomber that could have been borrowed from boys like Jeremy Allen-White and Jacob Elordi — a girl can dream.
“The essence of Saunders' clothing lives in the details, which point to how she subverts ideals often associated with menswear.”
Finding the intersectionality between workwear and streetwear, Saunders clothing is genderless and trendy. Some of her signatures include layered shirts, tucked waists, and somewhat minimalist designs.
@babyboyflame Buying Black: @Bianca Saunders #streetwear #menswear #blackownedbusiness #fashion #fashiontok #fashiontiktok ♬ Oldschool - Cookin Soul
Mowalola
Mowalola
Joyce NG
Mowalola, a highly sought after designer whose pieces have been worn by the likes of Rihanna and Naomi Campbell, is a bit of an icon in the fashion world. Her mantra for fashion is “do what you want to do” and that’s exactly the kind of energy Mowalola’s clothes give off.
Much like Bianca Saunders, Mowalola is known for her gender bending designs. Inspired by cinema, many of her collections revolve around movies. And this is on full display at her cinematic runway shows.
She brings an edge to her designs through textures like leather and intentionally placed cutouts. She’s not afraid to make public commentary on race and gender, making her runway shows incredibly popular.
“The British designer has shifted the cultural zeitgeist with her boundary-pushing collections inspired by the world around her.”
@i_d Replying to @JAC So are we! #ferragamo #maximiliandavis #tiktokfashion #mfw #mowalola ♬ original sound - i-D
Stanley Raffington
Stanley Raffington
ESSENCE
In a world where the Chanel black-and-white aesthetic hails ever-popular, especially amongst those emulating Old Money Style and Sofia Richie’s closet, it’s hard to find designers who aren’t afraid of a bit of color…enter Stanley Raffington.
Often incorporating Rastafarian colors of red, yellow, and black as an ode to his Jamaican roots, Raffington isn’t going to shy away from any hue. He quickly rose into fashion prominency when Madonna and FKA Twigs attended his show, which included 3D printed accessories.
Constantly inspired by his Jamaican roots and the nostalgia of past trends, you will see lots of Y2K nods in Stanley Raffington’s clothing. He’s embraced tech in the fashion world by utilizing 3D printing in many of his designs and runway shows, and he’s not slowing down now.
@yungstanz Process behind my 3d printed curve bag. Taking inspiration from the architecture of Zaha Hadid, mixing new technology with natural materials and craft. Available now exclusively at @SSENSE ♬ Never Lose Me - Flo Milli
Two Years Ahead of 2020 Election, Trump Raises $100 million
The president's re-election campaign doubled spending over the last three months.
Even with his re-election vote two years away, President Trump has raised more than $100 million towards his campaign.
The president's fundraising total, which include his campaign committee and joint accounts with the Republican National Committee (RNC), raised more than $18 million from July to September, according to numbers filed by the Federal Election Commission on Monday night. With more than $106 million at his disposal, Trump has raised a historic amount for an election this far in advance. In contrast, President Barack Obama had just $2.3 million in his bank account two years before his 2012 re-election bid.
The preemptive effort to undermine his future Democratic contender began as soon as 2017, with Trump's abnormal decision to file for re-election the day he was sworn in. There was barely a pause in his campaign's rallying tours across the country—they continued in the first months of his presidency.
Strikingly, the president's campaign committee has raised the majority of its bursting wallet from donations of less than $200. These small sums represent nearly 98% of the money he collected during the third quarter of the year. That's not to say his fundraising team hasn't sought larger donors. One check deposited in the RNC joint account for $250,000 came from venture capitalist and human blood enthusiast Peter Thiel.
Reuters
Trump's campaign doubled spending over the last three months to $7.7 million, seeking to stir up its Republican base with more rallies and online appeals. $604,000 was paid to Ace Specialties in Louisiana, the manufacturers of the Trump base's favorite "Make America Great Again" red hats. $1.3 million was paid for legal fees, which includes services related to the Russian meddling investigations, and $1.6 million was spent on advertising to a shadowy company called American Made Media Consultants.
According to the New York Times, the company was created by the campaign to purchase media advertisements as well as online fundraising solicitations. While it's not intended to create profit for Trump, the company could allow the campaign to avoid declaring precise spending details to the election commission. The idea seems to draw inspiration from Mitt Romney's presidential campaign.
In a statement, the Trump campaign's senior advisor encourages their grass-root supporters "and millions more like them to get out and vote in the midterms so President Trump can continue to build on his agenda with even greater success for the forgotten men and women of this great country."
Despite his success, Rep. Beto O'Rourke, the Democratic challenger to Sen. Ted Cruz in Texas, reportedly raised more than double what Trump did between July and September. The $38.1 millionhaul is a quarterly fundraising record for a Senate campaign.
Joshua Smalley is a New York-based writer, editor, and playwright. Find Josh at his website and on Twitter: @smalleywrites.
Global Warming? It’s the End of the World as We Know it, and the Rich Don’t Mind – Here’s Why
The super-rich are hoping inequality is here to stay, even after the apocalypse.
With the Atlantic hurricane season already underway, tens of millions of people are preparing grab bags and emergency kits and hoping that the next storm isn't the one that will take away their lives, their homes, or their resources. Yet, in spite of researchers' warnings suggesting that global climate change is increasing the likelihood that the next big storm, or the one after that, will wreak unavoidable devastation on those same millions, a much smaller group have no such anxieties. These people are not members of a doomsday cult, climate change 'skeptic' Super-PAC, or owners of exceptionally-developed spleens. They are a part of a far more elite class of mammals –– the super-rich –– and, as the storms rage ever harder on the rest of us, they've prepared emergency kits that have far more than a flashlight and a radio in them.
In 1888, the British industrialist and fervent imperialist Cecil Rhodes gained a charter for exclusive mineral rights in lands that are now part of the nation of Zimbabwe. What set this particular acquisition apart from the earlier expansions of British control, however, was the fact that Southern Rhodesia (named, in customarily humble fashion, after its 'founder') was not a colony founded under the usual auspices of the desire of British expansionism, but as a result of the singular desire of a wealthy man to exert his control over territories that he believed were his to rule. The explicitly apartheid state of Rhodesia –– which would rule the nation from 1965 to 1979 without international recognition –– was the symbolic successor to this ideology, and its legacy of colonial plunder haunts Zimbabwe (once the great breadbasket of Africa) to this day. Eccentric Victorian industrialists' dreams of vainglorious expansion may seem like a far-flung relic; something to be exiled to a colonial past, rather than alive in our interconnected present.
Photo: Wikimedia Commons
Yet, a world where sea levels are rising and storms are strengthening has given impetus to a new generation of businessmen dedicated to the prospect of forging a different future for their own ends. Unlike Rhodes, the unimaginably wealthy of our time are not motivated by the pride and riches of a national empire, but by the base desire to survive in an apocalyptic future where others of lesser means cannot.
The Seasteading Institute, established in 2008 by prominent techno-libertarians such as venture capitalist and Facebook investor Peter Thiel, seeks to develop:
"...a model wherein a single company comprising several stakeholders will oversee construction and management of a highly autonomous floating city, leaving residents and entrepreneurs free to operate their own lives and businesses."
While this may sound like the vanity project of a few multi-millionaires, the institute is far from a folly. In 2017 they gained the rights to develop their first 'autonomous community' off the coast of French Polynesia –– a settlement that is explicitly designed to be immune to the rising sea-levels that are an existential threat to the Pacific island nation; which is also, in a sort of tragic irony, a relic of French imperial power. That the endeavor seems to be simply interested in offering a tax-free refuge for the rich rather than mitigating the threat of global climate change to its prospective hosts is indicative of a world where the future of a tiny percentage of the population possesses the means to forge a future for themselves that is widely divergent from that of the rest of the planet –– a sort of survivalist colonialism that derives its power from capital, rather than nation states.
Concept design for the 'Floating Island Project'Photo: The Seasteading Institute
The sea-steader mindset is not, like their imperialist forebearers, constricted by the bonds of the globe, or confined to the lands of the so called 'Global South' –– its ambitions stretch as far as outer space, while also touching the homey plains of Kansas. Inspired by writers like Ayn Rand and Murray Rothbard (who famously rejected the women's rights and civil rights movements as "contemptuous and hostile"), these new self-styled 'anarcho-capitalists' seem willing to forge a future which protects their property and status at any cost, including the lives of their fellow human beings. Elon Musk, Twitter's favorite tech-billionaire, appears dedicated to using his fortune (which currently stands at 20 billion dollars) on a Martian colonization project which is unlikely to be in the price range of most regular apocalypse-fleeing humans. While Musk's space-faring future continues to be the preserve of engineering-defying ambition, his reaction to real-world climate catastrophes has been ambivalent at best. When Hurricane Maria destroyed Puerto Rico's power grid, Musk's press-friendly offer to rebuild with Tesla technology turned out to be a veiled attempt at privatization –– a brazen con by a man bound for life on Mars, seeking to profit off of those left drowning behind. On a smaller scale, the increasing number of tech entrepreneurs hoarding ammunition and building shelters in disused Kansas missile silos represents a similar desire for the wealthy to ensure that the vast wealth inequality already present in America continues after the end of days.
That is not to say that the rest of us in the 'developed' world are immune from blame. While the extravagant fantasies of a few individuals makes for intriguing (and often darkly hilarious) copy, the nature of global wealth disparity has led to a reality in which the measures taken by even the most middle-class citizens to survive in a warming world are actively contributing to its demise. Experts warn that, as temperatures rise, the increasing use of air conditioning by Americans seeking shelter from record-setting heat waves could contribute to a surge in air pollution and carbon dioxide emissions. It is becoming increasingly clear that the threat posed to communities by climate change, from Floridian retirees to Mongolian subsistence farmers, is the result of an unsustainable and unequal distribution of resource-use that implicates all of us. It should not come as a surprise, therefore, that, just as Cecil Rhodes once lashed out on his own at the limits of a waning colonial power, the elite of our time are now blazing a destructive trail of survival in the wake of a system on the verge of collapse.