Regardless, I’ve started to challenge myself and ask, “Do I really stick out at these shows?” Partly because I always end up leaving with a new friend when I attend a show alone.
And mostly because whenever I go to a show, the band’s lead singer stops their set to discuss a political issue that belongs to the ideologies of the left. As a black woman, this makes me feel safe. As an avid music fan and someone who is hyper-fixated on the history of anything and everything, I’m intrigued.
Uncovering Punk’s Anti-Establishment Roots
For the next few days after the concert, I did a deep dive into punk music and its anti-establishment roots. In the mid-70s, the punk subculture emerged in the United Kingdom and New York.
The punk movement began among teens and young adults looking for a more combative approach to rebelling against societal norms compared to the tamer peace and love movements of the 60s and early 70s. Punk music is and has always been grounded in counterculture — from fighting for working-class inequality to fashion to non-conformity in the realm of self-expression.
I discovered that you can’t separate punk music from politics, even in the slightest.
@mycelium_queen Replying to @mycelium_queen ♬ original sound - Mycelium Queen 🦋
Death Versus Bad Brain
As soon as I was old enough to go to shows alone, I submerged myself in the DIY scene. I had no idea what I was doing, I scoured the internet to find “small concerts,” as I called them, in Boston, where I went to high school.
I identified with punk for myself. But when I made the connection between punk and politics, I opened myself up to a whole new world of music.
Lyrics like: “Politicians in my eyes / They could care less about you / they could care less about me as long as they are to end the place they want to be,” from the band Death — considered to be the pioneers of punk music as a genre — spoke to me.
I was even more pleased that the actual founders of the genre — originally a jazz fusion turned hardcore punk band called Bad Brain — were Black Musicians.
I once declared that I’m only an amalgamation of those who came before me, so hearing this quite literally brought tears to my eyes (I’m so far from joking, it’s almost funny again). At my favorite DIY punk, emo, and rock concerts I belong just as much as anyone else.
I’ve always loved that punk music and its subculture take a stand for its listeners.
Feminist Punk: The Riot Grrrl Movement
Shortly after fully immersing myself in the scene, I was introduced to Bikini Kill and the Riot Grrrl movement. Emerging in the early 90’s, the Riot Grrl movement came about out of necessity for a space for women in the punk scene. Riot Grrrl directly combats sexism and works to normalize female anger and sexuality.
In 2023, I began filming a documentary about Boone, North Carolina — a small town rich in music, culture, and activism, especially for the LGBTQ+ community. My production team and I soon noticed that the conversations solely about the music scene quickly became political, especially for Babe Haven, a Riot Grrrl band hailing from Boone.
I now have the pleasure of calling the band members my friends. They’re an integral part of the history of punk and the Riot Grrrl movement, from their songs about objectification of women, like “Uppercut” and “Daddy’s Little Girl” to firsthand accounts of the band from those who believe that punk music has always been all about men — particularly white men.
“Riot grrrl is the way we dress, the way we talk, and the way we stand up for ourselves and other feminine folk. It’s aggressively inclusive, and that’s why we’re so drawn to it. We have on one hand, this outlet for our collective anger and grief, and on the other, we have this platform for queer and feminine celebration.” – Babe Haven
Jonathan Courchesne
Through the Looking Glass
Now, my eyes are peeled for signs and signals of the punk scene and its connection to politics. From the moment of silence for Gaza at a November concert to the New Jersey-based punk band Funeral Doors’ moment of silence for Gaza, and Brooklyn-based band Talon in February.
I remember standing in the crowds at that concert in February as the business casual people entered the bar, expecting a relaxing after-work drink with some light chatter in the background. I watched their faces as they slowly backed out of the door. While they heard howling, the fans listented to Juni, the lead singer of Funeral Doors, screaming, “F*ck trans genocide!”
Everyone was immersed in the safe space the band had provided us. Somewhere in the crowd, there was someone — or 3 or 4 individuals — struggling to truly be who they are. And — if only for a brief moment — they felt like they belonged.
Lead singer of Funeral DoorsERYNN WAKEFIELD
Inevitable Misunderstanding
Although there are essential conversations happening within the punk and DIY communities about what it means to be a part of the subculture, we still have work to do. Recently, I had an extremely jarring experience as I was peacefully scrolling through TikTok.
I came across a string of videos about right-wing punks trying to claim the subculture for themselves. Soon after my feed was flooded with stitches and clapbacks from left-wing people explaining the subculture of punk music and the inability to remove it from left-leaning political discourse.
@c4b1n_1n_th3_wxxds_ Sorry i look kinda bad 💀 ive bad a rough few weeks . . . . . . #punk #punkstyle #punkclothing #punkrock #punkfashion #crustpunk #folkpunk #queer #gay #lgbtq #pride #leftist #leftistpolitics #anarchism #Anarchy #Socialism #anarchocommunism ♬ original sound - C4b1n 🔻
Punk's Proclamation: A Movement Rooted in People’s Power
I’ve said it time and time again: artists must reflect the times. It’s both comforting and empowering that this genre I love so much does not deny me. And it wouldn’t be what it is without me. As silly as it sounds, I often return to a meme, one that declares that people — if they choose to create — need to carry the burden of the world they’re living in. This has only proven to be true.
Punk music and the subculture behind it aren’t merely screaming and studded belts from your local Hot Topic (if they’re a thing anymore). The punk scene highlights the struggles of the working class, sheds light on political issues relating to marginalized groups, fosters community, and fights for what’s right.
Punk music has always held a space for me; all I had to do was claim it.
@wormtriip via Instagram
The Quintessence of Marianne Williamson: Democratic Debate Winner
Objectively, Marianne Williamson had a fantastic night at the latest Democratic debate. She gained the largest number of Twitter followers afterwards, after all, and was the most Googled candidate of the night.
Perhaps this is because Williamson may be the most intriguing character of all the progressive Democratic candidates. With her aura of patchouli and residual dust from the astral plane, detectable even through the TV screen, she's the most memeable candidate (Elizabeth Warren and her plans are a strong second). She's also perhaps the most out-there, even compared to Elizabeth Warren and Bernie Sanders. If Warren and Sanders are marooned on the far left, Williamson has transcended direction, and she intends to bring America with her.
Regardless of how her campaign pans out, Williamson has undeniably made waves. She's the first political candidate to bring non-mainstream spirituality directly into her platform, and she's done it at the perfect time.
Four years ago and earlier, she would've seemed as absurd a candidate as Donald Trump—but we all know how that worked out. Today, qualifications for the presidential office matter less than one's star power and ability to inspire a movement, and Williamson seems to have the star power (if not the ability to commune directly with the stars).
Image via NewYorker.com
In all seriousness, out of all the candidates, she may be the most similar to Donald Trump, in that she exists in the same realm of humorous implausibility as he does. Like Trump, she could be a reality TV fixture. She posts memes, is popular in fringe online forums, inspires occult task forces, and generates massive quantities of loathing and disbelief. She fits into the glitchy landscape of ironic and disillusioned online discourse and is bizarre enough to capture and hold the public's attention.
Like Trump, she's also bringing race directly into the conversation—though for the opposite reasons. Where Trump used racist ideas to win the presidency, Williamson has brought systemic reparations into the discussion. "We need to realize that when it comes to the economic gap between blacks and whites in America, it does come from a great injustice that has never been dealt with," she said. "That great injustice has to do with the fact there were 250 years of slavery followed by another 100 years of domestic terrorism." She followed this statement with some unusually cogent statistics. "If you did the math of the 40 acres and a mule, given that there were 4 to 5 million slaves at the end of the Civil War—they were all promised 40 acres and a mule for a family of four. If you did the math today it would be trillions of dollars."
Her articulate commentary about reparations was a high point in an otherwise discouraging debate that mostly revolved around the same arguments, with moderators and candidates circling around Bernie Sanders and Elizabeth Warren. While the Democratic party ate itself, Williamson—placed as far to the left as could be—stood on the outside.
None of these points are reasons to elect her. She is definitely not an experienced politician—she's a self-help guru, spiritual advisor, and occasional activist. Her platform's main points include a potential Department of Peace "as a first step to dismantling our systemically entrenched perpetuation of violence," movements towards sustainable agriculture in order to reestablish "humanity's spiritual connection to nature," and of course, fighting Donald Trump and his battalion of "dark psychic forces" with love.
Image via USA Today
Her ideologies are absurd, and not based in (our) reality. She may be promoting an individualistic, dangerous brand of New Age spirituality that promotes an unhealthy fixation on the self. Still, she's arriving at a time when many Americans feel they are already living in an absurd, delusional world, and when they're seeking broader, more creative solutions.
Arguably, Williamson and Bernie Sanders are the only presidential candidates who have proposed changes to the sources of America's problems, not quick fixes that remain within its current, shattered structure. Where Sanders is proposing a revamp of the American economic system, Williamson is wisely proposing a different kind of recalibration—one that cuts to the sources of racial tension, the sources of pollution, the sources of neoliberalism, and the roots of the sicknesses that are costing Americans so much in health care costs.
In her distance from the here-and-now, she is undefinable, without order or direction. In her removal from the real world, she is quintessent: untouchable, and difficult to pin down. Depending on how you see it, she's absurd, enlightened, out of touch, awake, a crackpot, or a witch.
She would probably make a very poor president. But by bringing her messages of spirituality and structural healing to the table, she's changing the rules of the game.
Image via The Bulwark
