Swifties, this one’s for you. It seems like Taylor Swift's Eras Tour has lasted eons. Yet somehow, there’s always something to talk about. Just thinking about how much she’s accomplished while on tour makes me want to buckle down, lock in, and channel my inner girlboss. But while I can’t even be bothered to cook dinner at home after a long day of work, Taylor is accomplishing milestones most musicians can only dream of. Let’s recap.
The Era’s Tour began in March 2023 with its North American leg. It’s set to go until December 2024, with dates in Europe, Australia, Asia, and South America— spanning 152 shows across five continents.
As the queen of multitasking, Swift hasn’t stopped at just selling out stadiums. Since the Eras tour began, she’s released multiple albums — both new and old — and shaken up the tour setlist with each new release. Her list of new releases started on the first day of tour with “All Of The Girls You Loved Before,” which was quickly followed up by “The Alcott,” a feature on The National’s album — reciprocity for their work on her pandemic era albums, Folklore and Evermore.
She also released Midnights: Late Night Edition (including the iconic collab with Ice Spice), as well as not one but two album re-releases — Speak Now Taylor's Version and 1989 Taylor's Version. As if that wasn’t enough, she announced her latest album, The Tortured Poet’s Department, in a GRAMMY’s acceptance speech. Talk about legendary. Since its release, she’s also been churning out deluxe versions and remixes to keep us on our toes. The Eras Tour was even made into a Blockbuster film that brought Beyonce to its premiere. Star power: confirmed.
But that’s just her work life. Her personal life is just as eventful. She ended her 7-year relationship with Joe Alwyn in April 2023. Then entered into a brief but controversial fling with 1975 frontman Matty Healy. Though it didn’t last long, the relationship was enough to inspire a whole album and catapult her into her current romance with Travis Kelce, aka Amerca’s first nepo boyfriend. Now they’re the American Royal couple — and she somehow had time to fly from tour to his Super Bowl performance.
We all have the same hours in the day as Taylor Swift, but how she uses them will always be a mystery to me. I work eight hours a day and can barely manage a social life. Meanwhile, Taylor literally has it all — though conservatives are turning on her for daring to be a woman in her 30s who’s not married with kids. If that’s not proof that women can’t do anything right, I don’t know what is.
Clearly, she’s working late because she’s a singer. No wonder Taylor Swift became a billionaire months into her tour in October 2023. Her net worth is currently around 1.3 billion dollars, making her the only female musician to become a billionaire from her music.
Other entertainment billionaires like Rihanna, Kylie Jenner, Kim Kardashian, Jay-Z, and Kanye West have joined the three-comma club thanks to ventures like clothing brands, beauty products, and other entrepreneurial pursuits. Rihanna has her FENTY Empire. Kim has her award-winning SKIMS. Ye had Yeezy. But Taylor has an unbeatable catalog of publishing.
But Taylor isn’t just different from other Billionaires because of how she earned her money. She’s the Taylor we know and love because of how she spends it. Her rollercoaster Eras Tour is how she’s made much of her fortune. And she’s using it to give back in monumental degrees. From individual donations to investing in local infrastructure, Taylor is literally changing lives on a macro and micro scale. And teaching us what to expect from all billionaires in the process.
The Era’s Tour Bonuses — Talk About Workplace Benefits
First to make headlines were the Eras Tour crew bonuses. While some of us get rewarded with a pizza party or a $10 gift card to Starbucks, Taylor casually dropped $55 million in bonuses for her tour crew. The massive sum was paid out to everyone who makes the Eras Tour go around, from truck drivers to dancers and sound technicians.
In fairness, these bonuses are definitely well-deserved. Taylor’s shows are over three hours long. Imagine dancing for that long — because Swift certainly isn’t the one with the impressive moves — for hundreds of tour dates. Or remembering countless combinations of light cues to go with a setlist that changes daily. Yeah, they’re clocking in. And if my boss had millions to blow, I’d be expecting a comfortable bonus too. But $55 Million? That’s a testament to Swift’s generosity. It's like she's Oprah, but instead of cars, she's giving out life-changing amounts of cash. "You get a bonus! You get a bonus! Everybody gets a bonus!"
It’s similar to how Zendaya gave film equity to every member of the crew that worked on her controversial black-and-white drama, Malcolm & Marie. Filmed in a few days with a bare-bones crew during the peak of the pandemic, the film was Zendaya’s passion project with Sam Levinson, in which she starred alongside John David Washington. Though the film got mixed reviews, it captured the audience’s attention all the same. After all, it was Zendaya — and we’ll watch her in anything. So since the film sold to Netflix for a hefty sum, all the crew members got payouts from the deal on top of their salaries to reward their hard work.
Bonuses and equity payouts are common in many industries, but not entertainment. Even though it’s one of the most lucrative and recognizable American industries, most entertainers don’t make enough to survive. The SAG and WGA strikes last year were proof that there needs to be systemic change in the industry. LA County has even identified show businesses as risk factors for being unhoused — after all, how many stories do we hear of actors who were living in their cars before their big break? And for many, their big break never comes. For even more, they get hired on amazing gigs with giant performers … then go right back to the grind afterward. While individual actions from our favorite stars won’t fix everything, Zendaya and Taylor are providing models for how Hollywood should treat the people who make this town go round.
And in this economy, even a little bit could go a long way. Inflation and the cost of living are not a joke. Especially when, like with many creative careers, you often have to invest in lessons or equipment for your craft. With all this considered, the impact of Swirt’s donations can’t be overstated. Imagine getting a lump sum of cash for dancing to your favorite Taylor Swift tracks? Talk about a dream job.
The Economic Impact of Swift - Swiftonomics, if you will
Like Barbie and Beyonce last year, Swift is still on a tear to boost the economy of the cities she’s in just by traveling there — ad inspiring others to make the trek, too.
The Barbie movie proved that by marketing to women (instead of just making Marvel flops like Madame Web that aren’t really targeted to women at all), the entertainment industry can make giant profits. Barbie fever went beyond the theater. Thanks to a plethora of product collabs, the phenomenon rippled through retail.
Similarly, Beyonce’s Renaissance Tour tour generated an estimated $4.5 billion for the American economy. According to NPR, that’s almost as much as the entire 2008 Olympics earned for Beijing. People were taking money out of their 401ks to pay for Beyonce tickets and the glittery, silver-hues outfits to rock at her shows. Cities even started calling her effect the “Beyonce Bump.”
Swift has the same effect. She’s not just proving her generosity on a micro-scale for the people close to her, she’s having actual, tangible effects on the economy. It's like she's leaving a trail of dollar bills in her wake, and cities are scrambling to catch them like it's a country-pop, capitalist version of musical chairs.
The US Travel Association called it the Taylor Swift Impact after she generated over $5 Billion in just the first 5 months of the Eras Tour. But how does this work? It’s not like Taylor is printing more money at those shows, but it almost is. Her tour dates are pretty much economic steroid shots for local businesses. Hotels are booked solid, restaurants are packed, and let's not even get started on the surge in friendship bracelet supplies.
“Swifties averaged $1,300 of spending in local economies on travel, hotel stays, food, as well as merchandise and costumes,” say the US Travel Association. “That amount of spending is on par with the Super Bowl, but this time it happened on 53 different nights in 20 different locations over the course of five months.” That’s not to say anothing of her effect on the actual Super Bowl and the entire NFL season thanks to her ball-throwing boyfriend.
It's like she's created her own micro-economy, and everyone's invited to the party. And unlike some economic theories that rely on wealth trickling down (spoiler alert: it doesn't), Taylor's wealth is more like a t-shirt cannon or the confetti at her shows — showering everyone around.
Donations that actually do good
Taylor isn’t just stepping into cities and calling it a night. She’s also not just throwing pennies at problems - she's making significant contributions that are changing lives. And more importantly, she's using her platform to encourage her fans to do the same.
She kicked off her tour with quiet donations to food banks in Glendale, Ariz., and Las Vegas ahead of the Eras Tour. Once the tour was in full swing, she continued this practice. In Seattle, she donated to Food Lifeline, a local hunger relief organization. In Santa Clara, she showed some love to Second Harvest of Silicon Valley. And let's not forget about her $100,000 donation to the Hawkins County School Nutrition Program in Tennessee.
She’s been making similar donations overseas. Taylor Swift donated enough money to cover the food bills for an entire year across 11 food banks and & community pantries in Liverpool. Swift also covered 10,800 meals for Cardiff Foodbank and many more banks across the UK and EU. Her impact is so profound that her numbers are doing more to combat issues like hunger than the government.
Can billionaires actually be good?
One thing about me, I’m always ready and willing — knife and fork in hand — to eat the rich. Because fundamentally, can any billionaire really be good? In our late-stage capitalist horror story, the answer is usually no. Look how many of them are supporting the Trump campaign just to get some tax breaks.
But here's the thing - Taylor Swift might just be the exception that proves the rule. She's not perfect, sure. She still flies private jets and probably has a carbon footprint bigger than Bigfoot. But unlike most of the others in her tax bracket, she's not flaunting her wealth like it's a personality trait.
Take a look around. We've got billionaires trying to colonize Mars instead of, I don't know, helping people on Earth. In this context, Taylor's approach is more like Mackenzie Scott’s — Bezos’s ex-wife. She's not trying to escape to another planet - she's trying to make this one better.
And look, I'm not saying we should stop critiquing billionaires or the system that creates them. But she's just setting the bar for what we should expect from all billionaires. She's showing us that our collective power as fans can translate into real-world change. That our love for catchy choruses and bridge drops can somehow, improbably, lead to food banks getting funded and crew members getting life-changing bonuses.
So sorry to my neighbors who hear me belting “Cruel Summer” and “right where you left me” at the top of my lungs (and range). Just know it’s for the greater good.
Visionaries Project: Interview with Sara Gozalo, Immigration and Prison Abolition Organizer
For the third installment of the Visionaries Project, we spoke to Sara Gozalo about capitalism, fighting ICE and the prison industrial complex, combating burnout as an activist, and her vision of a better world.
The Visionaries Project is a subsection of The Liberty Project dedicated to highlighting the lives, passions, and work of radical activists currently working towards social justice and liberation from oppression. We aim to uplift the perspectives of diverse voices working in media and activism today—and not just the faces who make headlines, but the real people on the ground every day, working towards their visions of a better world.
Sara Gozalo is an organizer currently based in New Orleans. Originally from Madrid, she describes herself as a "queer immigrant who believes in a world without borders and without jails, where everyone has the right to live in dignity." She currently works as a Unanimous Jury Specialist at the Promise of Justice Initiative, co-founded Students for Peace and Justice, and was formerly the Supervising Coordinator of the New Sanctuary Coalition and a member of the Worcester Global Action Network. We spoke with her about the insidiousness of capitalism, her work fighting ICE and the prison industrial complex, combating burnout as an activist, and her vision of a better world.
LIBERTY PROJECT: I was wondering if you could give an overview of your experience in activism and organizing.
SARA GOZALO: I have been organizing for a long time. I've only been organizing professionally for the past three and a half to four years, but I organized when I was at UMass against the war in Iraq. We did a lot of workshopping and teachings about free trade agreements, and how capitalism was destroying the planet.
It seems like that was such a long time ago, and we're still dealing with the same issues. I think that a lot of organizing is understanding that you're running a marathon, and it's never going to be a sprint. It's going to be a lot of small victories along the way, but you're going to fight the same issues constantly. That can be pretty demoralizing, but it also means you can never stop.
I come from a family that's very political. My dad is an attorney in Spain, and when he was a student he got arrested and kicked out of school for organizing against Franco during the dictatorship. My mom was always very political, and I remember hating that when I was a little kid.
While I was going through my own immigration case, I realized how hard it is for someone with a ton of privilege, and I started to look into what it was like for people who aren't as privileged. I got very involved in the immigration issue. Since I moved to New Orleans, I've seen the same patterns in the criminal justice system.
I think New Orleans brings these issues together. It has been very impacted in terms of climate change. Louisiana has the highest numbers per capita of incarcerated people [in the US], and one of the highest numbers of migrants in detention. The city brings everything together, and ties in all the different aspects that I have organized around in my life. In the end, it is important to remember that they're all related to each other.
Where are you at now?
I moved to New Orleans this summer. My wife was born and raised here. I'm working at the Promise of Justice Initiative, which is an organization that does a lot of criminal justice work.
It's clear that all these issues are very interconnected. Lately it seems that there's been a particular resurgence of anticapitalist sentiment, though that was always there…Is that affecting your organizing at all?
I have been organizing with these anti-capitalists since the late '90s. It feels like the "resurgence" has been a long time coming.
When we were organizing around the Iraq war in 2002 and 2003, we were very much organizing under the capitalist lens. Grassroots movements like Occupy and the movement for Medicare for All have ignited something even bigger now. It's become more mainstream.
The fight against capitalism is decades long, and its roots are in the people who are directly impacted, especially indigenous people all around the world. They have led that fight, because they know in their bodies what capitalism is doing to the world. I think it's important that now that conversation is part of western countries, especially the United States, which in many ways is the belly of the beast in terms of capitalism. Anti-capitalist organizing has been there forever; it just now feels like you can talk about it and people won't immediately discard you as someone crazy.
I want to make sure that [in spite of all the] now-mainstream groups that are taking this fight on—which is super important and necessary—we recognize how many people have been fighting this fight for so long and leading the efforts.
I first met you through New Sanctuary Coalition (an organization that provides legal support to immigrants in New York City). You were doing so much for them at once, and I was wondering what your reflections on that experience are.
NSC is one of the most powerful organizing groups that I have ever known, in terms of the numbers of people who are involved. Post-election, after Trump took power, it became very obvious that immigration was going to become one of the issues that he was going to attack the most. NSC grew because there are very concrete ways that people could get involved, and I think that is incredibly powerful. It's led by people who are directly impacted, but it really utilizes the number of people who want to fight alongside people who are directly impacted. That was a beautiful thing to see.
I've worked with other groups where there isn't a clear way for volunteers to get involved, and I think NSC recognizes that people can fight against the system with the support of others with more privilege. It's a great way to utilize the privilege that US citizens have. The [idea] that the people who are impacted lead, and you're showing up for solidarity—not to help or save anyone—is really important.
The accompaniment work, in particular, was hard for volunteers in that it was so boring, but it's such a good example of how much privilege US citizens have, and how important it is to show up and not feel like they're saving or leading. They're just standing in solidarity, which is an incredible exercise for everyone.
ignationsolidarity.net
It did feel at times overwhelming, which obviously leads to a lot of burnout and the sense of, oh my God, I am never doing enough, because everything is an emergency.
It felt at times that I was just pouring oil on the machine as opposed to throwing a wrench in it. For instance, if a judge said, I need an asylum application in three months as opposed to the year, we became so good at meeting those demands that it felt like in some way we were contributing to them.
I think that's a constant in organizing. There's a big difference between asking, what can you today to help a person who's going to be deported unless they show up with an asylum application, and what can you do to dismantle the system? Of course you're gonna support the person who's dealing with something today and not think in bigger terms, and so those were some difficult moments.
I don't have the answer. Maybe we need organizations that do more direct impact service work, and other organizations that only do the disruptive work; maybe that's the balance that we could work towards.
When I was leaving this summer, a lot of people finally went out on the streets, and people got arrested by the hundreds. I think that's the energy we need in the streets, while organizations like NSC do the day-to-day work that's helping people stay in the country and not be deported.
Speaking of those larger systemic changes, are there any visions you have of changes that you would like to see happen on a large scale?
Yeah, so many.
First of all, we need to realign our belief system. Our bones, our insides, are so ingrained with this capitalist system of oppression. We make decisions on a daily basis that are informed by that upbringing. I admire Decolonize This Place and other groups that are really going to the roots of the problem, recognizing that unless we deal with those root problems, we're never going to affect systemic change.
For instance, we can't deal with climate change from a capitalist perspective. My friend was just fired for his job—which was to install solar panels—because they tried to unionize. We can't keep moving forward from the perspective of putting capital before humans and before the planet.
I really would like to see us having very honest conversations in which we start seeing, within ourselves and within our communities, how colonized we really are. We need to look at the root causes of the problem, if we really want to achieve any change that's going to make a difference, for our planet and for the survival of our communities everywhere in the world.
For instance, in Chile, I love to see the women who are protesting with everyone else and also bringing up the fact that the patriarchy is one of the biggest problems we have. Everything we see as an injustice has a root problem that's attached to racism and capitalism, and we need to address those, otherwise we're really not going to achieve the change that we want to achieve. Having these issues come into the light is an important step.
Women in South America sing against gender violencewww.youtube.com
I think I would like to see more compassion in our organizing. I think we're all very angry. We're all very quick to attack each other while not understanding that organizing is hard. Organizing is the hardest thing you can ever do, because there are no models for the world that we want. We have to reinvent the world.
Because we don't have those models, even nonprofits and some of the most progressive groups continue to replicate the systems of oppression that we are fighting against. [We need to ask], what does the world that we want look like, as opposed to fighting against something with means we learned from something we're fighting against.
I've read a lot about how organizations can replicate the systems they're trying to take down—people will be like, let's change ICE, but it really needs to be abolished, and I feel like that's symbolic.
I also really admire abolitionists; their clarity about what they're fighting for could be used by all nonprofits and all other organizing groups.
Do you have any advice as to how to keep going in this long fight?
In your struggle, you have to allow yourself to be led by the people who are directly impacted, because in a way, people who are directly impacted don't have the privilege of giving up. When you surround yourself with people who have to keep fighting, it helps you keep fighting.
I would say surround yourself with a supportive community, with people that you trust and people you can confide in and talk with when things get hard. And I would say be compassionate with yourself. You're going to make a lot of mistakes. That doesn't mean you're a terrible person. Everybody makes mistakes, and learning from those mistakes is the only thing you can do; don't beat yourself up so much that it paralyzes you.
And take breaks. I have been planting trees, I started a compost bin in my backyard, and I am learning how to plant vegetables. Putting your hands on the earth is actually incredibly therapeutic, and it brings everything back to what matters the most, which is life and sustainability and love for each other and our planet. When you bring it back to those core values of what really truly matters, then it allows you to breathe a little bit easier.
7 Famous Asylum Seekers
While U.S. policies block many refugees from entering the country based on arbitrary or prejudicial criteria, Asylum remains a federal protection from persecution or fear from persecution.
When Joe Biden spoke at the 2019 Munich Conference in Germany, he spoke highly of America's participation in the global community. He told the European leaders, "The America I see…does not wish to turn our back on the world or our allies." This stands opposed to the policies Donald Trump's administration has enacted.
As Biden added, "The America I see values basic human decency, not snatching children from their parents or turning our back on refugees at our border," he said. "The American people understand…because it makes us an embarrassment. The American people know, overwhelmingly that it is not right. That it is not who we are."
While U.S. policies block many refugees from entering the country based on arbitrary or prejudicial criteria, Asylum remains a federal protection from persecution or fear from persecution. Individuals may file on the basis of race, religion, nationality, membership in a particular social group, or political opinion. Asylum has actually saved the lives of multiple high profile figures.
Here are seven famous asylum seekers:
1. Albert Einstein (physicist)
The Nobel Prize-winning scientist fled Germany in 1933 in order to escape persecution from the Nazis. After his safe arrival in the. U.S., Einstein notably said, "I shall live in a land where political freedom, tolerance, and equality of all citizens reign."
2. Mila Kunis (actress)
Kunis and her family fled Soviet Ukraine during the Cold War. That 70s Show actress was seven years old when she was granted a refugee visa.
3. Gloria Estefan (singer)
Born in Havana, Cuba, the "Queen of Latin Pop" fled the country with her family when she was just two years old. After Fidel Castro led the Communist revolution in 1959, her family moved to Miami.
4. Madeleine Albright (former Secretary of State)
Born in 1937 in what was then Czechoslovakia, her family fled Nazi persecution during World War II. Although they attempted to return, they had to leave permanently in 1948. She later became the first female Secretary of State.
5. Henry Kissinger (former Secretary of State)
After spending the first 15 years of his life in Germany, his family fled in 1938 during the early years of the Holocaust.
6. Marlene Dietrich (actress)
The Hollywood beauty started her film career in Germany in the 1920s. When the Nazis gained power, she fled to Hollywood, where she became an American citizen and made a point to perform for troops during World War II. Later, she said, "America took me into her bosom when I no longer had a native country worthy of the name."
7. Regina Spektor (singer)
After being raised in Moscow, the singer's family fled the Soviet Union when she was nine years old in fear of religious persecution. They settled in New York, where Spektor would later begin her singing career
This week, immigrant advocacy groups lobbied to block an order under the Trump administration that would force asylum seekers to stay in Mexico until their case files were seen in immigration courts. Based on the fact that lives could be endangered if the order were executed, the group stated that asylum seekers "are being returned to Mexico without any meaningful consideration of the dangers they face there, including the very real threat that Mexican authorities will return them to the countries they fled to escape persecution and torture." The federal courts have yet to make a decision on overturning the order.
Meg Hanson is a Brooklyn-based writer, teacher, and jaywalker. Find Meg at her website and on Twitter @megsoyung.
What the Term “Illegal” Means for Undocumented Immigrants
The term is typically used to refer to a whole person, not a person's legal status, and so it therefore implies that the person themselves is not a viable human being, thus not entitled to any human rights protections.
The word "illegal" has become a buzzword in modern immigration discourse, a common way of describing someone who has crossed the border into America without papers.
The term is typically used to refer to a whole person, not a person's legal status, and so it therefore implies that the person themselves is not a viable human being, thus not entitled to any human rights protections.
The term "illegal immigrant" was first coined to describe Jews fleeing during the second world war. "How can a human being be illegal?" asked the writer and Holocaust survivor Elie Wiesel, pinpointing the contradictory nature of the term. In 2017, journalist Maria Hinojosa riffed on Elie Wiesel's description of illegality, stating that "Because once you label a people 'illegal,' that is exactly what the Nazis did to Jews.' You do not label a people 'illegal.' They have committed an illegal act. They are immigrants who crossed illegally. But they are not an illegal people."
Image from Time
Being labeled as illegal has severe consequences for those who fall under the term's shadow. An "illegal" immigrant cannot demand raises or report human rights abuses at work. Undocumented immigrants face the double pressure of fear of being sent back to where they came from and fear of being 'found out' in their new nation.
The majority of migrants labeled as "illegal" are doing work for low wages, and provide services while demanding nothing in return. In practice, their work is similar to mass incarceration, which keeps whole segments of the population out of sight while they perform unpaid labor and are unable to exercise their civil rights.
In the novel Dear America: Notes from an Undocumented Citizen, the Filipino journalist Jose Antonio Vargas outlines the unique stresses and pains that come with living as an undocumented civilian. "This book is about homelessness," he writes, "not in a traditional sense, but the unsettled, unmoored psychological state that undocumented immigrants like me find ourselves in. This book is about lying and being forced to lie to get by; about passing as an American and as a contributing citizen; about families, keeping them together and having to make new ones when you can't. This book is about constantly hiding from the government and, in the process, hiding from ourselves."
Vargas, a successful reporter, came to the US at eight and discovered he was undocumented at age 11; what followed were decades of trying to hide his status until he finally spoke out and became one of the most famous undocumented citizens in the public eye.
Every single migrant's story is different, and for many people, speaking out is not an option. Many people have to work, to support families or relatives at home, and cannot risk "coming out" as illegal like Vargas.
Image via CNN.com
Studies have found that undocumented immigrants—especially those of Latinx descent—are especially at risk of mental health disorders due to the unique combination of trauma and secrecy that often plagues their journeys to the United States. As Warsan Shire writes in her stunning poemHome, "how do the words / the dirty looks / roll off your backs / maybe because the blow is softer / than a limb torn off." Although living in an America that calls them "illegal" is preferable to remaining in their native countries, many migrants have written about the psychological impacts of living in constant fear, and of being "found out" on American soil.
Bigotry and xenophobia may be better alternatives than the violence that many migrants faced at home, but defining groups of people as "illegal" is a convenient way to strip human beings of their humanity, the very thing that lies at the heart of the United Nations' Declaration of Human Rights. Peoples who are in flux are especially at risk of getting lost, as official laws refuse to help them; outside of the light of official regulations, people are quite literally disappearing, slipping into the cracks between policy and legal protection.
Keeping people in the subterranean realms of the criminal justice system or beneath the umbrella term of "illegal," is the result of a cycle that relies on many elements that work to perpetuate it. Xenophobia is one of the important steps that keep this cycle in place. A pervasive distrust of foreigners is a way of creating divisions and continuing cycles of disadvantage. Human rights abuses happen when human beings become faceless, anonymous, and stripped of recognition and legal protection. Rejecting and silencing people because they are so-called "illegal" even if it is not consciously spoken, is a way of selectively subjugating certain voices.
Of course, America has never been open to all migrants. This nation has a history of drawing non-white migrants to it when it needed labor—such as with the Chinese in California during the building of the railroads in the 19th century—and sending them home via acts like the Chinese Exclusion Act once the work was completed. This nation has a history of silencing certain groups, making it so they have no chance to even take a crack at the American dream.
Everyone is allowed to use language to express their beliefs—that's one foundational premise of the American experiment that everyone can agree on (though of course in practice it gets more complicated). Language is always political, and the word "illegal" carries powerful implications that it should at least be understood, not thrown around as an abstract umbrella term.
Eden Arielle Gordon is a writer and musician from New York City. Follow her on Twitter at @edenarielmusic.