Regardless, I’ve started to challenge myself and ask, “Do I really stick out at these shows?” Partly because I always end up leaving with a new friend when I attend a show alone.
And mostly because whenever I go to a show, the band’s lead singer stops their set to discuss a political issue that belongs to the ideologies of the left. As a black woman, this makes me feel safe. As an avid music fan and someone who is hyper-fixated on the history of anything and everything, I’m intrigued.
Uncovering Punk’s Anti-Establishment Roots
For the next few days after the concert, I did a deep dive into punk music and its anti-establishment roots. In the mid-70s, the punk subculture emerged in the United Kingdom and New York.
The punk movement began among teens and young adults looking for a more combative approach to rebelling against societal norms compared to the tamer peace and love movements of the 60s and early 70s. Punk music is and has always been grounded in counterculture — from fighting for working-class inequality to fashion to non-conformity in the realm of self-expression.
I discovered that you can’t separate punk music from politics, even in the slightest.
@mycelium_queen Replying to @mycelium_queen ♬ original sound - Mycelium Queen 🦋
Death Versus Bad Brain
As soon as I was old enough to go to shows alone, I submerged myself in the DIY scene. I had no idea what I was doing, I scoured the internet to find “small concerts,” as I called them, in Boston, where I went to high school.
I identified with punk for myself. But when I made the connection between punk and politics, I opened myself up to a whole new world of music.
Lyrics like: “Politicians in my eyes / They could care less about you / they could care less about me as long as they are to end the place they want to be,” from the band Death — considered to be the pioneers of punk music as a genre — spoke to me.
I was even more pleased that the actual founders of the genre — originally a jazz fusion turned hardcore punk band called Bad Brain — were Black Musicians.
I once declared that I’m only an amalgamation of those who came before me, so hearing this quite literally brought tears to my eyes (I’m so far from joking, it’s almost funny again). At my favorite DIY punk, emo, and rock concerts I belong just as much as anyone else.
I’ve always loved that punk music and its subculture take a stand for its listeners.
Feminist Punk: The Riot Grrrl Movement
Shortly after fully immersing myself in the scene, I was introduced to Bikini Kill and the Riot Grrrl movement. Emerging in the early 90’s, the Riot Grrl movement came about out of necessity for a space for women in the punk scene. Riot Grrrl directly combats sexism and works to normalize female anger and sexuality.
In 2023, I began filming a documentary about Boone, North Carolina — a small town rich in music, culture, and activism, especially for the LGBTQ+ community. My production team and I soon noticed that the conversations solely about the music scene quickly became political, especially for Babe Haven, a Riot Grrrl band hailing from Boone.
I now have the pleasure of calling the band members my friends. They’re an integral part of the history of punk and the Riot Grrrl movement, from their songs about objectification of women, like “Uppercut” and “Daddy’s Little Girl” to firsthand accounts of the band from those who believe that punk music has always been all about men — particularly white men.
“Riot grrrl is the way we dress, the way we talk, and the way we stand up for ourselves and other feminine folk. It’s aggressively inclusive, and that’s why we’re so drawn to it. We have on one hand, this outlet for our collective anger and grief, and on the other, we have this platform for queer and feminine celebration.” – Babe Haven
Jonathan Courchesne
Through the Looking Glass
Now, my eyes are peeled for signs and signals of the punk scene and its connection to politics. From the moment of silence for Gaza at a November concert to the New Jersey-based punk band Funeral Doors’ moment of silence for Gaza, and Brooklyn-based band Talon in February.
I remember standing in the crowds at that concert in February as the business casual people entered the bar, expecting a relaxing after-work drink with some light chatter in the background. I watched their faces as they slowly backed out of the door. While they heard howling, the fans listented to Juni, the lead singer of Funeral Doors, screaming, “F*ck trans genocide!”
Everyone was immersed in the safe space the band had provided us. Somewhere in the crowd, there was someone — or 3 or 4 individuals — struggling to truly be who they are. And — if only for a brief moment — they felt like they belonged.
Lead singer of Funeral DoorsERYNN WAKEFIELD
Inevitable Misunderstanding
Although there are essential conversations happening within the punk and DIY communities about what it means to be a part of the subculture, we still have work to do. Recently, I had an extremely jarring experience as I was peacefully scrolling through TikTok.
I came across a string of videos about right-wing punks trying to claim the subculture for themselves. Soon after my feed was flooded with stitches and clapbacks from left-wing people explaining the subculture of punk music and the inability to remove it from left-leaning political discourse.
@c4b1n_1n_th3_wxxds_ Sorry i look kinda bad 💀 ive bad a rough few weeks . . . . . . #punk #punkstyle #punkclothing #punkrock #punkfashion #crustpunk #folkpunk #queer #gay #lgbtq #pride #leftist #leftistpolitics #anarchism #Anarchy #Socialism #anarchocommunism ♬ original sound - C4b1n 🔻
Punk's Proclamation: A Movement Rooted in People’s Power
I’ve said it time and time again: artists must reflect the times. It’s both comforting and empowering that this genre I love so much does not deny me. And it wouldn’t be what it is without me. As silly as it sounds, I often return to a meme, one that declares that people — if they choose to create — need to carry the burden of the world they’re living in. This has only proven to be true.
Punk music and the subculture behind it aren’t merely screaming and studded belts from your local Hot Topic (if they’re a thing anymore). The punk scene highlights the struggles of the working class, sheds light on political issues relating to marginalized groups, fosters community, and fights for what’s right.
Punk music has always held a space for me; all I had to do was claim it.
@wormtriip via Instagram
This Christmas Start A Tradition Of Helping Those In Need With The GOAL Mile
GOALis an agile first responder to humanitarian crises and works with some of the most vulnerable communities across the world to help them recover and get them on the road to recovery.
For the last 45 years, they’ve been working tirelessly to support those who are in need and battling poverty. GOAL responded to crises such as the genocide in Rwanda, the tsunami in Southeast Asia, and the Haiti earthquake. They worked to provide safe water and food rations in Syria; they established treatment centers in Sierra Leone and Liberia during Ebola, and today GOAL is responding to the needs of IDPs (internally displaced people) fleeing Ukraine.
GOAL’s commitment and courage stem from the notion that each and every person deserves equal rights and a life of dignity and opportunities. As they envision a world without poverty where every community is safe and healthy, we wonder what more we can do.
So, the big question is, how can you help GOAL this holiday season? Take part in the GOAL Mile, an inspiring event that sees people run or walk a mile at community events all across Ireland. Or you can take part virtually, from anywhere in the world — just walk or run a mile around your house, garden, or local area. For the last 4 decades, the GOAL Mile is a highly popular Christmas tradition for families. What a tremendous way to get the community involved while raising funds for a cause that matters.
Signing up and getting started is super easy. The GOAL Mile takes place on the 25th and 26th of December. Simply pick your location — and it can be any location — beach, forest trail, or running pitches. Depending on the number of participants in your GOAL Mile, you may need a team of organizers to stand at the start, cheer at the finish line, and along the course to hand out refreshments or collect donations.
GOAL sets up a fundraising page for you and sends you collection buckets. Additionally, they’ll promote your GOAL Mile through their advertising campaign and, of course, social media.
Participants can also register online for their mile on the GOAL Mile website: https://www.goalmile.org/
GOAL Global and the GOAL Mile have helped so many communities all over the globe. Join a local outside event, participate virtually, or start your very own GOAL Mile.
The GOAL Mile is the perfect way to brighten your holidays, make someone's Christmas, and help make a difference in the world.
Register now and help your community make a difference this holiday season!
Is It Finally Time For The Kohinoor To Be Returned To India?
As the Queen's reign ends and her son King Charles III ascends the throne, countries within the commonwealth are left wondering what it will mean for them. Jamaica might become a republic, Australia seems to be mulling their options, and India has a Twitter riotous debate about getting the Kohinoor back.
For many, it’s merely a diamond that rests on top of the crown — the most expensive diamond in the world, at between $140 - $400 Million. But for Indians, it’s much-much more— history, tradition, and memories of pre-colonial India as well as the pain of colonial India.
Kohinoor or Kho-i-Noor — which means 'Mountain of Light' — is a 105.6-carat diamond that was found in southern India in the 14th century. This is where I’m from, so it hits close to home. This gem was claimed by the British during colonial times. Currently, there are 4 countries — India, Pakistan, Afghanistan, and Iran — trying to claim it back.
Historia/Shutterstock
The Crown Made For Queen Elizabeth the Queen Mother On the Coronation of King George Vi/Historia/Shutterstock
Along with sapphires and other precious stones, the Kohinoor is only one of the 2,800 diamonds in the Monarch partner’s crown which was fashioned in 1937. This was while India was still under British rule. But since their freedom in 1947, there have been animated discussions about who the Kohinoor rightfully belongs to.
Many British museums are packed with artifacts looted from other cultures. In July 2010, then Prime Minister of the UK David Cameron said, “If you say yes to one, you suddenly find the British Museum would be empty.”
So, here’s the question. Should the Kohinoor stay in with the crown or returned to India?
During the 14th century, it was uncovered in the Indian Golconda mines and passed through many hands. Sashi Tharoor mentioned in his book An Era of Darkness, “The diamond was formally handed over to Queen Victoria by the child Sikh heir Maharaja Duleep Singh, who simply had no choice in the matter. As I have pointed out in the Indian political debate on the issue, if you hold a gun to my head, I might ‘gift’ you my wallet. But that doesn’t mean I don’t want it back when your gun has been put away.”
Does that make it rightfully India’s property?
Numerous Indians share this position, especially since Camilla, the Queen Consort will now wear this iconic diamond. So, of course, #Kohinoor went viral on Twitter with a flood of humor-driven memes. However, there’s a serious petition underway seeking a minimum of a million signatures. The petition’s aim is to spotlight the topic of restitution and where the diamond will rightfully sit.
Recently, the Horniman Museum in London announced that it would return 72 artifacts — including 12 brass plaques known as Benin Bronzes which were swiped in 1897 — to the Nigerian government.
Is this the first step?
The crown may look glittering and glorious to some. To many Indians the appropriation of the Kohinoor as part of the Crown Jewels connotes imperialism and the tragedies that occurred during 89 years of British oppression.
Danielle Kinsey — Assistant professor of history at Carleton University — said, “There are many, many other artifacts in Britain that continue to function as imperial trophies. And when people from around the world have to shell out the money and go through all of the visa and travel issues to go to Britain to engage with pieces of their own cultures and their own pasts, this continues the trauma of empire for them.”
The perspective of the colonized is only now coming to world view. Throughout history they were sidelined but now that society is more progressive, there’s an apprehension of the wrongs that have occurred. Surely, if a nation admits to a wrong, then steps ought to be taken to right it.
India before the British was one of the richest countries in the world — when they left it was one of the poorest. The Kohinoor is a symbolic reference to the deprivation caused by colonial rule. Its valuation wouldn’t even cover 1% of the trillions pilfered from India during the colonial period. But it would send a message to Indians of respect and an equal friendship.
"Flaunting the Kohinoor on the Queen Mother's crown in the Tower of London is a powerful reminder of the injustice perpetrated by the former imperial power. Until it is returned — at least as a symbolic gesture of expiation — it will remain evidence of the loot, plunder, and misappropriation that colonialism was really all about," added Sashi Tharoor.
Jokes and petitions are only the beginning. Isn’t it time for the British to stop amplifying their imperialism and return precious artifacts they’ve stolen from the world?
Personally, I’d love to see the Kohinoor return to India. It could be the start of Britain accepting their responsibility of past injustices and moving into a future of reconciliation.
