Billie Eilish is perhaps the most talented artist of our generation…and I don’t throw that around lightly. At only 13, Eilish wrote “Ocean Eyes” alongside her brother Finneas and launched her prolific career. And at the fair age of 22, Eilish has 24 GRAMMY Award nominations and nine wins, two Oscars, two Golden Globes, and countless other accolades.
Beyond that, she recently announced her third album, HIT ME HARD AND SOFT, to be released May 17, 2024. She spent the days leading up to the announcement building excitement by adding all of her Instagram followers to her “Close Friends” list. Eilish had the most Instagram followers in 48 hours…with her count increasing by 7 million followers total.
While her debut album, when we all fall asleep…where do we go?, was a chart-topper in its own right, it landed Billie every GRAMMY it was nominated for at the ripe age of 18…Eilish has solidified herself as one of the most revered and sought-after popstars in the world.
Eilish recently caught media attention for quietly revealing her sexuality. In an interview with Variety, she states that she’s always liked girls…and assumed people always knew that. In a viral snippet from her new song, LUNCH, she details a love affair with a girl.
But people don’t only adore Billie for her catchy tracks that consistently top the charts. It’s not just her songwriting ability and unique vocals that keep us hooked. People love her because she’s unafraid to speak her mind.
Whether it be complaining about too many influencers being at an awards show, or calling out other artists for using unsustainable practices…Billie does not hold back.
Billie Eilish On Sustainability
Eilish home
rethinkingthefuture.com
The Eilish home is iconic for many reasons: it’s where Billie and Finneas recorded her debut album, countless other songs, and EPs, in an effort to conserve water there’s no grass, and the roof is covered in solar panels. And being environmentally conscious extends beyond the four walls of their home.
When the hottest young talent is discovered at such an early age like Eilish, record labels are chomping at the bit to sign them. It’s like when a D1 athlete is ready to commit to college…you have your pick.
But what Eilish and her mom, Maggie Baird, were looking for wasn’t about money or label-perks…they were seeking a solid sustainability program. And while that may seem like standard practice, most labels didn’t bring up environmental policies during these meetings at all.
After signing to The Darkroom via Interscope Records, the struggle didn’t stop there. Billie Eilish and her family have been consistent contributors to the fight against climate change.
Maggie Baird has since started Support + Feed, which focuses on the climate crisis and food insecurity. Support + Feed helped Eilish’s 2022 Happier Than Ever tour save 8.8 million gallons of water through plant-based meal service for the artist and crew members.
During Billie’s 2023 Lollapalooza performance, she aided the launch and funding of REVERB’s Music Decarbonization Project – which guaranteed all battery systems used during her set were solar powered. The MCD’s overall mission is to lower – and eventually eliminate –the music industry’s carbon emissions.
But more recently, Billie Eilish called out other artists for releasing multiple versions of vinyls in order to boost vinyl sales. In an interview with Billboard, she says,
“We live in this day and age where, for some reason, it’s very important to some artists to make all sorts of different vinyl and packaging … which ups the sales and ups the numbers and gets them more money and gets them more…”
Artists convince fans to buy different versions of their albums by offering exclusive features on each vinyl. Take Taylor Swift, for example, who released five separate vinyl versions of Midnights, each with a different deluxe “Vault” track.
While Billie may not have been trying to shade one artist in particular, the point is that she’s fed up. After being the rare artist in the industry who go out of their way to remain environmentally conscious, Eilish sets the bar high.
How Eilish’s New Album Is Sustainable
Billie for "Hit Me Hard and Soft"
William Drumm
Social media users were quick to claim Eilish was hypocritical by announcing that HIT ME HARD AND SOFT will have eight vinyl variations. However, each vinyl is made from recycled materials – either 100% recycled black vinyl or BioVinyl, which replaces petroleum used during manufacturing with recycled cooking oil.
This just illustrates that Eilish wasn’t directing criticism towards other artists for using vinyl variants to gain album sales…but she does think there are better ways to do it that benefit the environment without hurting their sales.
What the Term “Illegal” Means for Undocumented Immigrants
The term is typically used to refer to a whole person, not a person's legal status, and so it therefore implies that the person themselves is not a viable human being, thus not entitled to any human rights protections.
The word "illegal" has become a buzzword in modern immigration discourse, a common way of describing someone who has crossed the border into America without papers.
The term is typically used to refer to a whole person, not a person's legal status, and so it therefore implies that the person themselves is not a viable human being, thus not entitled to any human rights protections.
The term "illegal immigrant" was first coined to describe Jews fleeing during the second world war. "How can a human being be illegal?" asked the writer and Holocaust survivor Elie Wiesel, pinpointing the contradictory nature of the term. In 2017, journalist Maria Hinojosa riffed on Elie Wiesel's description of illegality, stating that "Because once you label a people 'illegal,' that is exactly what the Nazis did to Jews.' You do not label a people 'illegal.' They have committed an illegal act. They are immigrants who crossed illegally. But they are not an illegal people."
Image from Time
Being labeled as illegal has severe consequences for those who fall under the term's shadow. An "illegal" immigrant cannot demand raises or report human rights abuses at work. Undocumented immigrants face the double pressure of fear of being sent back to where they came from and fear of being 'found out' in their new nation.
The majority of migrants labeled as "illegal" are doing work for low wages, and provide services while demanding nothing in return. In practice, their work is similar to mass incarceration, which keeps whole segments of the population out of sight while they perform unpaid labor and are unable to exercise their civil rights.
In the novel Dear America: Notes from an Undocumented Citizen, the Filipino journalist Jose Antonio Vargas outlines the unique stresses and pains that come with living as an undocumented civilian. "This book is about homelessness," he writes, "not in a traditional sense, but the unsettled, unmoored psychological state that undocumented immigrants like me find ourselves in. This book is about lying and being forced to lie to get by; about passing as an American and as a contributing citizen; about families, keeping them together and having to make new ones when you can't. This book is about constantly hiding from the government and, in the process, hiding from ourselves."
Vargas, a successful reporter, came to the US at eight and discovered he was undocumented at age 11; what followed were decades of trying to hide his status until he finally spoke out and became one of the most famous undocumented citizens in the public eye.
Every single migrant's story is different, and for many people, speaking out is not an option. Many people have to work, to support families or relatives at home, and cannot risk "coming out" as illegal like Vargas.
Image via CNN.com
Studies have found that undocumented immigrants—especially those of Latinx descent—are especially at risk of mental health disorders due to the unique combination of trauma and secrecy that often plagues their journeys to the United States. As Warsan Shire writes in her stunning poemHome, "how do the words / the dirty looks / roll off your backs / maybe because the blow is softer / than a limb torn off." Although living in an America that calls them "illegal" is preferable to remaining in their native countries, many migrants have written about the psychological impacts of living in constant fear, and of being "found out" on American soil.
Bigotry and xenophobia may be better alternatives than the violence that many migrants faced at home, but defining groups of people as "illegal" is a convenient way to strip human beings of their humanity, the very thing that lies at the heart of the United Nations' Declaration of Human Rights. Peoples who are in flux are especially at risk of getting lost, as official laws refuse to help them; outside of the light of official regulations, people are quite literally disappearing, slipping into the cracks between policy and legal protection.
Keeping people in the subterranean realms of the criminal justice system or beneath the umbrella term of "illegal," is the result of a cycle that relies on many elements that work to perpetuate it. Xenophobia is one of the important steps that keep this cycle in place. A pervasive distrust of foreigners is a way of creating divisions and continuing cycles of disadvantage. Human rights abuses happen when human beings become faceless, anonymous, and stripped of recognition and legal protection. Rejecting and silencing people because they are so-called "illegal" even if it is not consciously spoken, is a way of selectively subjugating certain voices.
Of course, America has never been open to all migrants. This nation has a history of drawing non-white migrants to it when it needed labor—such as with the Chinese in California during the building of the railroads in the 19th century—and sending them home via acts like the Chinese Exclusion Act once the work was completed. This nation has a history of silencing certain groups, making it so they have no chance to even take a crack at the American dream.
Everyone is allowed to use language to express their beliefs—that's one foundational premise of the American experiment that everyone can agree on (though of course in practice it gets more complicated). Language is always political, and the word "illegal" carries powerful implications that it should at least be understood, not thrown around as an abstract umbrella term.
Eden Arielle Gordon is a writer and musician from New York City. Follow her on Twitter at @edenarielmusic.