Billie Eilish is perhaps the most talented artist of our generation…and I don’t throw that around lightly. At only 13, Eilish wrote “Ocean Eyes” alongside her brother Finneas and launched her prolific career. And at the fair age of 22, Eilish has 24 GRAMMY Award nominations and nine wins, two Oscars, two Golden Globes, and countless other accolades.
Beyond that, she recently announced her third album, HIT ME HARD AND SOFT, to be released May 17, 2024. She spent the days leading up to the announcement building excitement by adding all of her Instagram followers to her “Close Friends” list. Eilish had the most Instagram followers in 48 hours…with her count increasing by 7 million followers total.
While her debut album, when we all fall asleep…where do we go?, was a chart-topper in its own right, it landed Billie every GRAMMY it was nominated for at the ripe age of 18…Eilish has solidified herself as one of the most revered and sought-after popstars in the world.
Eilish recently caught media attention for quietly revealing her sexuality. In an interview with Variety, she states that she’s always liked girls…and assumed people always knew that. In a viral snippet from her new song, LUNCH, she details a love affair with a girl.
But people don’t only adore Billie for her catchy tracks that consistently top the charts. It’s not just her songwriting ability and unique vocals that keep us hooked. People love her because she’s unafraid to speak her mind.
Whether it be complaining about too many influencers being at an awards show, or calling out other artists for using unsustainable practices…Billie does not hold back.
Billie Eilish On Sustainability
Eilish home
rethinkingthefuture.com
The Eilish home is iconic for many reasons: it’s where Billie and Finneas recorded her debut album, countless other songs, and EPs, in an effort to conserve water there’s no grass, and the roof is covered in solar panels. And being environmentally conscious extends beyond the four walls of their home.
When the hottest young talent is discovered at such an early age like Eilish, record labels are chomping at the bit to sign them. It’s like when a D1 athlete is ready to commit to college…you have your pick.
But what Eilish and her mom, Maggie Baird, were looking for wasn’t about money or label-perks…they were seeking a solid sustainability program. And while that may seem like standard practice, most labels didn’t bring up environmental policies during these meetings at all.
After signing to The Darkroom via Interscope Records, the struggle didn’t stop there. Billie Eilish and her family have been consistent contributors to the fight against climate change.
Maggie Baird has since started Support + Feed, which focuses on the climate crisis and food insecurity. Support + Feed helped Eilish’s 2022 Happier Than Ever tour save 8.8 million gallons of water through plant-based meal service for the artist and crew members.
During Billie’s 2023 Lollapalooza performance, she aided the launch and funding of REVERB’s Music Decarbonization Project – which guaranteed all battery systems used during her set were solar powered. The MCD’s overall mission is to lower – and eventually eliminate –the music industry’s carbon emissions.
But more recently, Billie Eilish called out other artists for releasing multiple versions of vinyls in order to boost vinyl sales. In an interview with Billboard, she says,
“We live in this day and age where, for some reason, it’s very important to some artists to make all sorts of different vinyl and packaging … which ups the sales and ups the numbers and gets them more money and gets them more…”
Artists convince fans to buy different versions of their albums by offering exclusive features on each vinyl. Take Taylor Swift, for example, who released five separate vinyl versions of Midnights, each with a different deluxe “Vault” track.
While Billie may not have been trying to shade one artist in particular, the point is that she’s fed up. After being the rare artist in the industry who go out of their way to remain environmentally conscious, Eilish sets the bar high.
How Eilish’s New Album Is Sustainable
Billie for "Hit Me Hard and Soft"
William Drumm
Social media users were quick to claim Eilish was hypocritical by announcing that HIT ME HARD AND SOFT will have eight vinyl variations. However, each vinyl is made from recycled materials – either 100% recycled black vinyl or BioVinyl, which replaces petroleum used during manufacturing with recycled cooking oil.
This just illustrates that Eilish wasn’t directing criticism towards other artists for using vinyl variants to gain album sales…but she does think there are better ways to do it that benefit the environment without hurting their sales.
The Human Factor - Apple’s iPad Pro 'Crush!' Ad Lays Waste To Art
"Here's to the crazy ones, the misfits, the rebels . . . "
“Think Different” – Remember that ad campaign?
Every English teacher on the planet went insane due to its grammatical error. But what a command. Permission to think different. To step outside conformity's bounds and dream BIG.
From 1997 to 2002, images of physicist Albert Einstein, opera singer Maria Callas, modern dance innovator Martha Graham, and a host of other thinkers, dreamers, and creators were used to shine a little reflected glory on Apple by celebrating individual genius, eccentricity, and accomplishment.
What a difference 22 years makes.
The computer giant’s recent campaign for the latest version of its iPad Pro is so disturbing, so violently anti-human it has rightly been condemned by artists of every stripe and lambasted around the world – Japan ignited the backlash.
Watch it and you’ll know why – if you can stomach it.
Crush! | iPad Pro | Applewww.youtube.com
The ad’s called “Crush!” and the notion behind it is that the newest iPad is so marvelous it encompasses – and replaces – traditional creative tools such as musical instruments, paint, and cameras. It “crushes” them all into one device...the slimmest iPad in existence.
Apple illustrates this by showing those creative tools subjected to an industrial crusher. Thousands of years of human expression destroyed in a single minute.
Although Apple has backtracked furiously, the commercial is seared into my brain. It’s, in a word, sickening. It’s an abomination – a brutal assault on the very idea of individual creativity that Apple has infamously pimped out in the past. And, in an age where book-banning is once again on the rise and the arts are under assault by the purveyors of repressive ideologies, it evokes horrifying images drawn from the past and the present. I’m not being hyperbolic when I refer to a few examples:
In 16th-Century England, a convert to the Catholic religion was crushed under an 800-pound weight. The process was supposed to take three days, but the anti-Papists were impatient and got it over within 15 minutes.
In 1930s Germany, Nazis burned books – including Einstein’s, whose thinking was evidently too “different” for Hitler and company.
In 1966 fundamentalist believers in the American South torched Beatle records because they didn’t like John Lennon’s reflections on the state of then-contemporary religion.
You get the picture.
We’re told technology in-and-of-itself is neither good nor bad, it’s how it’s used – or misused. We understand that, and this isn’t an argument for analog over digital or a dismissal of AI and related developments. It’s a sharp response to a company that, as the old saying goes, “treats machines like people and people like machines.”
Apple – like AI – creates nothing. It lives on the endeavors of others. It’s opportunistic as cancer cells. It lacks the Human Factor, which can’t be replaced or eliminated no matter how hard you crush it.