Sharing Black Stories: Hollywood's Obsession With Black Trauma
This false representation of Blackness in Hollywood perpetuates the idea that racism is a Black issue for Black people to deal with. It shows the horrors of slavery and Jim Crow eras as experiences of Black suffering, rather than white violence and complicity — all while cementing them in the past, where they can be ignored rather than confronted.
All this is at odds with the recent pushes for Americans to acknowledge how they are implicated in the country's deep-seated racist history.
Though film has the potential to excavate deep emotional truths about the current lives of Black folks, or imagine multiplicitous and dynamic futures, Hollywood is too obsessed with cataloguing Black trauma to realize that potential.
For film to truly be a resource for antiracism and an artform where everyone is represented, the powers that be in the academy need to reach beyond historical narratives and stereotypical caricatures and instead give their money and energy to new stories.
Roots
Voyeurism of Black Trauma
Sometimes I think there shouldn't have been any film about slavery after Roots.
The six-part, nine-hour mini series, based on Alex Haley's giant novel of the same name, premiered in 1977 and catalogued the cruelty endured by one slave, Kunta-Kinte, who refused to give up his name.
Though the story is iconic and a canonized part of the lexicon (often referenced in Black art and popular culture like multiple Kendrick Lamar songs), what is most famous about the movie adaptation are the scenes of violence — the whipping, the blood, the lacerations left on the skin.
In most film representations of enslaved people, there is a focus on the violence and cruelty experienced — from physical to sexual assault. While it is important to remember the intensity of the cruelty suffered under slavery, the Hollywood gaze often sensationalizes this violence, using it as plot or character development or to establish tropes. This creates a voyeuristic dynamic which is more objectifying than empowering.
Too often, this violence serves as a catalyst for some self-determined act of escape. Capitalizing on their anger, the enslaved person finally finds the strength to run away and free themselves. Not only is this narrative incredibly reductive of the psychological horrors of captivity (insinuating a kind of Kanye West-like philosophy), but it draws on actual pain and trauma in service of a contrived redemption story.
There is no worse offender than Quentin Tarantino's Django Unchained — a film which I firmly believe Tarantino wrote and directed just to cast himself vicariously saying the N-word even more times than he did in Pulp Fiction. A classic Tarantino revenge fantasy, the fact of slavery becomes the background and backstory to Tarantino's spectacle of blood, gore, and farce.
But there is no healing in this, no real redemption found in the execution of single characters without the confrontation of the institution. And yet, it's categorized as a "Black story" … not likely.
The Reign of Black Caricature
Most of the movies which fall outside of the slavery and civil rights categories still leave much to be desired: from biopics on famous athletes and musicians to outrageous slapstick comedies (like, White Chicks … really?), the leading roles Black people can play rest in pretty defined tropes.
For a while, in the late '80s to early-2000s, there was a high demand for Black, male comedians — largely attributed to the success of Eddie Murphy on SNL from 1980-1984, which paved the way for Chris Rock, the Wayans Brothers, and Keenan and Kel, amongst others.
However, while white male comedians could exist in a range of styles and did not all follow the same formula, the same was not true for Black comedians. When it comes to Black actors, often what works once is all that networks will invest in — so everybody had to be Eddie Murphy.
What ensued was a generation of comedy movies built on over-the-top caricatures of Blackness which now find themselves in these "Black Voices" categories; meanwhile, the creative vision behind the reductive characters are likely the work of white Hollywood executives, pumping out repetitive content they knew would sell.
The New Age: Prison Movies
The recent attention to the atrocity of the prison industrial complex, especially after the success of the book The New Jim Crow and Ava DuVernay's documentary 13th, has spawned a new genre of Black trauma film: wrongful incarceration films.
In the last few years alone, there have been multiple adaptations of true-story accounts of Black men who were wrongfully imprisoned, then fought to prove their innocence.
From Just Mercy, starring Michael B. Jordan as Bryan Stevenson, the prominent lawyer and prison activist at the Equal Justice Initiative, to Brian Banks about the story of the former football player who was freed by the Innocence Project, these accounts are powerful, but they feel reiterative of the same tropes: Black man who finds his freedom through self-determination.
They also hinge too heavily on carceral tropes of guilty-versus-innocent instead of interrogating the project of prisons at large. Hollywood, in this way, likes to claim the label of righteousness and activism, while not really moving towards radical change.
Academy Award winner, Moonlight, ushered in a new era in avant garde Black cinema
A Black Renaissance
The past few years, however, have been a sort of renaissance of Black storytelling in Hollywood.
The rise of Black-run production agencies like Lena Waithe's Hillman Grad Productions and Issa Rae's Hoorae Production Company has shown what a difference it makes when Black creatives are empowered both in front of and behind the camera.
With more Black people behind the camera, Black artists with unique viewpoints and more nuanced stories are now more likely to work with executives who understand them, and know how to support them.
In the past few years, the fruits of this renaissance have made big moves in the box office and at award shows. Films like Barry Jenkins's Moonlight and Jordan Peele's Get Out have become cultural staples, and major blockbusters like Black Panther have shown the buying power of Black audiences.
No more do Black stories have to fall into restrictive categories. No more are Denzel Washington and Will Smith the only ones who get cast in challenging, complex roles. New Black movies are more exploratory and expansive than ever — whether it's Beyonce's afrofuturist take on the Lion King in Black Is King or the upcoming intimacy of Malcom & Marie.
For true representation, Black movies cannot depend on the same canned narratives any longer, and Black people can't be the only ones watching them. Hollywood just needs to put faith in different narratives and trust that our stories are worth hearing.
Jared Kushner Could Win a Nobel Prize, but BLM Deserves It
In this case, Black Lives Matter was nominated by Petter Eide, a member of Norway's parliament. As for Jared Kushner, he was nominated along with former Special Representative for International Negotiations Avi Berkowitz — the famed Harvard law professor, Trump sycophant, and defense attorney for O.J. Simpson and Jeffrey Epstein. Kushner and Berkowitz played central roles in brokering the Abraham Accords declaring, "Peace, Cooperation, and Constructive Diplomatic and Friendly Relations" between the US, Israel, Bahrain, and the UAE.
The Abraham Accords: The PR of the 'peace deals' | The Listening Post www.youtube.com
At face value many Americans would no doubt see the negotiation of a peace deal as more legitimate grounds for nomination than a protest movement that sparked violent confrontation with police and counter protesters around the country in 2020. And, if we look at the history of the Peace Prize, there is a sense in which they would be right — the prize has often been awarded for superficial diplomatic theater rather than the real and often messy work of addressing injustice.
The Fraught History of the Nobel Peace Prize
In 1928, Secretary of State Frank Kellogg received the prize for getting all the world's major powers to officially, meaninglessly renounce war...shortly before Hitler took power in Germany. Another Secretary of State, Henry Kissinger, was selected by the Nobel Committee for negotiating a cease fire with Vietnam in 1973 — the same year it was revealed that he had masterminded a secret carpet bombing campaign in Cambodia, which is credited with giving rise to the genocidal Khmer Rouge.
More recently, in 2009, Barack Obama was given the Peace Prize just for being elected president — in a move Obama acknowledged as premature. And in 2020, Donald Trump's son-in-law and his buddy Avi were nominated for the award for arranging "peace" between nations that were never at war — with a substantial arms deal thrown in for good measure.
To put it bluntly, it would make nearly as much sense for Jared Kushner to win the Nobel Peace Prize as it did for a number of other recipients with dubious claims to peace work. By contrast, in 1948 the Nobel committee chose not to award anyone — rather than acknowledge Mohandas Gandhi's work in pushing for Indian independence from Britain.
Historically the committee has often erred on the side of the powerful — rewarding hollow and hypocritical displays of diplomacy over the controversy that tends to arise around grassroots struggles. So while it may be unlikely that Kushner and Berkowitz will receive the peace prize, neither would it really be surprising.
But with Black History Month kicking off, it's worth articulating not just why their diplomacy is underwhelming, but why the Black Lives Matter movement deserves recognition for advancing the global fight against injustice.
No Justice, No Peace
While extensive efforts have been made to paint the Black Lives Matter movement as violent, anti-White, and at the political fringes, in reality it is the largest and most racially diverse protest movement in American history. And considering the thousands of demonstrations that have taken place, involving many millions of individuals, the relative lack of violence from the protesters is much more worthy of note than a handful of dramatic scenes.
Compared to the January 6th Trump rally, where a crowd of around 30,000 spawned a violent insurrection — which was handled with kid gloves by the police and led to five deaths — the 15 million plus who participated in BLM marches in 2020 were remarkably peaceful. The same cannot be said for far too many of police who patrolled those marches and gave proof to the brutality that inspired them.
A compilation of videos that captures how police officers incite violence. How are they responding to protests ag… https://t.co/7rBOh3OHMP— Simran Jeet Singh (@Simran Jeet Singh) 1590893613.0
And though regrettable incidents of arson and violence have undeniably taken place in connection with BLM demonstrations, the alternative was not "peace."
What is often overlooked in discussions of peace is the reality of social and political injustice as among the most prevalent forms of violence on Earth. When millions of people, targeted through no fault of their own, are systemically dehumanized — their lives and their contributions devalued and their opportunities for life, liberty and pursuit of happiness both deliberately and incidentally truncated for centuries — that is violence that destroys lives on another scale altogether.
For Black Americans that obviously means slavery and its aftermath, as well as segregation and the continued legacies of practices like redlining. But it also means a so-called "war on drugs" that treats addiction as a crime rather than an illness and disproportionately targets and locks up Black Americans, depriving too many children of their parents.
It means racist police procedures like Stop and Frisk, as well as the implicit (and often explicit) racial biases of the officers themselves. It means making it nearly impossible for people convicted of felonies within this unjust, racist system to live within the bounds of the law, depriving them — as well as millions of Black Americans who haven't been convicted of anything — of the right to participate in democracy and change the system that treats them so cruelly.
And none of this even covers the immense wealth inequality that makes life harder for almost all Americans — though, again, the harm is leveled disproportionately against Black Americans. All of these ordinary and unacceptable aspects of American life are violence — "the negative peace which is the absence of tension."
They destabilize communities, families, and individual lives. And that violence came to a head in June, following the horrific killing of George Floyd by a Minneapolis police officer over a suspected counterfeit $20 bill.
While far from the only evidence of systemic racism in America, the murder of unarmed Black men, women, and children by police and by racist vigilantes who — more often than not — are allowed to walk free, is perhaps its most blatant and disgusting expression.
And the names of the slain — Ahmaud Arbery, Breonna Taylor, Tamir Rice, Trayvon Martin, Freddie Gray, Philando Castille, too many more to mention — have become rallying cries.
A Black Lives Matter protester carrying a counter protester to safety in London
With all the domestic resistance the protests met from people who insist on spitting "all lives matter!" (as if fighting for the value of Black lives implied otherwise) and "blue lives matter!" (as if the safety of police officers depends on their ability to shoot unarmed Black men, women, and children without consequence), it would be easy to lose sight of how much support the movement has received overseas. While the movement was started in America, the impact has been global.
"Injustice Anywhere Is a Threat to Justice Everywhere"
The reality of living as a dehumanized minority in a bigoted society is sadly all too common in the world. And while not everywhere is as bad in this respect as America, the recognition sparked protests of solidarity and of common cause around the world.
Like the civil rights movement of the 1960s, Black Lives Matter has continued the fight for America to live up to its promise. Because right now "the land of the free" is home to a carceral state where more people are imprisoned than anywhere else on Earth, and citizens are killed by police at a higher rate than in any comparable nation.
Because the systems that were deliberately set up to keep newly freed Black citizens oppressed following the Civil War were never truly purged — have been covertly bolstered and supplemented ever since.
That is not peace. Only a stable form of violence.
A cartoon from the 1960s My father wasn’t beloved by America. In ‘Letter From Birmingham Jail,’ he responded to 8… https://t.co/ygwaqnWoO9— Be A King (@Be A King) 1611017549.0
In 1964 the Nobel committee opted not to side with power. It was the same year the FBI sent a harassing letter to Dr. Martin Luther King Jr., urging him to commit suicide.
He was considered by FBI director J. Edgar Hoover — and many others in positions of power within the American government — to be an enemy of the state. There is even reason to believe that these forces were directly involved in his 1968 assassination.
His protest movement was disruptive to the normal order of American life that most white Americans were content to maintain. Many balked at the idea that it could be called peaceful. But the Nobel committee selected him for the honor of the Nobel Peace Prize. It was a serious signal that the world was watching how America handled peaceful dissent.
Did that make a difference in passing the voting rights act of 1965? Who can say? But the Nobel committee has a similar opportunity this year.
What Black Lives Matter has been fighting for in recent months is the "positive peace" King spoke of as "the presence of justice." With that in mind — and with some uncertainty remaining as to how a decentralized, leaderless movement of millions can receive an award — the Nobel committee should take seriously the option of selecting Black Lives Matter.
Martin Luther King Jr. Nobel Peace Prize Acceptance Speech www.youtube.com
There are no doubt many nominees whom the committee could select for the Peace Prize — including Jared Kushner. And some who would even be worthy — including Stacey Abrams.
But the significance of acknowledging a grassroots fight for justice that was centuries in the making (in a nation which — for all its flaws — continues to shape culture around the world) is too powerful to deny.
How America Celebrates Black History While Erasing It
Black History Month may also be the only annual instance that this country comes close to acknowledging its racist heritage. The brilliance that Blackness has provided modern-day society is, unfortunately, also rooted in hatred and exclusion.
Recognizing the creations shaped by the hands of Black people means examining the oppressive infrastructures that sparked their genius. One of those infrastructures is slavery.
The mention of slavery prompts various reactions amongst white people. Some declare it to be our country's greatest shame, while others act as if it never happened. If the latter admits to its existence, it's to admonish others for "living in the past."
The celebration of Black History Month and the acknowledgment of slavery go hand in hand. Although a vast majority of Black History itself isn't a direct result of slavery, its ramifications are certainly a factor.
For instance, Martin Luther King Jr'.s vaunted legacy hinges upon his fight against racism and segregation. His peaceful marches and resounding speeches became the introduction to Black History and the Civil Rights Movement for most children in elementary schools across the country.
King is a lauded American hero for his fortitude. But his battle with a racist system is often romanticized. His reimagining sees him as a man standing up for his beliefs instead of a victim of a hateful construct who was forced to rise up against his oppressors.
The irony resides in Black people being labeled as world-changers and trailblazers in the eyes of history but only being allowed to access a small portion of it in order to apply their craft.
Similarly, Black people becoming a dominant force in sports and entertainment hasn't been without their share of obstacles. Unlike today where they have access to a worldwide audience to entertain, Black musicians and athletes' sole audiences used to be people who looked like them.
Sports pioneer Jackie Robinson made history as the first Black man to play professional baseball. His breaking of the color barrier instituted a new day in American sports, but the country's prejudicial temperament remained the same. Robison received death threats from angry white fans, players, and even owners.
Jackie Robinson
Furthermore, musicians like Chuck Berry and Muddy Waters, who are pioneers of Rock and Roll, are credited with inspiring The Rolling Stones and Eric Clapton. But during the '50s, their sound was classified as "race music." Conversely, that same "race music" was acceptable when taken and repurposed by white artists.
They and others like them persevered in the face of adversity to open doors for Black people today. Their struggles are reminders of the resiliency of Black people that changed the world and the unnecessary roadblocks they had to overcome to do so.
Muddy Waters and Chuck Berry
The observance of Black History Month in today's racial climate in America feels insincere. When entities are dedicated to oppression the other 11 months of the year, it's hard to believe their calls for racial unity in February
We voice our grievances about the government and law enforcement's wanton negligence daily, only to hear how stuck in the past we are as a race. Yet, that same past is responsible for the evolution of civilization as we know it today. Without Black people, America would not be the culturally rich place it is today.
Still, many feel sentiments like "Black Lives Matter" are radical movements, when in actuality they are an ever-present reminder of the conditions Black people had to navigate to pull off these incredible feats.
America cannot sincerely immerse itself in the celebration of Black History Month until it confronts its history. Racism is the beating heart beneath the floorboards of privilege. But as the beating grows louder, our country continues to disregard its pulse.
