Howard Kurtz is equally tired of Republicans trying to stage a coup and of Democrats getting mad about it.
On Wednesday morning, Fox News host Howard Kurtz took to Twitter to let the world know that both sides are bad in the most hilarious attempt at false equivalency in modern memory.
Host of the Fox News show Media Buzz, Kurtz recognizes the dangerous game the Trump administration is playing. By blocking President-Elect Joe Biden and his team from transitional access to the workings of the federal government, they are threatening the stability of America's institutions.
A smooth transition of power is essential. And people like Secretary of State Mike Pompeo and General Services Administrator Emily W. Murphy are flouting that important process.
Sec. of State Mike Pompeo: 'There will be a smooth transition to a second Trump administration' www.youtube.com
In order to prop up Donald Trump's continued denial of the fact that he lost the election, they are refusing access to Biden's team. Pompeo even mocked a reporter's question on the issue in a press conference on Tuesday, remarking that there would be "a smooth transition to a second Trump administration."
In case there is any uncertainty, it should be noted that Joe Biden unequivocally won the election, and the only way to achieve a "second Trump administration" would be through a coup.
But Kurtz knows that this issue—like every issue in American politics—cannot possibly be one-sided. That's why he identified the major culprit on the other side of the aisle: Sister Act star Whoopi Goldberg.
One of the hosts of ABC's daytime talk show The View, Goldberg had a message on Monday for any of Donald Trump's supporters who are still in denial about the election's clear outcome. Addressing the camera directly, the comedian and actor told them to "suck it up."
"Hillary Clinton didn't say, 'Hey, wait a minute, this doesn't feel right, stop the count.' She didn't say, 'This doesn't feel right, I'm not going for it.' She didn't say any of that. So all of you, suck it up. Suck it up like we sucked it up."
From Trump's GSA barring Biden transition officials from federal buildings to Whoopi Goldberg telling his voters to… https://t.co/musEsjBXz1— HowardKurtz (@HowardKurtz)1605097229.0
Of course many Trump supporters would no doubt take issue with the idea that a three-year investigation into electoral misconduct—resulting in dozens of indictments and guilty pleas, including several figures from within the Trump campaign—was "sucking it up."
But Whoopi left room for them to pursue the same approach with Biden, saying, "If the law says it's something to look at, look at it." It's just that first they have to acknowledge the reality of the election results.
They have to stop clinging to phony claims of fraud and stories about election observers being excluded. They have to accept the election results and admit that Joe Biden and Kamala Harris won.
Still, Howard Kurtz felt that Goldberg—the woman who allowed Patrick Swayze to possess her so he could dance with Demi Moore in Ghost—had overstepped the bounds of her sacred duty. Pushing voters to accept the outcome of a democratic election is apparently out of line.
And who has a responsibility to remain politically impartial more so than the star of 1995's classic Theodore Rex—a movie about a dinosaur who is also a cop?
It was Howard Kurtz's own tweet promoting a column he wrote on "both sides" of the election dispute that highlighted the supposed parallel between Whoopi Goldberg and top Trump administration officials. But when "Whoopi Goldberg" became a trending topic on Twitter—with users mocking his comparison—Kurtz pushed back, saying in another tweet, "Gee, I'd really prefer people react to the whole column about anger and payback on both sides."
ah yes, the famous two sides, "the president of the United States" and "Whoopi Goldberg" https://t.co/DiQoOoz6OW— Albert Burneko (@Albert Burneko)1605106033.0
Leaving aside the fact that he chose those ridiculous examples to put in his original tweet, reading the full column doesn't make it much better.
Kurtz draws absurdly stretched comparisons throughout. He likens comments from a former Obama and DNC spokesperson to the actions of two sitting senators.
The former spokesperson, Hari Sevugan, recently called for Trump staffers to be held accountable for assisting in an attempted coup—for employers to shun them. On the other side, the two sitting senators from Georgia have called for the resignation of Georgia's secretary of state just for acknowledging that Joe Biden won the state through legal votes.
Never mind the strangeness of placing a man who no longer speaks for any political institution on the level of two of the nation's top legislators. While it's worth noting that they're obviously in different leagues, the reality is that they aren't even playing the same game.
Because Senators Perdue and Loeffler—who both face contentious run-off elections in January—weren't weren't criticizing the other side. They were attacking a fellow Republican simply for not supporting the president's delusional belief that he somehow won an election he clearly lost.
Kurtz's only other example of a Left-wing attack is a political commentator who hasn't been on MSNBC since 2015. Touré wished ill on Trump supporters for voting "against America and for a cult leader who has no redeeming or admirable qualities."
As for the Right-wing, Kurtz points to Attorney General Bill Barr, who has taken the unprecedented step of involving the Justice Department in what is technically an ongoing election. Before a winner is officially certified, Barr has approved investigators to pursue claims of election fraud.
There is, of course, no reason not to be vigilant in these matters. Investigators should pursue any legitimate allegation in an unbiased manner.
But at the moment there are no legitimate allegations—just a series of flimsy excuses. And Barr has spent his entire tenure as AG making it clear that his Justice Department is anything but unbiased. He works directly for Donald Trump. Which is presumably why Barr's latest move prompted the department's election crimes chief to resign this week.
With Bill Barr’s newly issued ‘Election Interference’ memo, apparent we have a second Barr policy to add to the OLC… https://t.co/7ZcqQqsPBH— Glenn Kirschner (@Glenn Kirschner)1605044639.0
So, no, there is no "both sides" in the election dispute. Joe Biden won the election, and Donald Trump is using his power and his supplicating cronies in an effort to undermine the democratic result.
On the Left, media figures of varying stature are being rude and pushing Trump supporters to accept reality. On the Right, people with real power are supporting an attempted coup that strikes at the heart of American democracy–and attacking those who don't as apostates.
As is so often the case with efforts to find blame on "both sides," Kurtz is trying to provide cover for Republicans' blatant misconduct by dredging up petty gripes with the Democrats.
The reality is: Democrats and Republicans are not equivalent. In terms of corruption, deceptive rhetoric, and blind party loyalty, the Democrats are horribly outmatched. Kurtz's pathetic attempt to make it seem otherwise only serves to make that more clear.
Celebrate the 4th with these flicks!
Americans have always had different interpretations of patriotism. Even the Founding Fathers couldn't agree on what it means to be a "good" democratic citizen: While Thomas Jefferson and Benjamin Franklin encouraged citizens to question or even rebel against an overly intrusive government, John Adams believed that publicly criticizing the government could put the welfare of the country in danger. The lines are no less fuzzy in modern history. Was Joe McCarthy a patriot? Is Edward Snowden? Colin Kaepernick? It depends on who you ask.
Judging by our favorite 4th of July movies though, you'd never know that American patriotism was so nebulous or complex, perhaps because the rah-rah films touting individualism and liberty—including favorites like Mr. Smith Goes to Washington, Forrest Gump, Patton, Independence Day, and Saving Private Ryan—aim to please rather than make us think. These films may go down easy, but they can also be unrealistic, representative of only a small fraction of our population, tacitly xenophobic, or even downright creepy (Birth of a Nation, for example).
We may never come to a definitive conclusion about what it means to be an American patriot, but perhaps that's not the point. Meaningful debate, critique, and reflection could be a healthy antidote to our current culture of division and broad generalizations. So, if you're looking for something that will make you think this 4th of July, here are 10 films, from political thrillers to dramas and biopics, that show America in all its shades of color, not just red, white, and blue.
Three Days of the Condor (1975)
Robert Redford plays a CIA agent, code-named Condor, who must hide out after he finds his colleagues mysteriously murdered in their New York City office. Unsure of where to find safety, he persuades a woman (Faye Dunaway) to hide him in her Brooklyn apartment, where the two of them fall in love and together uncover a government conspiracy, discovering that the line between enemy and ally is dizzyingly blurred.
Do the Right Thing (1989)
On the hottest day of the year in Brooklyn, racial tensions flare between the Italian owner of a pizza shop and his mostly black clientele. Spike Lee's classic summer film captures a slice of New York City, and race relations in America, by weaving together different characters and plot lines. We all have to live with one another, but that doesn't always mean we'll go through the trouble of learning how to get along.
Into the Wild (2007)
Based on the true story of Alex McCandles, a young idealist who wanted to live a self-reliant life a la Thoreau in the great American west, Into the Wild asks crucial, and difficult, questions about American individualism: what does it really mean to be self-reliant? How can we find a sense of connection amid a corrosive culture of consumerism? The movie paints McCandles' romantic idealism in a sympathetic light, but refuses to make him a martyr.
There Will Be Blood (2007)
This visually stunning film directed by Paul Thomas Anderson tells the story an American oilman (Daniel Day Lewis) at the turn of the 20th century who persuades a small town in California to let him drill for oil on their land. About the relentlessness of our capitalist spirit, greed, and the twin rivers of oil and blood, There Will Be Blood offers an unsettling vision of American history.
Sean Penn gives an Oscar-winning performance in this 2008 biopic about Harvey Milk, the groundbreaking gay rights activist and politician in San Francisco who was killed while running for office in 1978. A moving tribute to those who have moved the needle on LGBT rights, and those who are still dedicating their lives to making progress 50 years later.
Hurt Locker (2008)
An elite team of specialists led by the sometimes-reckless Sgt. William James, are tasked with defusing improvised bombs in Iraq in this suspenseful film directed by Kathryn Bigelow. Hurt Locker does not romanticize the traumas of war, including those experienced at home and shows a war hero in a more complicated, even unsavory, light.
In this historical drama directed by Ava DuVernay, Martin Luther King Jr.'s march from Selma to Montgomery is seen from a different angle. The film shows the backroom dealing and planning that went into the march—including discussions with Lyndon B. Johnson as he wavered on passing the Voting Rights Act of 1965—to show us how history is really made, in fits and starts rather than sweeping, epic moments.
The Big Short (2015)
Based on Michael Lewis's nonfiction book, The Big Short is a cutting, tragicomic re-enactment of the financial players involved in the 2008 housing bubble and eventual financial collapse. A scathing indictment of big banks' greed, the movie still manages to entertain and even explain subprime mortgages, as Margot Robbie does while languishing in a bubble bath, in ways that actually make sense.
Based on the book of the same title by Colm Toibin, Brooklyn tells the story of a young Irish immigrant who movies to New York in the 50s during a famine that ravaged much of the Irish population. At first homesick, she soon starts a relationship with a young Italian-American mechanic, and is torn between the possibilities of her new life, and the one she left behind. A tear-jerking but uplifting story that speaks to the immigrant experience in America.
O.J.: Made in America (2016)
This ESPN series is a five-part special about the life and trials of football star O.J. Simpson. Director Ezra Edelman doesn't just focus on Simpson and the murder of Nicole Brown, but also examines the impact of fame and race on matters of justice, and how Simpson's story parallels 50 years of racial conflict in the US, including instances of police brutality. Edelman forces us to question what is "true" in a society where truth and justice are not always aligned.