Imagine me, in business casual (barely), sitting in a dirty Brooklyn dive bar to see one of the DIY punk bands I’ve been following for all of three months. I can barely stay still from the excitement. Yet, I notice, like I always have, that I stick out like a sore thumb. I’m not referring to the business casual attire; we all do what we can to survive in the city.
Regardless, I’ve started to challenge myself and ask, “Do I really stick out at these shows?” Partly because I always end up leaving with a new friend when I attend a show alone.
And mostly because whenever I go to a show, the band’s lead singer stops their set to discuss a political issue that belongs to the ideologies of the left. As a black woman, this makes me feel safe. As an avid music fan and someone who is hyper-fixated on the history of anything and everything, I’m intrigued.
Uncovering Punk’s Anti-Establishment Roots
For the next few days after the concert, I did a deep dive into punk music and its anti-establishment roots. In the mid-70s, the punk subculture emerged in the United Kingdom and New York.
The punk movement began among teens and young adults looking for a more combative approach to rebelling against societal norms compared to the tamer peace and love movements of the 60s and early 70s. Punk music is and has always been grounded in counterculture — from fighting for working-class inequality to fashion to non-conformity in the realm of self-expression.
I discovered that you can’t separate punk music from politics, even in the slightest.
@mycelium_queen Replying to @mycelium_queen ♬ original sound - Mycelium Queen 🦋
Death Versus Bad Brain
As soon as I was old enough to go to shows alone, I submerged myself in the DIY scene. I had no idea what I was doing, I scoured the internet to find “small concerts,” as I called them, in Boston, where I went to high school.
I identified with punk for myself. But when I made the connection between punk and politics, I opened myself up to a whole new world of music.
Lyrics like: “Politicians in my eyes / They could care less about you / they could care less about me as long as they are to end the place they want to be,” from the band Death — considered to be the pioneers of punk music as a genre — spoke to me.
I was even more pleased that the actual founders of the genre — originally a jazz fusion turned hardcore punk band called Bad Brain — were Black Musicians.
I once declared that I’m only an amalgamation of those who came before me, so hearing this quite literally brought tears to my eyes (I’m so far from joking, it’s almost funny again). At my favorite DIY punk, emo, and rock concerts I belong just as much as anyone else.
I’ve always loved that punk music and its subculture take a stand for its listeners.
Feminist Punk: The Riot Grrrl Movement
Shortly after fully immersing myself in the scene, I was introduced to Bikini Kill and the Riot Grrrl movement. Emerging in the early 90’s, the Riot Grrl movement came about out of necessity for a space for women in the punk scene. Riot Grrrl directly combats sexism and works to normalize female anger and sexuality.
In 2023, I began filming a documentary about Boone, North Carolina — a small town rich in music, culture, and activism, especially for the LGBTQ+ community. My production team and I soon noticed that the conversations solely about the music scene quickly became political, especially for Babe Haven, a Riot Grrrl band hailing from Boone.
I now have the pleasure of calling the band members my friends. They’re an integral part of the history of punk and the Riot Grrrl movement, from their songs about objectification of women, like “Uppercut” and “Daddy’s Little Girl” to firsthand accounts of the band from those who believe that punk music has always been all about men — particularly white men.
“Riot grrrl is the way we dress, the way we talk, and the way we stand up for ourselves and other feminine folk. It’s aggressively inclusive, and that’s why we’re so drawn to it. We have on one hand, this outlet for our collective anger and grief, and on the other, we have this platform for queer and feminine celebration.” – Babe Haven
Jonathan Courchesne
Through the Looking Glass
Now, my eyes are peeled for signs and signals of the punk scene and its connection to politics. From the moment of silence for Gaza at a November concert to the New Jersey-based punk band Funeral Doors’ moment of silence for Gaza, and Brooklyn-based band Talon in February.
I remember standing in the crowds at that concert in February as the business casual people entered the bar, expecting a relaxing after-work drink with some light chatter in the background. I watched their faces as they slowly backed out of the door. While they heard howling, the fans listented to Juni, the lead singer of Funeral Doors, screaming, “F*ck trans genocide!”
Everyone was immersed in the safe space the band had provided us. Somewhere in the crowd, there was someone — or 3 or 4 individuals — struggling to truly be who they are. And — if only for a brief moment — they felt like they belonged.
Lead singer of Funeral DoorsERYNN WAKEFIELD
Inevitable Misunderstanding
Although there are essential conversations happening within the punk and DIY communities about what it means to be a part of the subculture, we still have work to do. Recently, I had an extremely jarring experience as I was peacefully scrolling through TikTok.
I came across a string of videos about right-wing punks trying to claim the subculture for themselves. Soon after my feed was flooded with stitches and clapbacks from left-wing people explaining the subculture of punk music and the inability to remove it from left-leaning political discourse.
@c4b1n_1n_th3_wxxds_ Sorry i look kinda bad 💀 ive bad a rough few weeks . . . . . . #punk #punkstyle #punkclothing #punkrock #punkfashion #crustpunk #folkpunk #queer #gay #lgbtq #pride #leftist #leftistpolitics #anarchism #Anarchy #Socialism #anarchocommunism ♬ original sound - C4b1n 🔻
Punk's Proclamation: A Movement Rooted in People’s Power
I’ve said it time and time again: artists must reflect the times. It’s both comforting and empowering that this genre I love so much does not deny me. And it wouldn’t be what it is without me. As silly as it sounds, I often return to a meme, one that declares that people — if they choose to create — need to carry the burden of the world they’re living in. This has only proven to be true.
Punk music and the subculture behind it aren’t merely screaming and studded belts from your local Hot Topic (if they’re a thing anymore). The punk scene highlights the struggles of the working class, sheds light on political issues relating to marginalized groups, fosters community, and fights for what’s right.
Punk music has always held a space for me; all I had to do was claim it.
@wormtriip via Instagram
How About a Dose of Reality?
Cancel culture and feigned outrage need to face the facts...
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How about this comment from my mom's friend sitting next to me, a half-Jewish woman who I worried about offending by clicking "play" on Netflix on the now-infamous Chappelle special?
"I don't understand what the controversy is about..."
Well, yeah - that was the best outcome I could've hoped for when I pressured two aging hippies, activists who pushed for the Gloria Steinem / Helen Ready phase of feminism. But they also participated in the stuff that led MLK and Rosa Parks to fight hard for their place at the front of the bus. Full disclosure - one is my mother. The other is a woman I'll just call Bob (challenge parenthetical: use Hitchhiker's Guide to grok the Bob reference) so that nobody cancels this blue-haired beauty. Bob danced with Mama Cass and performed with the Rockettes. She is half-Jewish.
Archie Bunker is top of my mind as I write these words, and I know that Norman Lear knew what he was doing with that comedy. But he's a Space Jew (jk… duh).
What did Bob say to me when Chappelle's confessional comedy canon-fire finished with a punchline about sucking dick?
"I don't understand what the controversy is about..." -- Bob
Who'll be the hero of the inevitable swing of the pendulum towards some kind of true north -- fucking David Chappelle. I won't use that N-word here, because I'm not allowed. I don't want to be aborted before the fetus becomes human, and I'm not brown like Chappelle. Actually, I will use it - he's a Bad-ass N - as in Nostradamus. A hard one who tells the truth. And we can all learn from his truth.
All this is to say - Chappelle is a good lad, for real. He's not just a comedic genius. He's a man who fought against all odds, a scrapper (like my mom and her friend) looking to break the chain of privileged control of wealth and do his mfg thing. He knows his people and his history - and not just the black part of it all. And he is funny as fuck.
Here's the thing about it: I personally believe that America is *UN - FUCKING - AMERICAN*right now, and Chappelle fired a giant warning flare into the sky, an S.O.S. We need to talk, laugh, discuss things. We should not look for "gotcha" moments and reasons for hating one another.
We don't all need to be homogenous robots praying at the altar of some sort of C culture of silliness. Why work if you can whine? Nah. People want to work. We need to be human. Humans are tribal and we will have bias. And then there's this -- stereotypes contain both truth and danger. Not forever-truth but truth that comes from history, from epigenetic behavior that crosses culture and art and charisma and bloodlines stretching back to Africa. That's why I want to say this: Chappelle is our Nostradamus. If we look back years from now and identify a cultural inflection point, we will need a person in charge of that moment. That's kind of the way we catalog history.
Excerpt from new Rasmussen poll rasmussenreports.com
If you can't beat them, join 'em. Check out this newly published poll. These polls are super corrupt, I know. Just do the math. I mean - who wants jury duty or has time for this b.s.? Well-and-so, Facebook including Instagram - might be the altar to pray at for popular opinion. But… err… why is everyone on Facebook talking about what they had for breakfast and trolling for self-confidence from busted-up spaghetti code companies run by self-loathing geeks? I mean, who died and made Zuckerberg the foremost expert on how to be social? Sheesh - he comes across as the kind of dude who not only got shoved in the locker at high school but actually deserved it.
On a serious (not 'suck my dick'... tsk-tsk) note, I will also say this about Mr. Chappelle: he's worthy of comparison to the great comics who came before - everyone from Groucho to Gleeson to Lenny Bruce, Pryor, Robin Williams, Eddie Murphy, Rock, Tina Fey, and we cannot forget Carlin. But here's the thing that might be more important - he really feels. He's not out to judge, but to connect with everyone from trans people to the waiter at the fancy places he frequents. He's an empath - and not in some kind of bullshit X-Files way.
He's someone who keeps score according to a personal moral code that he cannot ignore and which informs his craft. That makes him a full-blown creator of literature and art who will be remembered for a long time to come. He's a storyteller and social commentator on par with some of the world's greatest - Oscar Wilde, James Baldwin, Dick Gregory, Lou Reed, Michael Lewis, Malcolm Gladwell, David Sedaris, Jay-Z, Regina King, Kendrick Lamar - writers and thinkers.
His (he / him / his) comedy is part of the new literature we need to consume because by doing so, we learn.
Thanks, Chappelle, for the S.O.S. We've got to save this fucking ship.
GOAT. Rising.
Dave Chappelle Photo by By Gemunu Amarasinghe (AP/Shutterstock)
Some songs as a p.s. [warning: internet connection and decent speakers required]:
True to Myself - Ziggy Marley
What a Wonderful World - Louis Armstrong
Thousands are Sailing - The Pogues
Same Love - Macklemore
Street Fighting Man - Rolling Stones
Daydream Believer - The Monkees
Why Are You On Facebook - Van Morrison
Dirty Boulevard - Lou Reed
Girls - Beastie Boys
Je T'aime, Serge Gainsbourg/Charlotte Gainsbourg
Democracy - Lumineers
Rain Street - Pogues
Angel of Harlem - U2
Black Boys on Mopeds - Sinead O'Connor
Lonely Teardrops - Jackie Wilson
River - Leon Bridges