Imagine me, in business casual (barely), sitting in a dirty Brooklyn dive bar to see one of the DIY punk bands I’ve been following for all of three months. I can barely stay still from the excitement. Yet, I notice, like I always have, that I stick out like a sore thumb. I’m not referring to the business casual attire; we all do what we can to survive in the city.
Regardless, I’ve started to challenge myself and ask, “Do I really stick out at these shows?” Partly because I always end up leaving with a new friend when I attend a show alone.
And mostly because whenever I go to a show, the band’s lead singer stops their set to discuss a political issue that belongs to the ideologies of the left. As a black woman, this makes me feel safe. As an avid music fan and someone who is hyper-fixated on the history of anything and everything, I’m intrigued.
Uncovering Punk’s Anti-Establishment Roots
For the next few days after the concert, I did a deep dive into punk music and its anti-establishment roots. In the mid-70s, the punk subculture emerged in the United Kingdom and New York.
The punk movement began among teens and young adults looking for a more combative approach to rebelling against societal norms compared to the tamer peace and love movements of the 60s and early 70s. Punk music is and has always been grounded in counterculture — from fighting for working-class inequality to fashion to non-conformity in the realm of self-expression.
I discovered that you can’t separate punk music from politics, even in the slightest.
@mycelium_queen Replying to @mycelium_queen ♬ original sound - Mycelium Queen 🦋
Death Versus Bad Brain
As soon as I was old enough to go to shows alone, I submerged myself in the DIY scene. I had no idea what I was doing, I scoured the internet to find “small concerts,” as I called them, in Boston, where I went to high school.
I identified with punk for myself. But when I made the connection between punk and politics, I opened myself up to a whole new world of music.
Lyrics like: “Politicians in my eyes / They could care less about you / they could care less about me as long as they are to end the place they want to be,” from the band Death — considered to be the pioneers of punk music as a genre — spoke to me.
I was even more pleased that the actual founders of the genre — originally a jazz fusion turned hardcore punk band called Bad Brain — were Black Musicians.
I once declared that I’m only an amalgamation of those who came before me, so hearing this quite literally brought tears to my eyes (I’m so far from joking, it’s almost funny again). At my favorite DIY punk, emo, and rock concerts I belong just as much as anyone else.
I’ve always loved that punk music and its subculture take a stand for its listeners.
Feminist Punk: The Riot Grrrl Movement
Shortly after fully immersing myself in the scene, I was introduced to Bikini Kill and the Riot Grrrl movement. Emerging in the early 90’s, the Riot Grrl movement came about out of necessity for a space for women in the punk scene. Riot Grrrl directly combats sexism and works to normalize female anger and sexuality.
In 2023, I began filming a documentary about Boone, North Carolina — a small town rich in music, culture, and activism, especially for the LGBTQ+ community. My production team and I soon noticed that the conversations solely about the music scene quickly became political, especially for Babe Haven, a Riot Grrrl band hailing from Boone.
I now have the pleasure of calling the band members my friends. They’re an integral part of the history of punk and the Riot Grrrl movement, from their songs about objectification of women, like “Uppercut” and “Daddy’s Little Girl” to firsthand accounts of the band from those who believe that punk music has always been all about men — particularly white men.
“Riot grrrl is the way we dress, the way we talk, and the way we stand up for ourselves and other feminine folk. It’s aggressively inclusive, and that’s why we’re so drawn to it. We have on one hand, this outlet for our collective anger and grief, and on the other, we have this platform for queer and feminine celebration.” – Babe Haven
Jonathan Courchesne
Through the Looking Glass
Now, my eyes are peeled for signs and signals of the punk scene and its connection to politics. From the moment of silence for Gaza at a November concert to the New Jersey-based punk band Funeral Doors’ moment of silence for Gaza, and Brooklyn-based band Talon in February.
I remember standing in the crowds at that concert in February as the business casual people entered the bar, expecting a relaxing after-work drink with some light chatter in the background. I watched their faces as they slowly backed out of the door. While they heard howling, the fans listented to Juni, the lead singer of Funeral Doors, screaming, “F*ck trans genocide!”
Everyone was immersed in the safe space the band had provided us. Somewhere in the crowd, there was someone — or 3 or 4 individuals — struggling to truly be who they are. And — if only for a brief moment — they felt like they belonged.
Lead singer of Funeral DoorsERYNN WAKEFIELD
Inevitable Misunderstanding
Although there are essential conversations happening within the punk and DIY communities about what it means to be a part of the subculture, we still have work to do. Recently, I had an extremely jarring experience as I was peacefully scrolling through TikTok.
I came across a string of videos about right-wing punks trying to claim the subculture for themselves. Soon after my feed was flooded with stitches and clapbacks from left-wing people explaining the subculture of punk music and the inability to remove it from left-leaning political discourse.
@c4b1n_1n_th3_wxxds_ Sorry i look kinda bad 💀 ive bad a rough few weeks . . . . . . #punk #punkstyle #punkclothing #punkrock #punkfashion #crustpunk #folkpunk #queer #gay #lgbtq #pride #leftist #leftistpolitics #anarchism #Anarchy #Socialism #anarchocommunism ♬ original sound - C4b1n 🔻
Punk's Proclamation: A Movement Rooted in People’s Power
I’ve said it time and time again: artists must reflect the times. It’s both comforting and empowering that this genre I love so much does not deny me. And it wouldn’t be what it is without me. As silly as it sounds, I often return to a meme, one that declares that people — if they choose to create — need to carry the burden of the world they’re living in. This has only proven to be true.
Punk music and the subculture behind it aren’t merely screaming and studded belts from your local Hot Topic (if they’re a thing anymore). The punk scene highlights the struggles of the working class, sheds light on political issues relating to marginalized groups, fosters community, and fights for what’s right.
Punk music has always held a space for me; all I had to do was claim it.
@wormtriip via Instagram
Donald Trump Is Encouraging His Supporters to Spread Death
Whether he knows it or not, that is the effect of his rhetoric
In recent days protestors have gathered in Michigan, Ohio, and North Carolina to call on state officials to end social distancing and shelter-at-home requirements.
It's understandable. The economy is suffering under the strain of the COVID-19 quarantine. It has decimated the stock market and resulted in an unprecedented spike in unemployment, and people want to get back to their lives. They want to reopen the country, and so does President Trump—whose ardent supporters have been among the most vocal and visible protestors. He's worried that if this situation continues on his watch, the economic damage may hurt his chances at re-election, as businesses small and large suffer losses that threaten their very survival. Leaving aside the fact that reopening too early will result in worse economic damage, there is another group that doesn't seem to concern him as much and whose survival actually depends on continuing the quarantine: People. Hundreds of thousands of people.
So when Donald Trump was suggesting that "large sections of the country" could re-open for Easter, it was cause for concern. But with the impact of the pandemic still far from its terrifying peak in hotspots like New York city, it seemed likely that Donald Trump would back off his overly-optimistic stance—and he did.
That's often how things work with Donald Trump. He will make a show of how tough and no-nonsense he is with some dramatic posturing that seems to fly in the face of the experts and will then be cowed by behind-the-scenes efforts to make him see reason. Unfortunately for the country, most of his followers are not similarly attended to by an entourage of people trying desperately to steer them away from catastrophic idiocy. So now that Easter has come and gone and Donald Trump is continuing to hint that he may soon reopen the country—maybe even against the wishes of governors in individual states—chaos was bound to ensue.
While some of the protesters have remained in their cars—honking their horns and blocking the passage of at least one ambulance—others crowded together to scream their rejection of science in one proud voice and one shared cloud of breath.
Chants of â��recall Whitmer,â�� â��USAâ�� and â��lock her upâ�� outside Michigan Capitol. #OperationGridlock https://t.co/7Q7niiNFUF— Malachi Barrett (@Malachi Barrett) 1586967874.0
For Donald Trump, the political effect of his latest hints and ambiguous comments about wanting to reopen the country and authorizing governors "to implement ... a very powerful reopening plan" while telling them, "You're going to call your own shots," is that he can have his cake and eat it too. While taking no direct measures to reopen the country amid continued medical advice to extend restrictions, he can still communicate to stir-crazy and cash-strapped supporters that he's doing everything he can for them and that maybe they should talk to their governors.
And that's just what they've been doing. In Michigan—where Operation Gridlock was so effective that even emergency vehicles couldn't get through—protestors directed their frustration at Democratic Governor Gretchen Whitmer, with chants of "Recall Whitmer" and "Lock her up." In North Carolina, at the ReopenNC protest, more than 100 angry citizens assembled to protest Governor Roy Cooper's stay-at-home order and to spread conspiracy theories that the COVID-19 death toll is being inflated—though the opposite is true.
This looks like a still from a horror movie. It's not. It's yesterday outside the Ohio Statehouse. Incredible shotâ�¦ https://t.co/eaQ3n6c8fI— Shawn Mitchell (@Shawn Mitchell) 1586883247.0
In Ohio the scene was particularly disturbing, with dozens of protestors gathering at the statehouse in Columbus with Guy Fawkes masks, Trump hats, and signs reading "This is tyranny," and "Quarantine the sick not the Contitution [sic]." Eventually a group pressed close together against the locked glass doors to shout their feelings with no concern for social distancing.
What these people need is financial assistance that isn't delayed by politics or targeted at millionaires and massive corporations, as well as reassurance that the current approach is necessary and effective—that our leaders are unified in following the guidance of health experts. What they get instead, from Trump and top Conservative voices, is constant waffling and hedging about the cost to the economy and tacit endorsement of these dangerous protests.
Important to remember that #Covid-19 epidemic control measures may only delay cases, not prevent. However, this helâ�¦ https://t.co/vhIVsvMt3Q— Drew A. Harris, DPM, MPH (@Drew A. Harris, DPM, MPH) 1582868853.0
Just as he has had every opportunity to decry violence done in his name, Donald Trump could end these protests. If he were open and honest about the fragility of our hospital system and our country's best hope of getting through this crisis intact, then he could quell much of this unrest and dispel false narratives equating this virus to the flu or car accidents. Instead he feigns careful consideration while effectively encouraging defiance that will inevitably result in more infections and more death.
Stay home and stay safe.