Imagine me, in business casual (barely), sitting in a dirty Brooklyn dive bar to see one of the DIY punk bands I’ve been following for all of three months. I can barely stay still from the excitement. Yet, I notice, like I always have, that I stick out like a sore thumb. I’m not referring to the business casual attire; we all do what we can to survive in the city.
Regardless, I’ve started to challenge myself and ask, “Do I really stick out at these shows?” Partly because I always end up leaving with a new friend when I attend a show alone.
And mostly because whenever I go to a show, the band’s lead singer stops their set to discuss a political issue that belongs to the ideologies of the left. As a black woman, this makes me feel safe. As an avid music fan and someone who is hyper-fixated on the history of anything and everything, I’m intrigued.
Uncovering Punk’s Anti-Establishment Roots
For the next few days after the concert, I did a deep dive into punk music and its anti-establishment roots. In the mid-70s, the punk subculture emerged in the United Kingdom and New York.
The punk movement began among teens and young adults looking for a more combative approach to rebelling against societal norms compared to the tamer peace and love movements of the 60s and early 70s. Punk music is and has always been grounded in counterculture — from fighting for working-class inequality to fashion to non-conformity in the realm of self-expression.
I discovered that you can’t separate punk music from politics, even in the slightest.
@mycelium_queen Replying to @mycelium_queen ♬ original sound - Mycelium Queen 🦋
Death Versus Bad Brain
As soon as I was old enough to go to shows alone, I submerged myself in the DIY scene. I had no idea what I was doing, I scoured the internet to find “small concerts,” as I called them, in Boston, where I went to high school.
I identified with punk for myself. But when I made the connection between punk and politics, I opened myself up to a whole new world of music.
Lyrics like: “Politicians in my eyes / They could care less about you / they could care less about me as long as they are to end the place they want to be,” from the band Death — considered to be the pioneers of punk music as a genre — spoke to me.
I was even more pleased that the actual founders of the genre — originally a jazz fusion turned hardcore punk band called Bad Brain — were Black Musicians.
I once declared that I’m only an amalgamation of those who came before me, so hearing this quite literally brought tears to my eyes (I’m so far from joking, it’s almost funny again). At my favorite DIY punk, emo, and rock concerts I belong just as much as anyone else.
I’ve always loved that punk music and its subculture take a stand for its listeners.
Feminist Punk: The Riot Grrrl Movement
Shortly after fully immersing myself in the scene, I was introduced to Bikini Kill and the Riot Grrrl movement. Emerging in the early 90’s, the Riot Grrl movement came about out of necessity for a space for women in the punk scene. Riot Grrrl directly combats sexism and works to normalize female anger and sexuality.
In 2023, I began filming a documentary about Boone, North Carolina — a small town rich in music, culture, and activism, especially for the LGBTQ+ community. My production team and I soon noticed that the conversations solely about the music scene quickly became political, especially for Babe Haven, a Riot Grrrl band hailing from Boone.
I now have the pleasure of calling the band members my friends. They’re an integral part of the history of punk and the Riot Grrrl movement, from their songs about objectification of women, like “Uppercut” and “Daddy’s Little Girl” to firsthand accounts of the band from those who believe that punk music has always been all about men — particularly white men.
“Riot grrrl is the way we dress, the way we talk, and the way we stand up for ourselves and other feminine folk. It’s aggressively inclusive, and that’s why we’re so drawn to it. We have on one hand, this outlet for our collective anger and grief, and on the other, we have this platform for queer and feminine celebration.” – Babe Haven
Jonathan Courchesne
Through the Looking Glass
Now, my eyes are peeled for signs and signals of the punk scene and its connection to politics. From the moment of silence for Gaza at a November concert to the New Jersey-based punk band Funeral Doors’ moment of silence for Gaza, and Brooklyn-based band Talon in February.
I remember standing in the crowds at that concert in February as the business casual people entered the bar, expecting a relaxing after-work drink with some light chatter in the background. I watched their faces as they slowly backed out of the door. While they heard howling, the fans listented to Juni, the lead singer of Funeral Doors, screaming, “F*ck trans genocide!”
Everyone was immersed in the safe space the band had provided us. Somewhere in the crowd, there was someone — or 3 or 4 individuals — struggling to truly be who they are. And — if only for a brief moment — they felt like they belonged.
Lead singer of Funeral DoorsERYNN WAKEFIELD
Inevitable Misunderstanding
Although there are essential conversations happening within the punk and DIY communities about what it means to be a part of the subculture, we still have work to do. Recently, I had an extremely jarring experience as I was peacefully scrolling through TikTok.
I came across a string of videos about right-wing punks trying to claim the subculture for themselves. Soon after my feed was flooded with stitches and clapbacks from left-wing people explaining the subculture of punk music and the inability to remove it from left-leaning political discourse.
@c4b1n_1n_th3_wxxds_ Sorry i look kinda bad 💀 ive bad a rough few weeks . . . . . . #punk #punkstyle #punkclothing #punkrock #punkfashion #crustpunk #folkpunk #queer #gay #lgbtq #pride #leftist #leftistpolitics #anarchism #Anarchy #Socialism #anarchocommunism ♬ original sound - C4b1n 🔻
Punk's Proclamation: A Movement Rooted in People’s Power
I’ve said it time and time again: artists must reflect the times. It’s both comforting and empowering that this genre I love so much does not deny me. And it wouldn’t be what it is without me. As silly as it sounds, I often return to a meme, one that declares that people — if they choose to create — need to carry the burden of the world they’re living in. This has only proven to be true.
Punk music and the subculture behind it aren’t merely screaming and studded belts from your local Hot Topic (if they’re a thing anymore). The punk scene highlights the struggles of the working class, sheds light on political issues relating to marginalized groups, fosters community, and fights for what’s right.
Punk music has always held a space for me; all I had to do was claim it.
@wormtriip via Instagram
How Much Can We Blame Climate Change for Hurricane Michael or Florence?
70% of Americans believe climate change is real and 97% of climate scientists agree it's caused by human activities.
As fall descends on the United States every year, it happens: reports spread across news feeds that something scary is brewing in the Atlantic.
A reported tropical storm becomes a categorized hurricane making landfall, leaving us with flooding, destruction, and rising death rolls. The Facebook donate buttons proliferate, coastal friends are marking themselves "Safe," and inevitably in our current political climate, op-eds bemoaning the death sentence of climate change or denying its existence are shared on your timeline.
"Climate change" has become a buzzword and political bludgeon, but the fact is 70% of Americans believe it's happening, and 97% of climate scientists agree that it's caused by human activities. It's enough to embolden your friend's incessant need to tag his sweaty Instagram selfies with "#climatechange" for every day over 80 degrees in New York City.
That being said, is it possible to blame global warming as the reason behind Hurricane Florence being the second wettest storm behind Harvey? Or for Hurricane Michael's ranking as the third most powerful storm to ever hit the continental United States? There's also the question on everyone's mind—will we be seeing more destructive hurricanes every year?
The answers: Yes, yes, and it's complicated.
Category 4 Hurricane Michael makes landfall along the Florida panhandle.
Tropical cyclones, like hurricanes, are indeed affected by factors that climate change directly impacts like warmer air, warmer sea surface temperatures, and rising sea levels.
Warmer air contains more moisture than cooler air. Therefore, it makes sense that as the temperature of Earth's troposphere (the weather layer 5-10 miles above the ground) rises, the air can hold more water. This is happening across the globe. And when the air has more water… Yes, you guessed it: there's more rain. Average precipitation in the U.S. has been increasing, and heavier downpours are expected to increase across the country both in intensity and frequency (in the Northeast by a whopping 71%). This increased ability to hold onto moisture will affect hurricanes like Harvey and raise their ability to unleash massive loads of rain.
As for storm strength? Some scientific models project a 45-87% increase in the frequency of Category 4 and 5 hurricanes by 2100 if we continue along our rate of estimated global temperature increase. The warming of the ocean and higher sea levels are the main culprits here. By increasing the temperature of the sea surface, human activity can create hurricanes with 2-11% greater wind speeds that may deliver more damage when making landfall, and with sea levels expected to rise by 1-4 feet in the next 100 years, storm surges will only worsen intense coastal flooding. None of this is made better by reports that storms are slowing down, allowing them to inflict more damage for longer periods of time.
So, yes, the picture is bleak. But wait, there's more—what about the possibility of more storms in general, and more with greater ability to create massive damage? Take a breather, this is a nuanced question.
While there is evidence corroborating global warming causing wetter and stronger storms, the National Oceanic and Atmospheric Administration's research of storms over the past century and complex climate model projections for the future do not support the claim that climate change will lead to an increase in overall hurricane numbers in the Atlantic. In fact, there is some evidence that the number of hurricanes is actually decreasing.
Hurricane Harvey aftermathCNN
It also gets murky when trying to blame the global crisis on the dramatic increase of hurricane-related costs. The statistics are pretty sobering: three of the five costliest U.S. hurricanes on record occurred last year alone. 2017's Hurricane Harvey is tied for the top spot with Hurricane Katrina (2005) at $125 billion in damages, Hurricane Maria comes after them at $90 billion, and Hurricane Irma rounds out the list at $50 billion (Hurricane Sandy in 2012 is no. 4 at $65 billion).
From those numbers alone, it's easy to become despondent. However, a large reason for the heightened costs of natural disasters is an increase in development along U.S. coastal populations. Americans across the board, and probably your retired parents sick of Minnesotan winters, are flocking to the coasts, whose population grew by nearly 35 million people between 1970 and 2010. Coastal counties made up nearly 40% of the last U.S. census, and this is only estimated to increase. Where there are more people, there are more houses and businesses in harm's way when a hurricane descends on the area. Climate change notwithstanding, storm-related costs would only grow in these places.
I'll admit, it's a bit of a respite to be able to blame something other than global warming on one part of the gloomy picture that is our world's climate future. Climate scientists agree that it's not accurate or compelling to blame individual storms or other weather events on climate change. There are many factors that affect how a hurricane plays out, including planetary orbits, factors local to the creation and path of the storm, as well as year-to-year variances in global weather patterns. The 1900s saw many terrible storms, including the deadliest in our history (by far) at the turn of the century.
However, when looking at overall trends around the world, the case is clear: climate change is happening and it's not going away. It's likely to make hurricanes more severe, unleashing more powerful wind, rain, and flooding.
Perhaps it's best to quote Michael Wehner, a senior staff scientist at the Lawrence Berkeley National Laboratory, who says it perfectly. "It's not: climate change flooded my house," he explained. "It's: climate change changed the chances of flooding my house."
Joshua Smalley is a New York-based writer, editor, and playwright. Find Josh at his website and on Twitter: @smalleywrites.