Howard Kurtz is equally tired of Republicans trying to stage a coup and of Democrats getting mad about it.
On Wednesday morning, Fox News host Howard Kurtz took to Twitter to let the world know that both sides are bad in the most hilarious attempt at false equivalency in modern memory.
Host of the Fox News show Media Buzz, Kurtz recognizes the dangerous game the Trump administration is playing. By blocking President-Elect Joe Biden and his team from transitional access to the workings of the federal government, they are threatening the stability of America's institutions.
A smooth transition of power is essential. And people like Secretary of State Mike Pompeo and General Services Administrator Emily W. Murphy are flouting that important process.
Sec. of State Mike Pompeo: 'There will be a smooth transition to a second Trump administration' www.youtube.com
In order to prop up Donald Trump's continued denial of the fact that he lost the election, they are refusing access to Biden's team. Pompeo even mocked a reporter's question on the issue in a press conference on Tuesday, remarking that there would be "a smooth transition to a second Trump administration."
In case there is any uncertainty, it should be noted that Joe Biden unequivocally won the election, and the only way to achieve a "second Trump administration" would be through a coup.
But Kurtz knows that this issue—like every issue in American politics—cannot possibly be one-sided. That's why he identified the major culprit on the other side of the aisle: Sister Act star Whoopi Goldberg.
One of the hosts of ABC's daytime talk show The View, Goldberg had a message on Monday for any of Donald Trump's supporters who are still in denial about the election's clear outcome. Addressing the camera directly, the comedian and actor told them to "suck it up."
"Hillary Clinton didn't say, 'Hey, wait a minute, this doesn't feel right, stop the count.' She didn't say, 'This doesn't feel right, I'm not going for it.' She didn't say any of that. So all of you, suck it up. Suck it up like we sucked it up."
From Trump's GSA barring Biden transition officials from federal buildings to Whoopi Goldberg telling his voters to… https://t.co/musEsjBXz1— HowardKurtz (@HowardKurtz) 1605097229.0
Of course many Trump supporters would no doubt take issue with the idea that a three-year investigation into electoral misconduct—resulting in dozens of indictments and guilty pleas, including several figures from within the Trump campaign—was "sucking it up."
But Whoopi left room for them to pursue the same approach with Biden, saying, "If the law says it's something to look at, look at it." It's just that first they have to acknowledge the reality of the election results.
They have to stop clinging to phony claims of fraud and stories about election observers being excluded. They have to accept the election results and admit that Joe Biden and Kamala Harris won.
Still, Howard Kurtz felt that Goldberg—the woman who allowed Patrick Swayze to possess her so he could dance with Demi Moore in Ghost—had overstepped the bounds of her sacred duty. Pushing voters to accept the outcome of a democratic election is apparently out of line.
And who has a responsibility to remain politically impartial more so than the star of 1995's classic Theodore Rex—a movie about a dinosaur who is also a cop?
It was Howard Kurtz's own tweet promoting a column he wrote on "both sides" of the election dispute that highlighted the supposed parallel between Whoopi Goldberg and top Trump administration officials. But when "Whoopi Goldberg" became a trending topic on Twitter—with users mocking his comparison—Kurtz pushed back, saying in another tweet, "Gee, I'd really prefer people react to the whole column about anger and payback on both sides."
ah yes, the famous two sides, "the president of the United States" and "Whoopi Goldberg" https://t.co/DiQoOoz6OW— Albert Burneko (@Albert Burneko) 1605106033.0
Leaving aside the fact that he chose those ridiculous examples to put in his original tweet, reading the full column doesn't make it much better.
Kurtz draws absurdly stretched comparisons throughout. He likens comments from a former Obama and DNC spokesperson to the actions of two sitting senators.
The former spokesperson, Hari Sevugan, recently called for Trump staffers to be held accountable for assisting in an attempted coup—for employers to shun them. On the other side, the two sitting senators from Georgia have called for the resignation of Georgia's secretary of state just for acknowledging that Joe Biden won the state through legal votes.
Never mind the strangeness of placing a man who no longer speaks for any political institution on the level of two of the nation's top legislators. While it's worth noting that they're obviously in different leagues, the reality is that they aren't even playing the same game.
Because Senators Perdue and Loeffler—who both face contentious run-off elections in January—weren't weren't criticizing the other side. They were attacking a fellow Republican simply for not supporting the president's delusional belief that he somehow won an election he clearly lost.
Kurtz's only other example of a Left-wing attack is a political commentator who hasn't been on MSNBC since 2015. Touré wished ill on Trump supporters for voting "against America and for a cult leader who has no redeeming or admirable qualities."
As for the Right-wing, Kurtz points to Attorney General Bill Barr, who has taken the unprecedented step of involving the Justice Department in what is technically an ongoing election. Before a winner is officially certified, Barr has approved investigators to pursue claims of election fraud.
There is, of course, no reason not to be vigilant in these matters. Investigators should pursue any legitimate allegation in an unbiased manner.
But at the moment there are no legitimate allegations—just a series of flimsy excuses. And Barr has spent his entire tenure as AG making it clear that his Justice Department is anything but unbiased. He works directly for Donald Trump. Which is presumably why Barr's latest move prompted the department's election crimes chief to resign this week.
With Bill Barr’s newly issued ‘Election Interference’ memo, apparent we have a second Barr policy to add to the OLC… https://t.co/7ZcqQqsPBH— Glenn Kirschner (@Glenn Kirschner) 1605044639.0
So, no, there is no "both sides" in the election dispute. Joe Biden won the election, and Donald Trump is using his power and his supplicating cronies in an effort to undermine the democratic result.
On the Left, media figures of varying stature are being rude and pushing Trump supporters to accept reality. On the Right, people with real power are supporting an attempted coup that strikes at the heart of American democracy–and attacking those who don't as apostates.
As is so often the case with efforts to find blame on "both sides," Kurtz is trying to provide cover for Republicans' blatant misconduct by dredging up petty gripes with the Democrats.
The reality is: Democrats and Republicans are not equivalent. In terms of corruption, deceptive rhetoric, and blind party loyalty, the Democrats are horribly outmatched. Kurtz's pathetic attempt to make it seem otherwise only serves to make that more clear.
Whether he knows it or not, that is the effect of his rhetoric
In recent days protestors have gathered in Michigan, Ohio, and North Carolina to call on state officials to end social distancing and shelter-at-home requirements.
It's understandable. The economy is suffering under the strain of the COVID-19 quarantine. It has decimated the stock market and resulted in an unprecedented spike in unemployment, and people want to get back to their lives. They want to reopen the country, and so does President Trump—whose ardent supporters have been among the most vocal and visible protestors. He's worried that if this situation continues on his watch, the economic damage may hurt his chances at re-election, as businesses small and large suffer losses that threaten their very survival. Leaving aside the fact that reopening too early will result in worse economic damage, there is another group that doesn't seem to concern him as much and whose survival actually depends on continuing the quarantine: People. Hundreds of thousands of people.
So when Donald Trump was suggesting that "large sections of the country" could re-open for Easter, it was cause for concern. But with the impact of the pandemic still far from its terrifying peak in hotspots like New York city, it seemed likely that Donald Trump would back off his overly-optimistic stance—and he did.
That's often how things work with Donald Trump. He will make a show of how tough and no-nonsense he is with some dramatic posturing that seems to fly in the face of the experts and will then be cowed by behind-the-scenes efforts to make him see reason. Unfortunately for the country, most of his followers are not similarly attended to by an entourage of people trying desperately to steer them away from catastrophic idiocy. So now that Easter has come and gone and Donald Trump is continuing to hint that he may soon reopen the country—maybe even against the wishes of governors in individual states—chaos was bound to ensue.
While some of the protesters have remained in their cars—honking their horns and blocking the passage of at least one ambulance—others crowded together to scream their rejection of science in one proud voice and one shared cloud of breath.
Chants of â��recall Whitmer,â�� â��USAâ�� and â��lock her upâ�� outside Michigan Capitol. #OperationGridlock https://t.co/7Q7niiNFUF— Malachi Barrett (@Malachi Barrett) 1586967874.0
For Donald Trump, the political effect of his latest hints and ambiguous comments about wanting to reopen the country and authorizing governors "to implement ... a very powerful reopening plan" while telling them, "You're going to call your own shots," is that he can have his cake and eat it too. While taking no direct measures to reopen the country amid continued medical advice to extend restrictions, he can still communicate to stir-crazy and cash-strapped supporters that he's doing everything he can for them and that maybe they should talk to their governors.
And that's just what they've been doing. In Michigan—where Operation Gridlock was so effective that even emergency vehicles couldn't get through—protestors directed their frustration at Democratic Governor Gretchen Whitmer, with chants of "Recall Whitmer" and "Lock her up." In North Carolina, at the ReopenNC protest, more than 100 angry citizens assembled to protest Governor Roy Cooper's stay-at-home order and to spread conspiracy theories that the COVID-19 death toll is being inflated—though the opposite is true.
This looks like a still from a horror movie. It's not. It's yesterday outside the Ohio Statehouse. Incredible shotâ�¦ https://t.co/eaQ3n6c8fI— Shawn Mitchell (@Shawn Mitchell) 1586883247.0
In Ohio the scene was particularly disturbing, with dozens of protestors gathering at the statehouse in Columbus with Guy Fawkes masks, Trump hats, and signs reading "This is tyranny," and "Quarantine the sick not the Contitution [sic]." Eventually a group pressed close together against the locked glass doors to shout their feelings with no concern for social distancing.
What these people need is financial assistance that isn't delayed by politics or targeted at millionaires and massive corporations, as well as reassurance that the current approach is necessary and effective—that our leaders are unified in following the guidance of health experts. What they get instead, from Trump and top Conservative voices, is constant waffling and hedging about the cost to the economy and tacit endorsement of these dangerous protests.
Important to remember that #Covid-19 epidemic control measures may only delay cases, not prevent. However, this helâ�¦ https://t.co/vhIVsvMt3Q— Drew A. Harris, DPM, MPH (@Drew A. Harris, DPM, MPH) 1582868853.0
Just as he has had every opportunity to decry violence done in his name, Donald Trump could end these protests. If he were open and honest about the fragility of our hospital system and our country's best hope of getting through this crisis intact, then he could quell much of this unrest and dispel false narratives equating this virus to the flu or car accidents. Instead he feigns careful consideration while effectively encouraging defiance that will inevitably result in more infections and more death.
Stay home and stay safe.
Politics is the ongoing debate over who and what gets to thrive and survive, and it is always personal.
Abortion. Gun control. Immigration. Police violence. The MeToo movement.
A dozen political issues, a dozen debates that we seem trapped in, condemned to repeat. It's been four decades since Roe v. Wade, and women's access to abortion seems as fragile as ever. Since the Sandy Hook massacre, there have been 2,402 mass shootings in the United States, and yet we don't feel any closer to passing common sense gun legislation than we were eight years ago. The American federal government has come to a complete standstill, but the poison runs deeper than that; at every level of human existence—political, cultural, artistic—we have lost the ability to meaningfully alter the status quo. We have the same arguments that we did eight years ago, we listen to the same types of music, and all the movies are sequels or franchises or reboots. We are a stopped culture.
It's a concept cultural theorist Mark Fisher referred to as the "slow cancellation of the future," part of his broader theory of Capitalist Realism—the notion that, as neoliberal hegemony continues, the people living under it will increasingly lose the ability to imagine a future different from the present. A mood has settled over America, a sense that things simply are the way they are. Massacres are common, police brutality happens regularly, abortion is difficult and precarious, healthcare costs are insane, and the government has no power (or will) to stop any of it from happening. The whole world is telling us, consciously or not, that nothing can be done. So what does all this have to do with the modern phenomenon recognized as "grievance politics?"
Simple. When we feel our politics have lost the ability to affect our lives, the only issues that seem to matter are personal ones.
If society is stuck, if we lack the power to change it and make it the way we want it to be, the only thing we can do is own each other—on Twitter, on stage, or in the voting booth. No politician can actually pass any legislation, but if the right ones win then the people on the other side will get upset. In turn, you might feel good for a little while, and maybe even convince yourself that your interests are being represented even though they're not. In modern mainstream political discourse every issue is disguised by one question: Who is "triggering" who? The whole world is telling you that nothing will be done about mass shootings or police violence or rape culture, but you can own the "Bernie Bros," and feel like you're owning all of the people in your life that you don't like.
That's how we got Trump. Whether or not they'll admit it, very few people really believed, in the logical parts of their minds, that Trump was ever gonna build his stupid wall. How could he? That would involve something happening, and nothing ever happens. The MAGA crowd, in a real sense, have as little power to bring about their ideal world as we do (thank god), because they can't stop us from agitating about inequality or gun control or kneeling for the national anthem. But when Donald Trump wins, college kids cry. And triggering the libs is as close as they can get to a victory.
If there's one good thing about the COVID-19 pandemic that is gripping the nation, it's this: We can no longer deny that our politics have a very real, very material impact on our lives. However, and this is important to stress: Politics is the ongoing debate over who and what gets to thrive and survive, and it is always personal. The pandemic has brought it home to the most privileged and insulated among us, but if you are vulnerable, if you are poor, if you are a racial or sexual minority, if you are a victim of gun violence or assault or our rapacious healthcare system, you have felt the effect of our politics in your life every single day. It's more important than the feeling it gives you, and it's more important than who's triggering who, and that's going to become more and more clear as we continue to suffer the consequences of a civil infrastructure that has spent the past forty years being ransacked.
Mainstream politics has always operated under the delusion that nothing was ever going to really happen. It would threaten to happen, it would almost happen, but it never actually would. Well, something has happened. Maybe now something can be done about it.
Probably not, though.
The Wildest Online Conspiracy Theories About the Coronavirus And Why Everyone Is Talking About Bill Gates
Just don't listen to anything qAnon says.
If there's anything that's spreading faster than COVID-19 is spreading across the globe, it's rumors and misinformation about the virus.
You may have heard any number of things about the new coronavirus that originated in Wuhan, China by now, but odds are that only a fraction of that information is actually accurate. Here are the craziest, falsest, and just plain funniest coronavirus conspiracy theories.
In the first installment of our Visionaries Project, we interview brilliant writer, activist, and horror buff Sherronda J. Brown.
The Visionaries Project is a new subsection of The Liberty Project dedicated to highlighting the lives, passions, and work of writers and activists currently working towards social justice and liberation from oppression. We aim to uplift the perspectives of powerful, diverse voices working in media and activism today—and not just the faces who make headlines, but the real people on the ground every day, working towards their visions of a better world.
As our first installment of the Visionaries Project, we're beyond honored to feature Sherronda J. Brown, an incredibly eloquent and brilliant journalist and activist currently doing vital work in the media sphere.
Where did you grow up? Was there an activism or writing background in your childhood?
I grew up in a small town called Tarboro in Eastern North Carolina. I don't have an activism background from my youth, but I have always been a writer. My mom still has a stack of little books I wrote as early as Kindergarten and first grade.
Can you tell me a little bit about how you got into writing and journalism?
I don't think writing was much of a choice for me. I think it's something that just lives in my bones and my fingertips. If I wasn't writing about systemic oppression and its multiple arms, I'd almost certainly be writing in some other capacity, probably in entertainment media or true crime. Definitely true crime. Hell, I might still do that one day.
My foray into journalism was more like being pulled into it. I have always shared my views on social media, specifically Facebook, and eventually people started to follow me and root for me. To my surprise, my words touched people. I wrote briefly for a now-shuttered, indie feminist website (for free!) while in college many years ago, but my presence in this world really became solidified when current Managing Editor at Black Youth Project (BYP), Hari Ziyad, gave my writing a home at RaceBaitR and later encouraged me to write for BYP as well. Then, the Deputy Editor position came along, and Hari encouraged me to take another step. The next step was Wear Your Voice (WYV), where I was promoted to Managing Editor by founder Ravneet Vohra before I even knew what hit me. And here I am. Other people recognized my talents and potential before I did. They knew I could do this before I even knew it was an option. Shout out to imposter syndrome, and shout out to the people who helped me get here.
How did you get involved with Wear Your Voice? What work do you do for it, and what's the publication about?
Lara Witt, the current EIC, posted a call for pitches on social media and I submitted a piece about an indie film I had been really impressed by, The Keeping Room. This was just after the release of Sofia Coppola's remake of The Beguiled, and I argued that The Keeping Room—while an imperfect film—succeeds where Coppola's film fails, specifically in her erasure of an enslaved Black woman character from the Civil War era South in order to ensure that the Confederate white women are seen as indisputable victims within the story, rather than cruel enslavers. The essay did very well, so much so that the writer and producer, Julia Hart and Jordan Horowitz, reached out to thank me. That was a surprise and, of course, hugely flattering. From that point, I continued to write for WYV as a freelancer, until I got the courage to ask Lara if she needed any editorial support. She advocated for me and helped me become a part of the team, beginning as a part-time Social Media Manager. I will always, always be so grateful to her for that, especially because WYV is such an amazing publication to work for. I now get to say that I serve as the Managing Editor of a bold magazine that wholly embraces me and gives QTBIPOC space to talk about our experiences without tone policing or censorship. It's incredibly rewarding and therapeutic work for me.
The bio for Wear Your Voice cites Kimberlé Crenshaw's definition of "intersectionality." How would you define intersectionality? Has your understanding of it changed over time?
A lot of people misunderstand or wrongly define intersectionality, and I suppose I used to do the same. Once upon a time, I thought of it as a literal intersection, with multiple roads meeting and touching at a particular point, with each road being a different aspect of a marginalized identity. So, one road would be Black, one would be woman, one would be queer, and so on, and they would intersect with each other. In this visual representation, the points where they intersect would be the nucleus, where all the layered oppressions one experiences are most concentrated, for lack of a better phrase.
Now, I understand how wrong I was. Because, for a queer Black woman, Blackness is never separate from woman, is never separate from queer, and so on. More specifically, Kimberlé Crenshaw developed this theory and coined this term thirty years ago for Black women to think and talk about how we experience misogynoir. Intersectionality is specifically for Black women's benefit, and Crenshaw herself has told us not to use it as a blanket term for thinking about oppressions.
What do you mean by "digital activist," as you say in your bio? What potential do you see in digital activism going forward?
It's funny, I didn't realize that I was a digital activist until someone told me I was. I guess, I didn't really understand the true impact that my words were making. One of my favorite anecdotes—or maybe it's a testimony—is from a woman who said that my writing helped her get her teenage daughter to stop bleaching her skin. That made my heart sink and sing at the same time. People reach out to me periodically to share how I've helped them to think about things from a new perspective and better understand how oppressive systems work and even how they have participated in and benefited from them. That's the best reward for me. A lot of people don't consider digital activism to be valid. People like me often get called "armchair activists" as an indictment of our supposed laziness, which is quite an ableist sentiment. There is tremendous value in digital activism, whether or not people are physically or mentally healthy and able enough to contribute to "boots on the ground" work, and I don't just say this because I consider myself one. Think about how much information gets shared across social media by marginalized people that might not otherwise be reported on by the mainstream media. Digital activism can and does enact change in its own way, and there are plenty of examples.
If you see yourself as a resource for awareness or inspiration for activists and radical thinkers, what would you recommend to others looking to get into the type of work you're doing?
I know this is easier said than done, but take the leap. Shoot your shot. Send that pitch email. Read other people's work, digest it, process it, live in it. And then, find the gaps. With any given subject, there's always someone who has already written about it, of course, but there are always things left unsaid, views left unexplored. No one person can tackle every possible angle. Find the gaps that other people inevitably leave in their work and fill them. Address the unaddressed. That is how writers can set themselves apart, in my opinion. That's what I really appreciate as an editor and a reader.
Are there any projects or current topics you want to promote?
We are currently wrapping up our Summer of Sex campaign at WYV, a series that highlights perspectives of QTBIPOC [Queer, Trans, Black, Indigenous, People of Color] on the subject of sex and the things surrounding it. The piece I contributed to this is rather personal, maybe more personal than anything else I've ever written. In it, I do what feels for me like heavy lifting on the subjects of unhealthy sex, asexuality, celibacy, and fawning as a trauma response, as all of these relate to my personal story and life experience. These are topics I rarely see talked about openly and I would like to see others engaging with them as well.
You describe yourself as a "reformed Blackademic." What was your experience in academia and why did you choose to move towards digital media?
I had no idea I would end up here. For a long time, I thought I would be an academic, and I had plans to pursue a doctorate. The bureaucracy and high pressure of the institution turned out to be something I wasn't cut out for, and I'm perfectly fine with that. I call myself a reformed Blackademic because stepping back from academia allowed me to see how elitism and inaccessibility can sometimes be a barrier to connecting with our own communities. If my work isn't accessible to those outside of higher education, then I don't think it's actually doing as much work as we might assume. This isn't to say that there isn't value in academic thought and high theory. Of course there is, and the things I learned while pursuing my degrees absolutely continue to inform my current work. I'm just more intentional about making my work accessible, as much as I can, and I will hopefully continue to make more progress in that arena through digital media.
What are your favorite writing projects or stories you've covered over the years?
My favorite projects are the ones that allow me to blend my passion for entertainment media with my radical, leftist, Black feminist, anti-capitalist philosophies. I'd say I'm currently most fond of my analysis of Thanos and his flawed Malthusian logic system about overpopulation and my laments on the unfortunate pattern of Black horror stories and Black time travel narratives that seem to only contemplate white violence as a constant fixture in our lives.
You've written a lot about your interest in horror and haunting narratives. Can you tell me a little bit about that?
I became interested in hauntings in grad school, in terms of how the ghosts of history continue to haunt our lives everyday and how we see those ghosts manifesting in oppressive systems, and these things often show up as literal ghosts in cinematic haunting narratives, like literally any film that uses a "Native American burial ground" as a way to convey danger and terror for white protagonists only to ultimately subdue the ghosts rather than truly acknowledge and hold accountable the violent white colonialism that created them.
Candyman (1992) is also a prime example with the vengeful ghost created from a lynching, and it is one of my personal favorites, despite it ultimately being yet another story of a frightened white woman being lusted after by a Black man. Choosing favorites is always difficult, because it changes every few years, and I love so many. Train to Busan (2016), Tigers Are Not Afraid (2017), Hereditary (2018), and The Babadook (2014) are some of my contemporary favorites, but Psycho (1960), The Exorcist (1973), Night of the Living Dead (1968), and Invasion of the Body Snatchers (1956) are longevity faves.
When you say "new voices" in horror, I immediately think of Jordan Peele, of course, who has two amazing horror entries already, which are among my favorites as well, and is sure to bring us more. He's tapped Nia DaCosta to direct his Candyman "spiritual sequel" expected in 2020, and I am ecstatic about a Black woman directing such a huge mainstream horror film. It would be a dream to see more Black women, more queer folks, more trans folks, more disabled folks at the helm of these stories. I want to see people who have historically been largely relegated to monstrosities in horror giving us innovative tales that subvert the status quo and rattle us in new, challenging ways.
You write a lot of content that challenges hegemonic, white supremacist narratives and ways of reporting and understanding current events; for example, the idea that climate change is new/just beginning to show effect, or that BIPOC women's bodies haven't always been byproducts of white supremacist violence. What writers, sources, or strategies have helped you challenge these hegemonic narratives? What kind of anti-oppression work do you see coming to the fore and/or still needing to be done in terms of this?
My first piece of writing that went viral viral was "White Women In Robes" on my personal blog, werdbrew. It was a critique of The Handmaid's Tale's use of harms committed against BIPOC in a story that centers white women and white feminism's historical connections with white supremacy, among other things. Dorothy E. Roberts' "Killing the Black Body" greatly informed that piece of writing, and anything else I've written about the reproductive control of and expectations for Black people. I also carry Audre Lorde, Alice Walker, and Angela Davis with me daily, and the spirits of Harriet Tubman and Zora Neale Hurston. The voices of Patricia Hill Collins, Nina Simone, and Toni Morrison are always with me when I write about Black womanhood. Some more recent entries that have inspired me include Tressie McMillan Cottom's "Thick" and Sabrina Strings' "Fearing the Black Body," both amazing and important works. I just think Black women are so brilliant and so uniquely able to Illuminate ugly but necessary truths about our world. Black women are already doing crucial anti-oppression work, and always have been. People just need to listen.
"White supremacy is the ugliest thing I have ever seen—producing literal monstrosities—and its hideousness cannot b… https://t.co/wiLkhJBOYc— 𝚂𝚑𝚎𝚛𝚛𝚘𝚗𝚍𝚊 𝙹. 𝙱𝚛𝚘𝚠𝚗 (@𝚂𝚑𝚎𝚛𝚛𝚘𝚗𝚍𝚊 𝙹. 𝙱𝚛𝚘𝚠𝚗) 1568832755.0
You write that white dystopian narratives align with the "destruction of the dominant white society, the disruption of the white heteropatriarchal family unit, and the downfall of post-colonial civilization as a whole" in one of your reviews. What kind of disruption would you like to see, and are there any images of the future that you imagine seeing through and beyond this disruption?
That is the kind of disruption I like to see. In a perfect world, we would finally get to see all the remnants of white colonialism gone, but unfortunately that is not our reality. I don't mind at all that dystopian narratives involve this kind of destruction in the fantasy world, especially because the destruction of a society where white supremacists hold political, economic, and social power only creates possibilities for the rest of us. My issue is that these narratives—with the exception of The Girl With All The Gifts (2017)—never explore those new opportunities or acknowledge the fact that QTBIPOC already live in a dystopia in the real world.
Still from "The Girl With All the Gifts"pressinfo.com
Are there any particular voices or groups you'd like to see highlighted in our current cultural moment?
I absolutely want more QTBIPOC voices. More fat, disabled, neurodivergent folks being heard and respected and humanized. More sex workers, more undocumented immigrants. I want to hear more from the younger generation, too. The people who get silenced the most are the ones who need to be elevated the most.
What's your everyday routine like? Where do you like to do your work or write?
I'm actually working to embrace my nocturnal nature these days, and I'm fortunate enough to have a career that allows me to do so. What are considered "normal" sleeping hours often serve as my writing time. Some of the best things I've written have come pouring out of me between the hours of 3 and 6 am. I'm either writing in bed or on the couch, and I always write on my phone. I sleep as best as I can, if I can, for a few hours and then I'm up and working again by noon. For BYP, I might be publishing in WordPress and/or desperately searching for good stock images of Black people. For WYV, I might be taking care of daily social media management duties, doing secondary edits or final checks on a piece before Lara publishes, creating graphics, and/or designing and sending out our weekly newsletter(s). For both publications, I might be hopping on a staff video or phone call, brainstorming new content, reading and catching up on the day's news so far, answering emails, evaluating pitches, responding to Slack messages, drafting calls for pitches, organizing my editorial calendar, conducting interviews, checking in with writers, and addressing anything else that requires my attention. The late afternoon and evening is when I rest, recharge, meditate, exercise, and eat. Sometimes, I will do some in-depth editing work on writers' drafts during this time, but mostly I don't start doing that kind of work until around midnight. Then, I plan for the next day/night. I admit, sometimes it's hard to keep track of what day it is.
You do a lot of challenging work. What do you do for fun, and to take care of yourself?
I'm proud to say that I'm much better about taking care of myself now than I used to be. For self-care, I watch horror game play on YouTube because I think it's more fun to watch other people do it—plus it's cheaper and less time-consuming. I spend quality time with friends virtually—ironically, all of my closest friends live far away. I SnapChat with my little sister. I take myself to 4 pm matinees in the middle of the week. I laugh with my co-workers. I support and mentor Black kids. I lift weights. I hit my heavy bag. I eat peanut butter fudge sorbet at 3 AM. I write happy things. I listen to podcasts and audiobooks about true crime, folklore, and history. I laugh at nonsensical memes. I block white people with dreadlocks. I drink plenty of water. I take selfies. I spend entire weekends naked, and I don't let myself work on Saturdays anymore.
Want to be featured on The Visionaries Project, or want to nominate someone you think should be? Email us at [email protected] or message us on Twitter at @LibertyThis.
Jeffrey Epstein's Exorbitant Lifestyle: Private Islands, Conspiracy Theories, and Networks of Corruption
Epstein's lifestyle was unimaginably creepy, but it's indicative of a larger problem.
Jeffrey Epstein was found dead in his jail cell on Saturday, having been accused of sexual abuse by nearly 80 women.
He leaves behind a legacy of destructive opulence.
Epstein lived a lifestyle of unchecked consumption. The billionaire possessed a number of extravagant homes. His Manhattan townhouse allegedly cost $77 million and contained disturbing oddities—such as a hall full of fake eyes that were initially created for injured soldiers. It also contained a photorealistic mural that featured Epstein in jail, surrounded by prison guards, as well as a life-sized female mannequin that hung from a chandelier.
His private ranch was even more grandiose. At 10,000 acres, Zorro Ranch is a sprawling stretch of land, to which Epstein allegedly flew young girls, and where he abused them with the help of his supposed madam, Ghislaine Maxwell. The ranch was also a place where he attempted to impregnate hundreds of women in an effort to seed the human race with his DNA. This attempt was inspired by his distorted belief in transhumanism, a theory that the human population can be improved through artificial intelligence and genetic engineering.
Image via BBC.com
The townhouse and the ranch paled in comparison to his primary place of residence—his private island. St. James Island is located in the U.S. Virgin Islands, and Epstein purchased it in 1998. According to a contractor, Steve Scully, Epstein possessed two private offices on the island, as well as a strange blue-and-white striped temple and a lagoon full of flamingos. The island was, allegedly, the location of a variety of heinous crimes and was casually called the "Island of Sin" and even "Pedophile Island" among some of Epstein's acquaintances.
Epstein had ties to countless businesses and money-making ventures, and he had a particularly fraught relationship with Victoria's Secret, a company that may have funneled models directly to him—and from which he may have embezzled millions. He had a circle of powerful friends that included Donald Trump, Kevin Spacey, Woody Allen, and Bill Clinton. He was also a serial liar, constantly fabricating relationships and insinuating himself into the scientific and political communities, including ingratiating himself with scientists by bankrolling their research. He is an example of the way that money can pave pathways and open doors for people with little to offer other than their purported fortunes and their charisma.
Between the bizarre decor of his homes, his interest in nefarious ideas like eugenics and cryogenics, and the suspicious circumstances of his apparent suicide in a Manhattan jail, Rolling Stone was right when it published the headline, "Conspiracy theories have gone mainstream."
Many of the conspiracy theories currently swirling around the Internet center around Epstein's relationship with Bill Clinton and Donald Trump, with #TrumpBodyCount and #ClintonBodyCount trending on Twitter and Trump himself tweeting about the Clinton conspiracy. Many others believe that Epstein faked the suicide, as the cameras in the jail cell stopped working at the time of his death.
With its tangled web of lies, the Epstein case is "the end of an information ecosystem that at least feints at asking questions before pretending to have the answers," according to Anna Merlan.
Is this the end, or just a step towards chipping away illusions and unearthing the corruption inherent to America's wealthiest class? After all, it's likely that there have been thousands of Epsteins before—billionaires in bed with politicians and scientific communities who abused women without consequence and who've funded false scientific research.
Maybe social media is, in its ugly, distorted way, finally bringing the dark money and covert alliances at the heart of America out into the light. Maybe next, the Internet could come for people like the Koch Brothers, the billionaires who paid millions to shut down climate change research.
Based on the nature of social media, though, it'll be a long time before we arrive at anything like the truth.
Little Saint James Island. Image via The Cut
Trump's words and actions have led our country into a terrifying state, a state in which the president has put people of color in severe danger.
This week the Republican party has only helped to fuel Donald Trump's racist fire. For many, this isn't surprising. Trump began his attacks during his first campaign, targeting Mexican-Americans and generalizing them as "drug dealers, criminals, and rapists." Once he was elected, Trump enforced a xenophobic Muslim ban and continued to fuel the fire of white supremacy. Now, immigrants seeking asylum are dying in American custody. Overall, Trump's words and actions have led our country to a terrifying state, a state in which the president has put minorities and POC immigrants in severe danger.
A lot has happened within the last seven days: It's harder than usual to keep up with Trump and his minions' actions. Here's a timeline to help get you up to speed.
Vice President Mike Pence and Republican Senators Lindsey Graham, John Cornyn, and Mike Lee visited a detention center in McAllen, Texas. The government officials observed around 400 men crammed in cages with no mats, no pillows, and barely room to sit down. The four men did not speak to any of the 400 immigrants and stayed in the detention center for only 90 seconds.
Vice President Mike Pence Visits Texas Migrant Detention Center | TODAY www.youtube.com
Only two days later, President Donald Trump took to Twitter to advise "progressive" congresswomen that, instead of participating in American politics, they should "go back and help fix the totally broken and crime infested places from which they came." The tweets were sent in the midst of ICE raids occurring across the nation. The tweets' purpose was clear: Create hysteria targeting people of color in hopes of eradicating the immigrant population.
....and viciously telling the people of the United States, the greatest and most powerful Nation on earth, how our… https://t.co/xPRSZHNNAd— Donald J. Trump (@Donald J. Trump) 1563107272.0
A day after Trump's tweets, Senator Lindsey Graham, who once called the President a "race-baiting, xenophobic, religious bigot," defended him, proclaiming, "AOC and this crowd are a bunch of communists… they're Anti-Semitic. They're anti-America."
Lindsey Graham's Fox News MELTDOWN www.youtube.com
On Tuesday, the House voted to condemn the President for his racist rhetoric. A President of the United States has not been formally rebuked a president in over a century. While the House voted in favor of the symbolic motion, the numbers included 240 Democrats in favor and 187 Republicans against. It's noteworthy that only four Republicans voted in favor of condemning the president's racist tweets.
That same night, Louisiana Senator John Kennedy referred to Rep. Alexandria Ocasio-Cortez (New York), Ayanna Pressley (Massachusetts), Ilhan Omar (Minnesota), and Rashida Tlaib (Michigan) as the "four horsewomen of the apocalypse."
John Kennedy Blasts The Squad www.youtube.com
On Wednesday, during President Trump's rally in North Carolina, he again attacked the group of freshmen congresswomen, explicitly targeting the Minnesotan representative, a Muslim, and Somalian refugee, Ilhan Omar. His supporters began chanting, "Send her back." The president stood silently for a mighty thirteen-second pause, head held high, as he proudly looked upon his supporters.
'Send her back': Trump batters Ilhan Omar on campaign trail www.youtube.com
The morning after, two of Twitter's top trending hashtags were #IStandWithPresTrump and #IStandWithIlhan. A few hours later, a few GOP members finally spoke out about the chants. Senator Marco Rubio called the targeting of Representative Omar "grotesque." A few other Republican Congressmen also spoke out on Twitter:
I deeply disagree with the extreme left & have been disgusted by their tone. I woke up today equally disgusted - ch… https://t.co/hlIxUraFva— Adam Kinzinger (@Adam Kinzinger) 1563455793.0
Though it was brief, I struggled with the “send her back” chant tonight referencing Rep. Omar. Her history, words… https://t.co/uHL8TNlr4k— Rep. Mark Walker (@Rep. Mark Walker) 1563418882.0
Trump later said he was "not happy" with the chants. When asked why he didn't stop the crowd, he answered, "I think I did—I started speaking very quickly."
Trump disavows supporters chant of 'Send her back!' at rally www.youtube.com
The same day, John McCain was also trending on Twitter. Former Representative of Florida, David Jolly, tweeted about how he missed the moment when John McCain cut off a woman claiming Barack Obama was an "Arab."
Missing this moment this morning. https://t.co/XPMmIH4PjF— David Jolly (@David Jolly) 1563453537.0
Senator Chuck Schumer also referred to the moment while addressing his colleagues.
Chuck Schumer: "The only way Pres. Trump will stop is when Republicans on the other side have the honor, the decenc… https://t.co/oR8NdLMPru— Kyle Griffin (@Kyle Griffin) 1563469210.0
Finally, to end this appalling timeline on a high note, here's a video of Minnesotan Representative Ilhan Omar returning home to the Twin Cities. Watch as she's celebrated below:
Congresswoman Omar just arrived back in the Twin Cities. https://t.co/ZiFqWnDJgQ— Tom Hauser (@Tom Hauser) 1563486133.0
Rather than post its average of 100 posts per day, Fox News has issued a "Twitter Blackout" to support Tucker Carlson.
Fox News has boycotted Twitter after the social media company did not meet the network's demands to delete posts associated with a protest outside Tucker Carlson's home on Wednesday night.
Smash Racism DC, a self-described "anti-fascist" group, targeted Carlson by sharing his personal address on Twitter and congregating outside the Fox News commentator's home. The group of about 20 chanted, "Racist scumbag, leave town!" and "Tucker Carlson, we will fight! We know where you sleep at night!"
Carlson reported the incident to the police and has recounted the scene to various news outlets, telling the Washington Post, "It wasn't a protest. It was a threat." He also cited that an individual "actually cracked the front door." While Carlson himself was at his Fox News office, his wife was home alone at the time.
Sharing a user's personal information such as home address is in violation of Twitter's rules. In response, Twitter suspended the antifa group's account. However, this action was reportedly delayed by Twitter's technical support function, which did not immediately delete the posts containing Carlson's address, while Facebook acted quickly to do so.
In an act of protest, an internal email from Fox News details managing editor Greg Wilson instructing employees, "Please refrain from tweeting out our content from either section accounts or your own accounts until further notice."
Indeed, the Fox News Twitter account hasn't been active since Thursday. According to calculations posted by The Hill, the account has posted an average of more than 100 times per day since joining the site 11 years ago.
The only figure at Fox News who has been active on social media since the "Twitter blackout" is Carlson himself. On his personal Twitter account he recounted an altercation he had with a Latino man in Charlottesville, Virginia that initially prompted the protesters.
The man in question, Juan Granados, is represented by Michael Avenatti, an Anti-trump lawyer who Carlson often refers to on his show Tucker Carlson Tonight as a "creepy [expletive] lawyer."
In his post, Carlson alleges that Granados instigated a fight with him and his family by verbally assaulting his 19-year-old daughter, calling her words we can't even repeat here.
Last month one of my children was attacked by a stranger at dinner. For her sake, I was hoping to keep the incident… https://t.co/QdyJWiBZfl— Tucker Carlson (@Tucker Carlson) 1541978107.0
Avenatti, who's noted for representing Stormy Daniels and one of Brett Kavanaugh's accusers Julie Swetnick, took to Twitter on Sunday to post his client's statement against Carlson.
Granados is a self-described "proud gay member of the Latino community and...also an immigrant." Following an aggressive exchange at the Farmington Country Club, Granados stated that he intends to press charges against Carlson, his son, and an unidentified friend for assault after allegedly threatening him with physical violence and telling him, "Go back to where you came from."
Here is a statement from my client regarding the incident with Tucker Carlson and Tucker's fabricated version of ev… https://t.co/suf87r9DDg— Michael Avenatti (@Michael Avenatti) 1541953122.0
Twitter has not commented on the Fox News blackout.