Imagine me, in business casual (barely), sitting in a dirty Brooklyn dive bar to see one of the DIY punk bands I’ve been following for all of three months. I can barely stay still from the excitement. Yet, I notice, like I always have, that I stick out like a sore thumb. I’m not referring to the business casual attire; we all do what we can to survive in the city.
Regardless, I’ve started to challenge myself and ask, “Do I really stick out at these shows?” Partly because I always end up leaving with a new friend when I attend a show alone.
And mostly because whenever I go to a show, the band’s lead singer stops their set to discuss a political issue that belongs to the ideologies of the left. As a black woman, this makes me feel safe. As an avid music fan and someone who is hyper-fixated on the history of anything and everything, I’m intrigued.
Uncovering Punk’s Anti-Establishment Roots
For the next few days after the concert, I did a deep dive into punk music and its anti-establishment roots. In the mid-70s, the punk subculture emerged in the United Kingdom and New York.
The punk movement began among teens and young adults looking for a more combative approach to rebelling against societal norms compared to the tamer peace and love movements of the 60s and early 70s. Punk music is and has always been grounded in counterculture — from fighting for working-class inequality to fashion to non-conformity in the realm of self-expression.
I discovered that you can’t separate punk music from politics, even in the slightest.
@mycelium_queen Replying to @mycelium_queen ♬ original sound - Mycelium Queen 🦋
Death Versus Bad Brain
As soon as I was old enough to go to shows alone, I submerged myself in the DIY scene. I had no idea what I was doing, I scoured the internet to find “small concerts,” as I called them, in Boston, where I went to high school.
I identified with punk for myself. But when I made the connection between punk and politics, I opened myself up to a whole new world of music.
Lyrics like: “Politicians in my eyes / They could care less about you / they could care less about me as long as they are to end the place they want to be,” from the band Death — considered to be the pioneers of punk music as a genre — spoke to me.
I was even more pleased that the actual founders of the genre — originally a jazz fusion turned hardcore punk band called Bad Brain — were Black Musicians.
I once declared that I’m only an amalgamation of those who came before me, so hearing this quite literally brought tears to my eyes (I’m so far from joking, it’s almost funny again). At my favorite DIY punk, emo, and rock concerts I belong just as much as anyone else.
I’ve always loved that punk music and its subculture take a stand for its listeners.
Feminist Punk: The Riot Grrrl Movement
Shortly after fully immersing myself in the scene, I was introduced to Bikini Kill and the Riot Grrrl movement. Emerging in the early 90’s, the Riot Grrl movement came about out of necessity for a space for women in the punk scene. Riot Grrrl directly combats sexism and works to normalize female anger and sexuality.
In 2023, I began filming a documentary about Boone, North Carolina — a small town rich in music, culture, and activism, especially for the LGBTQ+ community. My production team and I soon noticed that the conversations solely about the music scene quickly became political, especially for Babe Haven, a Riot Grrrl band hailing from Boone.
I now have the pleasure of calling the band members my friends. They’re an integral part of the history of punk and the Riot Grrrl movement, from their songs about objectification of women, like “Uppercut” and “Daddy’s Little Girl” to firsthand accounts of the band from those who believe that punk music has always been all about men — particularly white men.
“Riot grrrl is the way we dress, the way we talk, and the way we stand up for ourselves and other feminine folk. It’s aggressively inclusive, and that’s why we’re so drawn to it. We have on one hand, this outlet for our collective anger and grief, and on the other, we have this platform for queer and feminine celebration.” – Babe Haven
Jonathan Courchesne
Through the Looking Glass
Now, my eyes are peeled for signs and signals of the punk scene and its connection to politics. From the moment of silence for Gaza at a November concert to the New Jersey-based punk band Funeral Doors’ moment of silence for Gaza, and Brooklyn-based band Talon in February.
I remember standing in the crowds at that concert in February as the business casual people entered the bar, expecting a relaxing after-work drink with some light chatter in the background. I watched their faces as they slowly backed out of the door. While they heard howling, the fans listented to Juni, the lead singer of Funeral Doors, screaming, “F*ck trans genocide!”
Everyone was immersed in the safe space the band had provided us. Somewhere in the crowd, there was someone — or 3 or 4 individuals — struggling to truly be who they are. And — if only for a brief moment — they felt like they belonged.
Lead singer of Funeral DoorsERYNN WAKEFIELD
Inevitable Misunderstanding
Although there are essential conversations happening within the punk and DIY communities about what it means to be a part of the subculture, we still have work to do. Recently, I had an extremely jarring experience as I was peacefully scrolling through TikTok.
I came across a string of videos about right-wing punks trying to claim the subculture for themselves. Soon after my feed was flooded with stitches and clapbacks from left-wing people explaining the subculture of punk music and the inability to remove it from left-leaning political discourse.
@c4b1n_1n_th3_wxxds_ Sorry i look kinda bad 💀 ive bad a rough few weeks . . . . . . #punk #punkstyle #punkclothing #punkrock #punkfashion #crustpunk #folkpunk #queer #gay #lgbtq #pride #leftist #leftistpolitics #anarchism #Anarchy #Socialism #anarchocommunism ♬ original sound - C4b1n 🔻
Punk's Proclamation: A Movement Rooted in People’s Power
I’ve said it time and time again: artists must reflect the times. It’s both comforting and empowering that this genre I love so much does not deny me. And it wouldn’t be what it is without me. As silly as it sounds, I often return to a meme, one that declares that people — if they choose to create — need to carry the burden of the world they’re living in. This has only proven to be true.
Punk music and the subculture behind it aren’t merely screaming and studded belts from your local Hot Topic (if they’re a thing anymore). The punk scene highlights the struggles of the working class, sheds light on political issues relating to marginalized groups, fosters community, and fights for what’s right.
Punk music has always held a space for me; all I had to do was claim it.
@wormtriip via Instagram
Elon Musk Settled with the SEC, But He's Still the Worst
Enough with the Elon Musk hero worship.
A World Economic Forum survey found that Millennials consider Elon Musk to be the third-most admirable public figure in the world, finally confirming, once and for all, that Millenials are the worst.
If you haven't read Rolling Stone's bleak profile of Musk yet, don't bother. The experience is kind of like watching a mashup of all the sad parts of Spike Jonze's her; entertaining, but you're left feeling like you need a shower. The piece presents readers with an emotionally stunted, socially bizarre man, who finds solace only in the possibilities of technology. I am not implying that I think Elon Musk would fuck a Tesla; but I'm not not.
The latest mess up in a string of blunders that the New York Times recently called Elon Musk's " No Good, Very Bad Year" is the result of one fateful tweet.
The Security and Exchange Commission sued Musk for making
"false and misleading" statements to investors. It turned out Musk had not actually secured the funding mentioned in the Tweet. The SEC elaborated, "In truth and in fact, Musk had not even discussed, much less confirmed, key deal terms, including price, with any potential funding source." People on Pinterest probably didn't realize when they re-pinned Musk's inspirational quote, "Brand is just a perception, and perception will match reality over time," what Musk meant by that was: "Just lie."
While the flamethrower-making, weed-smoking entrepreneur is popular among a generation of people desperate for a role model as uncomfortable with human contact as they are, Musk's online bluff didn't go over well with investors. The SEC claims that the Tweet and subsequent tweets from Musk over the next several hours caused "significant confusion and disruption in the market for Tesla's stock." After Musk's tweet, Tesla's stock shot up nearly 9% but then dropped more than 11% in after-hours trading Thursday.
As a result of the complaint, the Iron Man-wanna-be agreed Saturday to step down as chairman of Tesla and pay a $20 million fine to settle the charges. According to CNN, once the settlement is approved in courts, "Musk will be allowed to stay as CEO but must leave his role as chairman of the board within 45 days. He cannot seek reelection for three years, according to court filings."
Whether the now infamous August 7th Tweet was a poorly executed PR move, Musk had a secret source of funding for privatizing the company, or the technicians at Tesla just forgot to update his software and caused him to glitch, Musk has denied any wrongdoing on his part. He responded to the complaint in a statement saying, "This unjustified action by the SEC leaves me deeply saddened and disappointed, I have always taken action in the best interests of truth, transparency and investors. Integrity is the most important value in my life and the facts will show I never compromised this in any way." We can only assume the transparency he refers to is that which he exhibited in a May 2018 conference call, when he called an analyst's inquiry about Tesla's finances a "boring bonehead question" and refused to answer.
Urban Dictionary Trolling Musk's August 7th Tweet
To add further interest to the disintegration of America's favorite Robot with feelings, rapper Azealia Banks is now claiming that Musk was on acid at the time of the Tweet. She stated, in the best series of quotes to ever grace the internet, "I waited around all weekend while grimes coddled her boyfriend for being too stupid to know not to go on twitter on acid," Banks wrote, concluding that, "it was probably some weird threesome sex shit to begin with."
This writer would be shirking her journalistic responsibility to the truth if she didn't include that Banks said of Musk, "He's not cute at all in person." Musk has denied that he was on drugs at the time of the Tweet and would probably want to add that he is actually very handsome - and he's definitely cool enough to take acid if he felt like it.
Perhaps Musk's recently self-diagnosed " severe emotional pain" is to blame for his string of strange behaviors. After reading any of Musk's recent interviews in which he seems to be actively spiraling - even once asking the interviewer, "Is there anybody you think I should date?"- it can be easy to feel bad for him. But, when the pity starts to creep in, just remember: he recently bought his fifth multi-million dollar home within a one mile radius of his four other multi-million dollar homes; he goes on Trump-style "fake news" Twitter rants anytime anything negative is written about him or his companies; his girlfriend creepily wore a collar shaped like the Tesla logo to the Met ball; and he unjustly called one of the divers that rescued the trapped Thai soccer team a pedophile. So save your sympathy for, well, literally anyone else.
Brooke Ivey Johnson is a Brooklyn based writer, playwright, and human woman. To read more of her work visit her blog or follow her twitter @BrookeIJohnson.