If you aren’t familiar with SSENSE, it’s the online epicenter for buying luxury brands and high-end streetwear. Founded by the three Atallah brothers, the goal was to take away the obstacles and headaches that could arise from purchasing high-end fashion and democratize the latest, coolest brands.
More than any other platform right now, SSENSE does curation right. They’re painfully aware of which pieces from new collections are a fit for their audience. They show you what’s relevant and hot right now — prioritizing pieces you’ll genuinely like rather than what’s just being pushed by the brand. Now, SSENSE carries brands of all price points from Adidas to Versace.
Another highlight: SSENSE is known for its brand diversity. They often highlight Black-owned brands and showcase collections from people of color and lesser-known designers. To close out Black History Month 2024, SSENSE is teaming up with none other than ESSENCE: a pairing that makes perfect sense.
ESSENCE, the lifestyle publication geared towards Black women, is helping feature three designers and artists: Bianca Saunders, Mowalola, and Stanley Raffington. The series will showcase their designs and tell their story.
According to SSENSE’s site,
“The two brands are turning ESSENCE’s “In The Studio” print franchise into a video series hosted by Lynette Nylander. The series will spotlight the achievements and creativity of Black designers who have significantly impacted the menswear realm. With three episodes, each featuring a distinguished designer, the series offers exclusive insights into their creative processes and journey,”
Meet The SSENSE X ESSENCE Feature Designers
Bianca Saunders
Bianca Saunders
British GQ
Bianca Saunders’ clothing embraces masculinity in womenswear. Her jackets will always be a bit oversized, or the style will mimic a classic streetwear bomber that could have been borrowed from boys like Jeremy Allen-White and Jacob Elordi — a girl can dream.
“The essence of Saunders' clothing lives in the details, which point to how she subverts ideals often associated with menswear.”
Finding the intersectionality between workwear and streetwear, Saunders clothing is genderless and trendy. Some of her signatures include layered shirts, tucked waists, and somewhat minimalist designs.
@babyboyflame Buying Black: @Bianca Saunders #streetwear #menswear #blackownedbusiness #fashion #fashiontok #fashiontiktok ♬ Oldschool - Cookin Soul
Mowalola
Mowalola
Joyce NG
Mowalola, a highly sought after designer whose pieces have been worn by the likes of Rihanna and Naomi Campbell, is a bit of an icon in the fashion world. Her mantra for fashion is “do what you want to do” and that’s exactly the kind of energy Mowalola’s clothes give off.
Much like Bianca Saunders, Mowalola is known for her gender bending designs. Inspired by cinema, many of her collections revolve around movies. And this is on full display at her cinematic runway shows.
She brings an edge to her designs through textures like leather and intentionally placed cutouts. She’s not afraid to make public commentary on race and gender, making her runway shows incredibly popular.
“The British designer has shifted the cultural zeitgeist with her boundary-pushing collections inspired by the world around her.”
@i_d Replying to @JAC So are we! #ferragamo #maximiliandavis #tiktokfashion #mfw #mowalola ♬ original sound - i-D
Stanley Raffington
Stanley Raffington
ESSENCE
In a world where the Chanel black-and-white aesthetic hails ever-popular, especially amongst those emulating Old Money Style and Sofia Richie’s closet, it’s hard to find designers who aren’t afraid of a bit of color…enter Stanley Raffington.
Often incorporating Rastafarian colors of red, yellow, and black as an ode to his Jamaican roots, Raffington isn’t going to shy away from any hue. He quickly rose into fashion prominency when Madonna and FKA Twigs attended his show, which included 3D printed accessories.
Constantly inspired by his Jamaican roots and the nostalgia of past trends, you will see lots of Y2K nods in Stanley Raffington’s clothing. He’s embraced tech in the fashion world by utilizing 3D printing in many of his designs and runway shows, and he’s not slowing down now.
@yungstanz Process behind my 3d printed curve bag. Taking inspiration from the architecture of Zaha Hadid, mixing new technology with natural materials and craft. Available now exclusively at @SSENSE ♬ Never Lose Me - Flo Milli
Climate Connections: Climate Change and Coronavirus Could Have Similar Solutions
What can nature teach us about responding to two massive crises?
The mycelium is a type of fungi that thrives on decomposition.
Spores germinate and multiply, forming mushrooms that absorb nutrients and swallowing dead plants, devouring toxins and fostering the growth of new life. It's essentially the earth's life support system, the embodiment of regeneration.
What we need now is life support, and a mycelium of relief—a multifaceted plan that understands and utilizes our interconnectedness, which could save us or that could drive us to extinction. But one thing's for certain: Our divisions are killing us. We need to let the systems that no longer serve us decompose so that new realities can come to light.
Today, though, many of us are facing a peculiar polarity. We're isolated because of a pandemic that threatens all of humanity. Yet we have failed to rally together to fight it, and if anything, political divisions have deepened in recent weeks.
We've also failed to rally around another existential threat, a parallel—and far more severe—crisis that's been bubbling under the surface of our reality for decades. The climate crisis will wreak far more havoc than the virus has, costing many more lives and changing our world on a much vaster scale. It's already contributing to rising sea levels that are flooding cities. You can see it manifesting in the wildfires that smeared California and Australia these past few years, in the tsunami that eviscerated Japan in 2011, in the bad air quality that's decimating the lungs of people living in crowded cities, and in the waves of refugees fleeing conflicts sparked by droughts and other disasters. If a climate-related disaster were to hit an area affected by COVID-19 or another pandemic, the results would be apocalyptic beyond measure.
Neither COVID or climate have easy, immediate solutions, which is part of what makes them such vast, slippery issues. Both could, of course, be solved by scientific miracles—a vaccine or a superbly effective fossil-fuel devourer—but since we can't count on those inventions, then we have to rely instead on solutions that are much more difficult to define.
We have to rely on each other, and on policies that support our most vulnerable populations as well as our most powerful. Be it a virus or a wildfire, climate change and coronavirus do far more harm to frontline communities than they affect people who can work from home or who can live off their savings. While half of the population rests on their couches, another half scrounges to eat or pulls themselves off to another brutal shift at a grocery store or in a hospital. The coronavirus crisis has exposed the brutal divisions of American society, which allow some people to safely isolate while others face extreme poverty and instability.
These divisions are largely consequences of neoliberal capitalism, a driving force behind climate change. "Let's not lose sight of the root cause of this crisis: rampant capitalism. Capitalism has steamrolled this planet and its organisms, gouging out mountains, overexploiting fish stocks, and burning fossil fuels to power the maniacal pursuit of growth and enrich a fraction of humanity," writes Matt Simon. "Since 1988, 100 corporations have been responsible for 70 percent of greenhouse gas emissions."
No wonder the Earth is collapsing under our weight. But the solutions to coronavirus and climate change may just be intertwined, part of the same web of regeneration and redistribution that could lift us up and off of the edge of this cliff.
One such solution is outlined in the People's Bailout, a relief and recovery package designed by over 800 activist groups. The People's Bailout demands that Congress commit to five steps during their efforts to provide COVID-19 relief:
1. Health is the top priority, for all people, with no exceptions
2. Economic relief must be provided directly to the people
3. Rescue workers and communities, not corporate executives
4. Make a downpayment on a regenerative economy while preventing future crises
5. Protect our democratic process while protecting each other
In a world where the actual stimulus package that Congress passed provided $3 trillion of relief to major corporations (a check three times the size of Joe Biden's climate plan), all this seems far away.
But this is America, and this is humanity, and this is life, which should be an impossibility in itself. Despite our many mistakes, we have always built impossible things. We have created glorious temples and magnificent skyscrapers; we criss-crossed the world with roads; we sent men to the moon. We may not always act ethically or responsibly, but we have the power to build and we have the power to grow.
Now we are being forced to change. We have the choice to build a world that can sustain itself—for the good of not only the planet, but for the good of our own world, our own economies, our own selves.
We need plans that erode poverty and pollution and disease and convert them into new, creative solutions. Plans that start from below, from inside, from underground, from the communities that need them most, and that grow up and out towards the light. An alchemy of release and rebirth, starting from the soil and the sadness of isolation, upwards and outwards and eventually back outside, towards a future truly worth fighting for.
We need to have faith, even though it all seems impossible—because what's the alternative?
We can create a future of open fields and breathable air, of wind turbines and monthly checks that land like clockwork in our bank accounts, of fewer private jets and more bullet trains. That future seems further and further away with each devastating headline and each rising degree.
That the Earth exists at all—that we broke through the darkness, that some spore broke into the shape of life—is an impossibility in itself. Within each of us there is a longing to survive, to connect, and to heal.
In her book Parable of the Sower, Octavia Butler writes, "God is change." This pandemic has shown us that everything can change on a dime. Now the question is: What kind of change do we want? What are we choosing to worship during this time? And what role can each of us play in creating it?