Regardless, I’ve started to challenge myself and ask, “Do I really stick out at these shows?” Partly because I always end up leaving with a new friend when I attend a show alone.
And mostly because whenever I go to a show, the band’s lead singer stops their set to discuss a political issue that belongs to the ideologies of the left. As a black woman, this makes me feel safe. As an avid music fan and someone who is hyper-fixated on the history of anything and everything, I’m intrigued.
Uncovering Punk’s Anti-Establishment Roots
For the next few days after the concert, I did a deep dive into punk music and its anti-establishment roots. In the mid-70s, the punk subculture emerged in the United Kingdom and New York.
The punk movement began among teens and young adults looking for a more combative approach to rebelling against societal norms compared to the tamer peace and love movements of the 60s and early 70s. Punk music is and has always been grounded in counterculture — from fighting for working-class inequality to fashion to non-conformity in the realm of self-expression.
I discovered that you can’t separate punk music from politics, even in the slightest.
@mycelium_queen Replying to @mycelium_queen ♬ original sound - Mycelium Queen 🦋
Death Versus Bad Brain
As soon as I was old enough to go to shows alone, I submerged myself in the DIY scene. I had no idea what I was doing, I scoured the internet to find “small concerts,” as I called them, in Boston, where I went to high school.
I identified with punk for myself. But when I made the connection between punk and politics, I opened myself up to a whole new world of music.
Lyrics like: “Politicians in my eyes / They could care less about you / they could care less about me as long as they are to end the place they want to be,” from the band Death — considered to be the pioneers of punk music as a genre — spoke to me.
I was even more pleased that the actual founders of the genre — originally a jazz fusion turned hardcore punk band called Bad Brain — were Black Musicians.
I once declared that I’m only an amalgamation of those who came before me, so hearing this quite literally brought tears to my eyes (I’m so far from joking, it’s almost funny again). At my favorite DIY punk, emo, and rock concerts I belong just as much as anyone else.
I’ve always loved that punk music and its subculture take a stand for its listeners.
Feminist Punk: The Riot Grrrl Movement
Shortly after fully immersing myself in the scene, I was introduced to Bikini Kill and the Riot Grrrl movement. Emerging in the early 90’s, the Riot Grrl movement came about out of necessity for a space for women in the punk scene. Riot Grrrl directly combats sexism and works to normalize female anger and sexuality.
In 2023, I began filming a documentary about Boone, North Carolina — a small town rich in music, culture, and activism, especially for the LGBTQ+ community. My production team and I soon noticed that the conversations solely about the music scene quickly became political, especially for Babe Haven, a Riot Grrrl band hailing from Boone.
I now have the pleasure of calling the band members my friends. They’re an integral part of the history of punk and the Riot Grrrl movement, from their songs about objectification of women, like “Uppercut” and “Daddy’s Little Girl” to firsthand accounts of the band from those who believe that punk music has always been all about men — particularly white men.
“Riot grrrl is the way we dress, the way we talk, and the way we stand up for ourselves and other feminine folk. It’s aggressively inclusive, and that’s why we’re so drawn to it. We have on one hand, this outlet for our collective anger and grief, and on the other, we have this platform for queer and feminine celebration.” – Babe Haven
Jonathan Courchesne
Through the Looking Glass
Now, my eyes are peeled for signs and signals of the punk scene and its connection to politics. From the moment of silence for Gaza at a November concert to the New Jersey-based punk band Funeral Doors’ moment of silence for Gaza, and Brooklyn-based band Talon in February.
I remember standing in the crowds at that concert in February as the business casual people entered the bar, expecting a relaxing after-work drink with some light chatter in the background. I watched their faces as they slowly backed out of the door. While they heard howling, the fans listented to Juni, the lead singer of Funeral Doors, screaming, “F*ck trans genocide!”
Everyone was immersed in the safe space the band had provided us. Somewhere in the crowd, there was someone — or 3 or 4 individuals — struggling to truly be who they are. And — if only for a brief moment — they felt like they belonged.
Lead singer of Funeral DoorsERYNN WAKEFIELD
Inevitable Misunderstanding
Although there are essential conversations happening within the punk and DIY communities about what it means to be a part of the subculture, we still have work to do. Recently, I had an extremely jarring experience as I was peacefully scrolling through TikTok.
I came across a string of videos about right-wing punks trying to claim the subculture for themselves. Soon after my feed was flooded with stitches and clapbacks from left-wing people explaining the subculture of punk music and the inability to remove it from left-leaning political discourse.
@c4b1n_1n_th3_wxxds_ Sorry i look kinda bad 💀 ive bad a rough few weeks . . . . . . #punk #punkstyle #punkclothing #punkrock #punkfashion #crustpunk #folkpunk #queer #gay #lgbtq #pride #leftist #leftistpolitics #anarchism #Anarchy #Socialism #anarchocommunism ♬ original sound - C4b1n 🔻
Punk's Proclamation: A Movement Rooted in People’s Power
I’ve said it time and time again: artists must reflect the times. It’s both comforting and empowering that this genre I love so much does not deny me. And it wouldn’t be what it is without me. As silly as it sounds, I often return to a meme, one that declares that people — if they choose to create — need to carry the burden of the world they’re living in. This has only proven to be true.
Punk music and the subculture behind it aren’t merely screaming and studded belts from your local Hot Topic (if they’re a thing anymore). The punk scene highlights the struggles of the working class, sheds light on political issues relating to marginalized groups, fosters community, and fights for what’s right.
Punk music has always held a space for me; all I had to do was claim it.
@wormtriip via Instagram
How To Interpret COVID-19 Statistics
Mark Twain once observed, "There are three kinds of lies: lies, damned lies, and statistics." Those in the legal profession might say: "There are three kinds of liars: simple liars, damned liars, and experts."
Data can be manipulated and presented to support a specific narrative or a particular conclusion. Because of this, you'd be well advised to seek out and analyze data for yourself, as opposed to allowing others to summarize and present that data for you.
A number of data sources are particularly helpful regarding the COVID pandemic. Instead of relying on others to draw conclusions from raw data, you're better off analyzing for yourself.
Three things really matter in the discussion of COVID-19:
The Infection Rate
The infection rate not only tells us about the spread of the virus; ultimately it informs about the lethality of the coronavirus. Of course, lethality is difficult to measure during an outbreak, especially when so many infections are asymptomatic.
Indeed, a Penn State University study estimates that the number of people infected in March 2020 was 80 times the officially reported number (in other words, there were 8.7 million more infected people in March than reported).
Estimates of lethality vary, but the early projection of 3.4% from the WHO appears to be wildly overstated. Dr. John Ioannidis of Stanford makes the case for a lethality of 0.25%. You can monitor the confirmed infection rate for yourself on a daily basis, including by state, at a helpful site from USA Today that posts data from Johns Hopkins University.
By watching this number – a minimum (as stated by USA Today), due to the great number of asymptomatic and unreported cases – you can correlate the rate of infection with other key metrics.
As of today, the new cases curve looks like this:
The Death Rate
Bearing in mind that any death in which the deceased has tested positive for Covid has been classified as a "Covid death" regardless of other contributing factors, you can monitor daily deaths at the same USA Today site.
Safeguarding human life should be our main concern, so please look at the data critically. On June 25th, for example, a spike appears in the data which, after digging through data state-by-state, incorporates results from a retroactive reclassification of ~1,800 deaths in New Jersey as COVID-related.
It's helpful to cross reference with the Worldometer site to identify any large daily discrepancies that could result from retroactive changes. By watching this number, including data concerning state levels, you can begin to correlate the tragic human toll of this disease with infection rate and public policy.
You can also start to draw conclusions as to both lethality and improvements in treatment over time. As of today, the death rate curve looks like this:
June 25th reclassification of ~1800 deaths by NJ.
The Hospitalization Rate
The need to "bend the curve" and avoid overwhelming our hospitals initially drove the lockdown strategy. So, understanding the actual rate of hospitalization nationally remains very important. The CDC publishes that rate on a weekly basis, helpfully sorted by age group.
As of July 4th the hospitalization curve looks like this:
In addition, the CDC publishes state by state data with regard to hospitalizations so you can see the situation on the ground. As of July 10th, Arizona has an in-patient COVID occupancy of 28.4%, followed by Texas and Florida at 16% each.
The national picture looks like this:
Realize that these important metrics only take into account the COVID variable itself; they don't deal with the economic and collateral public health consequences of public policy. As public health officials - such as Dr. Fauci - clearly state, they don't advise on economics or on the broader impact of health policy recommendations.
I suspect that most people are quite able to judge the impact of policy on themselves, their families, and their communities.
The point of this article is to encourage everyone to take advantage of the information that is readily available - and the above is only a start. You should think critically and form your own opinions.
Obviously, any data set will be a snapshot of a given moment, but it allows you to access that data and monitor it over time.
Margaret Caliente is a professional athlete turned internet entrepreneur and Manhattan-based journalist.
