Beyond that, she recently announced her third album, HIT ME HARD AND SOFT, to be released May 17, 2024. She spent the days leading up to the announcement building excitement by adding all of her Instagram followers to her “Close Friends” list. Eilish had the most Instagram followers in 48 hours…with her count increasing by 7 million followers total.
While her debut album, when we all fall asleep…where do we go?, was a chart-topper in its own right, it landed Billie every GRAMMY it was nominated for at the ripe age of 18…Eilish has solidified herself as one of the most revered and sought-after popstars in the world.
Eilish recently caught media attention for quietly revealing her sexuality. In an interview with Variety, she states that she’s always liked girls…and assumed people always knew that. In a viral snippet from her new song, LUNCH, she details a love affair with a girl.
But people don’t only adore Billie for her catchy tracks that consistently top the charts. It’s not just her songwriting ability and unique vocals that keep us hooked. People love her because she’s unafraid to speak her mind.
Whether it be complaining about too many influencers being at an awards show, or calling out other artists for using unsustainable practices…Billie does not hold back.
Billie Eilish On Sustainability
Eilish home
rethinkingthefuture.com
The Eilish home is iconic for many reasons: it’s where Billie and Finneas recorded her debut album, countless other songs, and EPs, in an effort to conserve water there’s no grass, and the roof is covered in solar panels. And being environmentally conscious extends beyond the four walls of their home.
When the hottest young talent is discovered at such an early age like Eilish, record labels are chomping at the bit to sign them. It’s like when a D1 athlete is ready to commit to college…you have your pick.
But what Eilish and her mom, Maggie Baird, were looking for wasn’t about money or label-perks…they were seeking a solid sustainability program. And while that may seem like standard practice, most labels didn’t bring up environmental policies during these meetings at all.
After signing to The Darkroom via Interscope Records, the struggle didn’t stop there. Billie Eilish and her family have been consistent contributors to the fight against climate change.
Maggie Baird has since started Support + Feed, which focuses on the climate crisis and food insecurity. Support + Feed helped Eilish’s 2022 Happier Than Ever tour save 8.8 million gallons of water through plant-based meal service for the artist and crew members.
During Billie’s 2023 Lollapalooza performance, she aided the launch and funding of REVERB’s Music Decarbonization Project – which guaranteed all battery systems used during her set were solar powered. The MCD’s overall mission is to lower – and eventually eliminate –the music industry’s carbon emissions.
But more recently, Billie Eilish called out other artists for releasing multiple versions of vinyls in order to boost vinyl sales. In an interview with Billboard, she says,
“We live in this day and age where, for some reason, it’s very important to some artists to make all sorts of different vinyl and packaging … which ups the sales and ups the numbers and gets them more money and gets them more…”
Artists convince fans to buy different versions of their albums by offering exclusive features on each vinyl. Take Taylor Swift, for example, who released five separate vinyl versions of Midnights, each with a different deluxe “Vault” track.
While Billie may not have been trying to shade one artist in particular, the point is that she’s fed up. After being the rare artist in the industry who go out of their way to remain environmentally conscious, Eilish sets the bar high.
How Eilish’s New Album Is Sustainable
Billie for "Hit Me Hard and Soft"
William Drumm
Social media users were quick to claim Eilish was hypocritical by announcing that HIT ME HARD AND SOFT will have eight vinyl variations. However, each vinyl is made from recycled materials – either 100% recycled black vinyl or BioVinyl, which replaces petroleum used during manufacturing with recycled cooking oil.
This just illustrates that Eilish wasn’t directing criticism towards other artists for using vinyl variants to gain album sales…but she does think there are better ways to do it that benefit the environment without hurting their sales.
How About a Dose of Reality?
SPONSORED / PAID FOR BY DTC (DEFEND THE COMICS) SPECIES: HOMO SAPIEN TAXONOMY: a.1.43.Luke.19.1971.OT. TYPE: 1ST PERSON EXPERIENTIAL
INDICATIONS AND MEDICAL DISCLOSURE:
ZEITFRO® (alkaline antifreeze [ALF]) [dosage/instructions: taken after scone and artisanal Cappucino--read below-- 2x per day or otherwise directed by a medical doctor; limit: three doses per day]
INDICATIONS AND DOSAGE: ONE READING HAS BEEN CLINICALLY PROVEN TO SHOW SIGNS OF HELPING TO HELP, OR POTENTIALLY TRYING TO HELP BUT FAILING OR RECEIVING A PARTICIPATION BADGE FOR TRYING, ANTISOCIAL BEHAVIOR INCLUDING HATING AS DISPLACEMENT OF SELF-LOATHING OR SELF-LOVE (AKA SCHADENFREUDE), SYMPTOMS CAUSED BY EXCESSIVE NARCISSISM, ENNUI, ANGER MANAGEMENT DISORDER, AND NTDWYTFOCS [also known as ATW (ACUTE TIME WASTING) SYNDROME, OFTEN LINKED TO CHILDHOOD CRUELTY TO SMALL ANIMALS AND LIFE-LONG PATTERNS OF SOCIOPATHIC BEHAVIOR].
PARENTAL WARNING: UNCENSORED THOUGHTS CONTAINED BELOW, SOME OF WHICH MIGHT CAUSE SEIZURES, 'HOT DOG' FINGERS, ACUTE RESPIRATORY FAILURE INCLUDING POPCORN LUNGS, PINPRICK MACROECONOMIC BUBBLE BURSTING, THE ABANDONMENT OF ALLIES OF CONVENIENCE AKA 'MILD GENOCIDAL SYNDROME' (MGS and gluten-free), CARDIAC EPISODES, PANIC ATTACKS AND HALLUCINATIONS FEATURING CAMEOS BY BILL COSBY, RON HOWARD, GLORIA ESTEFAN, KEVIN SPACEY, HEART (the WHOLE band), R. KELLY AND ALL THE CATHOLIC PRIESTS OF YOUR YOUTH. ANYONE WHO HAS DIABETES OR ERECTILE DYSFUNCTION SHOULD CONSULT A DOCTOR BEFORE READING THIS ARTICLE. THOSE WITH GENDER APHASIA OR WHO WANT TO CHANGE GENDER ARE ALSO ADVISED TO WEAR 3-D GLASSES BEFORE READING BELOW THIS LINE OF TEXT. FURTHERMORE, FWIW FOR ALL WHO HAVE THE FOBLO VARIANT OF COVID. DO NOT TRY THIS AT HOME WITHOUT A 'SPOTTER.'
How about this comment from my mom's friend sitting next to me, a half-Jewish woman who I worried about offending by clicking "play" on Netflix on the now-infamous Chappelle special?
"I don't understand what the controversy is about..."
Well, yeah - that was the best outcome I could've hoped for when I pressured two aging hippies, activists who pushed for the Gloria Steinem / Helen Ready phase of feminism. But they also participated in the stuff that led MLK and Rosa Parks to fight hard for their place at the front of the bus. Full disclosure - one is my mother. The other is a woman I'll just call Bob (challenge parenthetical: use Hitchhiker's Guide to grok the Bob reference) so that nobody cancels this blue-haired beauty. Bob danced with Mama Cass and performed with the Rockettes. She is half-Jewish.
Archie Bunker is top of my mind as I write these words, and I know that Norman Lear knew what he was doing with that comedy. But he's a Space Jew (jk… duh).
What did Bob say to me when Chappelle's confessional comedy canon-fire finished with a punchline about sucking dick?
"I don't understand what the controversy is about..." -- Bob
Who'll be the hero of the inevitable swing of the pendulum towards some kind of true north -- fucking David Chappelle. I won't use that N-word here, because I'm not allowed. I don't want to be aborted before the fetus becomes human, and I'm not brown like Chappelle. Actually, I will use it - he's a Bad-ass N - as in Nostradamus. A hard one who tells the truth. And we can all learn from his truth.
All this is to say - Chappelle is a good lad, for real. He's not just a comedic genius. He's a man who fought against all odds, a scrapper (like my mom and her friend) looking to break the chain of privileged control of wealth and do his mfg thing. He knows his people and his history - and not just the black part of it all. And he is funny as fuck.
Here's the thing about it: I believe that America is *UN - FUCKING - AMERICAN*right now, and Chappelle fired a giant warning flare into the sky, an S.O.S. We need to talk, laugh, discuss things. We should not look for "gotcha" moments and reasons for hating one another.
We don't all need to be homogenous robots praying at the altar of some sort of C culture of silliness. Why work if you can whine? Nah. People want to work. We need to be human. Humans are tribal and we will have bias. And then there's this -- stereotypes contain both truth and danger. Not forever-truth but truth that comes from history, from epigenetic behavior that crosses culture and art and charisma and bloodlines stretching back to Africa. That's why I want to say this: Chappelle is our Nostradamus. If we look back years from now and identify a cultural inflection point, we will need a person in charge of that moment. That's kind of the way we catalog history.
Excerpt from new Rasmussen poll rasmussenreports.com
If you can't beat them, join 'em. Check out this newly published poll. These polls are super corrupt, I know. Just do the math. I mean - who wants jury duty or has time for this b.s.? Well-and-so, Facebook including Instagram - might be the altar to pray at for popular opinion. But… err… why is everyone on Facebook talking about what they had for breakfast and trolling for self-confidence from busted-up spaghetti code companies run by self-loathing geeks? I mean, who died and made Zuckerberg the foremost expert on how to be social? Sheesh - he comes across as the kind of dude who not only got shoved in the locker at high school but actually deserved it.
On a serious (not 'suck my dick'... tsk-tsk) note, I will also say this about Mr. Chappelle: he's worthy of comparison to the great comics who came before - everyone from Groucho to Gleeson to Lenny Bruce, Pryor, Robin Williams, Eddie Murphy, Rock, Tina Fey, and we cannot forget Carlin. But here's the thing that might be more important - he really feels. He's not out to judge, but to connect with everyone from trans people to the waiter at the fancy places he frequents. He's an empath - and not in some kind of bullshit X-Files way.
He's someone who keeps score according to a personal moral code that he cannot ignore and which informs his craft. That makes him a full-blown creator of literature and art who will be remembered for a long time to come. He's a storyteller and social commentator on par with some of the world's greatest - Oscar Wilde, James Baldwin, Dick Gregory, Lou Reed, Michael Lewis, Malcolm Gladwell, David Sedaris, Jay-Z, Regina King, Kendrick Lamar - writers and thinkers.
His (he / him / his) comedy is part of the new literature we need to consume because by doing so, we learn.
Thanks, Chappelle, for the S.O.S. We've got to save this fucking ship.
GOAT. Rising.
Dave Chappelle Photo by By Gemunu Amarasinghe (AP/Shutterstock)
Some songs as a p.s. [warning: internet connection and decent speakers required]:
True to Myself - Ziggy Marley
Thousands are Sailing - The Pogues
Same Love - Macklemore
Street Fighting Man - Rolling Stones
Daydream Believer - The Monkees
Dirty Boulevard - Lou Reed
Girls - Beastie Boys
Democracy - Lumineers
Rain Street - Pogues
Angel of Harlem - U2
Black Boys on Mopeds - Sinead O'Connor
Lonely Teardrops - Jackie Wilson
River - Leon Bridges
What Millennials and Older Generations Need to Realize About Political Correctness
In addition to deepening the gap between conservatives and liberals, the debate tends to fracture the left, leading to dissent from the inside. This stems in part from the fact that many older liberals simply can't wrap their minds around the idea of political correctness.
Political Correctness: Censorship or Part of the Fight for Equality?
Critics of political correctness equate it to censorship, which they see as a threat to the all-American ideal of unbridled freedom. For most liberal millennials and Gen-Z kids, however, political correctness is about freedom, just of a different sort. It's really about shutting down hate speech and supporting marginalized communities.
Nowhere did this divide become clearer than in one of my lectures in college, a postmodernism class with a professor who I'd always seen as uniquely brilliant (and who also happened to teach a lesbian erotica class). She lost a lot of my respect when—as a white woman—she insisted that there was nothing really wrong with a white person saying the "n" word in solitude, prompting one of the few people of color in the class to raise her hand and ask: "Why are white people so desperate to say that one word?" The professor responded with a lecture about free speech and the insubstantiality of language, a response that felt misguided and totally out of touch.
This generational divide appeared again when prominent feminist and author Margaret Atwood published an op-ed critiquing the #MeToo movement. "My fundamental position is that women are human beings, with the full range of saintly and demonic behaviours this entails, including criminal ones," she wrote. "They're not angels, incapable of wrongdoing." In short, Atwood was critiquing the #MeToo movement for the same reason that many people critique political correctness. They feel that restricting one's language, or giving the benefit of the doubt to and prioritizing the voices of certain demographics, is infantilizing or threatening to other demographics' freedoms.
On the other hand, many young liberals understand that political correctness is an important part of the process of giving respect to groups that have been and are still systematically oppressed. This political correctness can take the form of prioritizing people of color's voices, or calling out offensive speech—even, or especially, when it's the product of ignorance, or when it's conducted out of earshot of the people it might hurt.
What Toni Morrison Knew: Political Correctness and Free Speech Can Be the Same Thing
What we all need to understand is that, among other things, the left's internal war over political correctness and free speech presents a chance for generations to learn from each other. Defenders of political correctness might realize that sometimes, accidentally offensive language can present a valuable educational opportunity—though this is not always the case, and no one should be required to educate others about why they deserve basic respect.
Older proponents of free speech, for their part, can realize that political correctness, safe spaces, and the like ultimately come from places of compassion. At their core, they are efforts to achieve a more equitable world.
Perhaps it's too starry-eyed to imagine that older allies could learn from younger people who refuse to accept middle-of-the-road policies or veiled racism, but some older people have certainly embraced progressive worldviews. "Oppressive language does more than represent violence; it is violence; does more than represent the limits of knowledge; it limits knowledge," said Toni Morrison in a 1993 address about political correctness. Morrison, whose wisdom stretched far beyond the blind spots of her generation, was a supporter of what political correctness stands for, though not of the implications of that specific term. In a later interview, she added, "I believe that powerful, sharp, incisive, critical, bloody, dramatic, theatrical language is not dependent on injurious language, on curses. Or hierarchy."
In short, freedom of speech is not contingent on the ability to use offensive language. We can be free—in fact, we can only be free—when all of us are free, which will only happen when language that demonizes or injures certain groups is purged from acceptable discourse.
Ironically, the book we were discussing that day in my postmodernism class was Morrison's Beloved.
Image via the Washington Post