“A tree is best measured when it is down,” the poet Carl Sandburg once observed, “and so it is with people.” The recent death of Harry Belafonte at the age of 96 has prompted many assessments of what this pioneering singer-actor-activist accomplished in a long and fruitful life.
Belafonte’s career as a ground-breaking entertainer brought him substantial wealth and fame; according to Playbill magazine, “By 1959, he was the highest paid Black entertainer in the industry, appearing in raucously successful engagements in Las Vegas, New York, and Los Angeles.” He scored on Broadway, winning a 1954 Tony for Best Featured Actor in a Musical – John Murray Anderson's Almanac. Belafonte was the first Black person to win the prestigious award. A 1960 television special, “Tonight with Belafonte,” brought him an Emmy for Outstanding Performance in a Variety or Musical Program or Series, making him the first Black person to win that award. He found equal success in the recording studio, bringing Calypso music to the masses via such hits as “Day-O (The Banana Boat Song)” and “Jamaica Farewell.”
Harry Belafonte - Day-O (The Banana Boat Song) (Live)www.youtube.com
Belafonte’s blockbuster stardom is all the more remarkable for happening in a world plagued by virulent systemic racism. Though he never stopped performing, by the early 1960s he’d shifted his energies to the nascent Civil Right movement. He was a friend and adviser to the Reverend Doctor Martin Luther King, Jr. and, as the New York Times stated, Belafonte “put up much of the seed money to help start the Student Nonviolent Coordinating Committee and was one of the principal fund-raisers for that organization and Dr. King’s Southern Christian Leadership Conference.”
The Southern Poverty Law Center notes that “he helped launch one of Mississippi’s first voter registration drives and provided funding for the Freedom Riders. His activism extended beyond the U.S. as he fought against apartheid alongside Nelson Mandela and Miriam Makeba, campaigned for Mandela’s release from prison, and advocated for famine relief in Africa.” And in 1987, he received an appointment to UNICEF as a goodwill ambassador.
Over a career spanning more than seventy years, Belafonte brought joy to millions of people. He also did something that is, perhaps, even greater: he fostered the hope that a better world for all could be created. And, by his example, demonstrated how we might go about bringing that world into existence.
The POTUS Is Fictional: Best US Presidents in Film
Here's the best conspiracy theory you'll hear all day (among the many coming out of the White House): None of this is happening.
Everything since the 2016 presidential election is just b-roll for a parody movie about the American presidency. Our actual president is dancing with Annette Bening at state dinner. Our president is balancing the federal budget with common sense. Our American president is kicking ass on Air Force One.
Like most people these days, I rely on movies to feel anything close to a real emotion. When it comes to political fervor, most of my passion for democracy comes from watching movies about fictional presidents, preferably with excellent cinematography and unrealistically attractive actors who recite Aaron Sorkin lines in bold pant suits during dramatic "walk-and-talk" tracking shots. Who hasn't closed their eyes and pretended The West Wing's Martin Sheen was running America with his soft, uncular gaze?
But rather than analyze what that says about my and most Americans' civic values (or the fact that 96.5 percent of us don't give a f**k about democracy, according to a recent Yale study), I'm going to keep searching for the next great American president in my Netflix queue.
These are the best fictional American presidents (and their finest moments).